In Time, Tense, and American Literature, Cindy Weinstein examines canonical American authors who employ a range of tenses to tell a story that has already taken place. This book argues that key texts in the archive of American literature are inconsistent in their retrospective status, ricocheting between past, present and future. Taking 'The Narrative of Arthur Gordon Pym' as her point of departure, Weinstein shows how Poe's way of representing time involves careening tenses, missing chronometers and inoperable watches, thus establishing a vocabulary of time that is at once anticipated in the fiction of Charles Brockden Brown and further articulated in works by Elizabeth Stuart Phelps, Theodore Dreiser and Edward P. Jones. Each chapter examines the often strange narrative fabric of these novels and presents an opportunity to understand how especially complicated historical moments, from the founding of the new nation to the psychic consequences of the Civil War, find contextual expression through a literary uncertainty about time.

This book examines canonical American authors who employ a range of tenses to tell a story that has already taken place.

This book brings together leading critics in American literature to address the representation of time throughout a wide range of genres, methodologies, and chronological periods. American literature, from its beginnings to the present, provides a particularly rich set of texts to examine in this regard, with its interest in history, modernity and progress. Each essay considers how time embeds itself in a variety of textual representations, including Native American rituals, Shaker dances, novels, poetry, and magazines in order to provide readers with a capacious view of time's constitutive role in American literature. The essays are organized into four sections - Materializing Time, Performing Time, Timing Time, and Theorizing Time. Each section reflects a particular approach to the question of time, but taken as a whole the volume makes visible unexpected temporal patterns that cut across time period and genre.

Even before the Civil War, American writers were imagining life after a massive global catastrophe. For many, the blank slate of the American continent was instead a wreckage-strewn wasteland, a new world in ruins. Bringing together epic and lyric poems, fictional tales, travel narratives, and scientific texts, Postapocalyptic Fantasies in Antebellum American Literature reveals that US authors who enthusiastically celebrated the myths of primeval wilderness and virgin land also frequently resorted to speculations about the annihilation of civilizations, past and future. By examining such postapocalyptic fantasies, this study recovers an antebellum rhetoric untethered to claims for historical exceptionalism - a patriotic rhetoric that celebrates America while denying the United States a unique position outside of world history. As the scientific field of natural history produced new theories regarding biological extinction, geological transformation, and environmental collapse, American writers responded with wild visions of the ancient past and the distant future.

A collection of engaging essays that seeks to uniquely reperiodize American literature. It is all but inevitable for literary history to be divided into periods. "Early American," "antebellum," "modern," "post-1945"—such designations organize our knowledge of the past and shape the ways we discuss that past today. These periods tend to align with the watershed moments in American history, even as the field has shifted its perspective away from the nation-state. It is high time we rethink these defining periods of American literary history, as the drawing of literary timelines is a necessary—even illuminating—practice. In these short, spirited, and imaginative essays, 23 leading Americanists gamely fashion new, unorthodox literary periods—from 600 B.C.E. to the present, from the Age of Van Buren to the Age of Microeconomics. They bring to light literary and cultural histories that have been obscured by traditional timelines and raise provocative questions. What is our definition of "modernism" if we imagine it stretching from 1865 to 1965 instead of 1890 to 1945? How does the captivity narrative change when we consider it as a contemporary, not just a "colonial," genre? What does the course of American literature look like set against the backdrop of federal denials of Native sovereignty or housing policies that exacerbated segregation? Filled with challenges to scholars, inspirations for teachers (anchored by an appendix of syllabi), and entry points for students, Timelines of American Literature gathers some of the most exciting new work in the field to showcase the revelatory potential of fresh thinking about how we organize the literary past.

Based on the author's dissertation (doctoral)--Columbia University, 2013.

Nineteenth-Century American Literature and the Discourse of Natural History illuminates how literary experimentation with natural history provides penumbral views of environmental survival. The book brings together feminist revisions of scientific objectivity and critical race theory on diaspora to show how biogeography influenced material and metaphorical concepts of species and race. It also highlights how lesser known writers of color like Simon Pokagon and James McCune Smith connected species migration and mutability to forms of racial uplift. The book situates these literary visions of environmental fragility and survival amidst the development of Darwinian theories of evolution and against a westward expanding American settler colonialism.