Step-by-step directions for recycling paper into new handmade decorative and art sheets, using a blender and tin cans, and other materials found around the kitchen.

Provides instructions on making paper, offers tips on everything from proper technique to troubleshooting problems with finished paper, and includes directions for dozens of projects.

Craft your own colorful paper goods and personalized stationary. With clear, step-by-step instructions, Helen Heibert covers all aspects of the papermaking process — from growing and harvesting plants for a malleable paper pulp to embellishment techniques like dyeing, embossing, and laminating. With tips on building your own papermaking equipment, ideas for transforming junk mail into dazzlingly unique notecards, and much more, you’ll be inspired to let your creativity shine as you explore the endless possibilities of handcrafted papers.

Make exquisite papers right in your own kitchen. With a few pieces of basic equipment and a small harvest of backyard weeds, you can easily create stunningly original handcrafted papers. Helen Heibert’s illustrated step-by-step instructions show you how easy it is to blend and shape a variety of organic fibers into professional stationery, specialty books, and personalized gifts. You’ll soon be creatively integrating plant stalks, bark, flower petals, pine needles, and more to add unique colors and textures to your paper creations. This publication conforms to the EPUB Accessibility specification at WCAG 2.0 Level AA.

With the exception of a slight hiccup during the height of the recent environmental movement (during the early 1990s), when for a year or two consumers were prepared to pay a price premium for lower quality recycled paper than for the virgin product, the inexorable improvement in the quality demanded of paper products continues. This demand for quality covers not only the aesthetics ofthe product but also its performance. Moreover, it is becoming increasingly the case that papers designed for a particular use must, as it were incidentally, also perform well in alternative applications. An example is that of office and printing papers, which are expected to perform as well in copier machines as in all the various forms of impact and non-impact printers. But even greater demands are made in other product areas, where board designed for dry foods can also be expected to protect moist and fatty materials and be made of 100% recycled fibre. The need to isolate foodstuffs from some of the contaminants that can affect recycled board is a· serious challenge. Thus, papermakers are constantly striving to meet a broadening spectrum of demands on their products; often while accepting declining quality of raw materials. The product design philosophy that has arisen in response to this is increasingly to isolate the bulk of a paper from its uses: to engineer the needed performance characteristics into the paper surfaces while more or less ignoring what happens inside.

This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.