The concept of time is salient to all human affairs and can be understood in a variety of different ways. This pioneering collection is the first comprehensive survey of time and archaeology. It includes chapters from a broad, international range of contributors, which combine theoretical and empirical material. They illustrate and explore the diversity of archaeological approaches to time.

It might seem obvious that time lies at the heart of archaeology, since archaeology is about the past. However, the issue of time is complicated and often problematic, and although we take it very much for granted, our understanding of time affects the way we do archaeology. This book is an introduction not just to the issues of chronology and dating, but time as a theoretical concept and how this is understood and employed in contemporary archaeology. It provides a full discussion of chronology and change, time and the nature of the archaeological record, and the perception of time and history in past societies. Drawing on a wide range of archaeological examples from a variety of regions and periods, The Archaeology of Time provides students with a crucial source book on one of the key themes of archaeology.

The last 20 years have witnessed a proliferation of new approaches in archaeolog ical data recovery, analysis, and theory building that incorporate both new forms of information and new methods for investigating them. The growing importance of survey has meant an expansion of the spatial realm of traditional archaeological data recovery and analysis from its traditional focus on specific locations on the landscape-archaeological sites-to the incorporation of data both on-site and off-site from across extensive regions. Evolving survey methods have led to experiments with nonsite and distributional data recovery as well as the critical evaluation of the definition and role of archaeological sites in data recovery and analysis. In both survey and excavation, the geomorphological analysis of land scapes has become increasingly important in the analysis of archaeological ma terials. Ethnoarchaeology-the use of ethnography to sharpen archaeological understanding of cultural and natural formation processes-has concentrated study on the formation processes underlying the content and structure of archae ological deposits. These actualistic studies consider patterns of deposition at the site level and the material results of human organization at the regional scale. Ethnoarchaeological approaches have also affected research in theoretical ways by expanding investigation into the nature and organization of systems of land use per se, thus providing direction for further study of the material results of those systems.

The field of archaeology continues to face a major crisis of interpretation. The traditional view is that the basic business of archaeology is to reconstruct the history of cultures and civilizations through their material productions. Olivier challenges this view with a new approach to archaeological remains based on the works of French theorists such as Foucault, de Certeaux, and Derrida, with insight from Darwin and Freud. His thesis is that archaeology does not study the past itself but rather what materially remains of the past in our present. Olivier also develops an interpretation of material culture based on Aby Warburg’s and Walter Benjamin’s work in the anthropology of art. With wider implications for history and all social sciences, The Dark Abyss of Time is a major contribution to the theory of time, memory, heritage, and archaeology. This flawless translation makes Olivier’s elegantly written work available in English for the first time.

A quest to find something new by excavating the "deep time" of media's development—not by simply looking at new media's historic forerunners, but by connecting models, machines, technologies, and accidents that have until now remained separated. Deep Time of the Media takes us on an archaeological quest into the hidden layers of media development—dynamic moments of intense activity in media design and construction that have been largely ignored in the historical-media archaeological record. Siegfried Zielinski argues that the history of the media does not proceed predictably from primitive tools to complex machinery; in Deep Time of the Media, he illuminates turning points of media history—fractures in the predictable—that help us see the new in the old. Drawing on original source materials, Zielinski explores the technology of devices for hearing and seeing through two thousand years of cultural and technological history. He discovers the contributions of "dreamers and modelers" of media worlds, from the ancient Greek philosopher Empedocles and natural philosophers of the Renaissance and Baroque periods to Russian avant-gardists of the early twentieth century. "Media are spaces of action for constructed attempts to connect what is separated," Zielinski writes. He describes models and machines that make this connection: including a theater of mirrors in sixteenth-century Naples, an automaton for musical composition created by the seventeenth-century Jesuit Athanasius Kircher, and the eighteenth-century electrical tele-writing machine of Joseph Mazzolari, among others. Uncovering these moments in the media-archaeological record, Zielinski says, brings us into a new relationship with present-day moments; these discoveries in the "deep time" media history shed light on today's media landscape and may help us map our expedition to the media future.

Describes the state's prehistory and archaeological discoveries

Time, Culture and Identity questions the modern western distinctions between: * nature and culture * mind and body * object and subject. Drawing on the philosophy of Martin Heidegger, Julian Thomas develops a way of writing about the past in which time is seen as central to the emergence of the identities of people and objects.