Beauty Is The Nourishment Of The Soul. It Is Something That Gives Us Dignity As A Species. This Book Calls Us To Awaken To The Possibilities Of A Culture That Recognises The Importance Of Beauty And To Acknowledge That We Are Only Fully Human When In Contact With The Beautiful.

The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty. In an age of feeble and ugly machine-made things, these essays call for us to deepen and transform our relationship with the objects that surround us. Inspired by the work of the simple, humble craftsmen Yanagi encountered during his lifelong travels through Japan and Korea, they are an earnest defence of modest, honest, handcrafted things - from traditional teacups to jars to cloth and paper. Objects like these exemplify the enduring appeal of simplicity and function: the beauty of everyday things.

Containing lengthy essays on religion, folk art traditions, the production of utilitarian and religious objects, textiles, ceramics, masks, and metalwork, as well as the history of the Montgomery Collection itself, this volume provides a thorough grounding in the use and context of this art. Nearly 300 pieces are reproduced here in full-page color plates with short captions.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

A delightful book, celebrating the wonders of simplicity and minimalism in a noisy, overwhelming world. Our planet was once teeming with all kinds of life, but our grandchildren will inherit one with less than 20 per cent of its early forests still in tact, and thousands of plant and animal species extinct. Sooner or later, a more frugal lifestyle is not only desirable, but will soon be imperative. Life at the moment isn't what it should be – technological and economic progress has resulted in a delusion that material solutions will solve emotional problems, but a simpler lifestyle leaves space for spiritual renewal. This is a book about simplicity – not destitution, parsimoniousness or self-denial, but the restoration of wealth in the midst of an affluence in which we are starving the spirit. There are many advantages to living a less cluttered, less stressful life than that which has become the norm in the overcrowded and manic-paced consuming nations. Written by painter, writer and educator John Lane, Timeless Simplicity is an ode to having less and enjoying more. More time to pursue creativity, eat good food, relax with your family – and to just be yourself!

Drawing upon his experiences as both a Christian and an artist, Cameron J. Anderson traces the relationship between the evangelical church and modern art in postwar America. While acknowledging the tensions between faith and visual art, he casts a vision for how Christian artists can faithfully pursue their vocational calling in contemporary culture.

A portrait of one of America's most profound and honest thinkers, this book combines biographical sketches, personal accounts, literary criticism, and social commentary to illuminate Berry as he is: a complex man of place and community with a depth of domestic, intellectual, filial, and fraternal attributes.