Tilly in Technicolor is Mazey Eddings's sparkling YA debut about two neurodivergent teens who form a connection over the course of a summer. Tilly Twomley is desperate for change. White-knuckling her way through high school with flawed executive functioning has left her burnt out and ready to start fresh. Working as an intern for her perfect older sister’s start up isn’t exactly how Tilly wants to spend her summer, but the required travel around Europe promises a much-needed change of scenery as she plans for her future. The problem is, Tilly has no idea what she wants. Oliver Clark knows exactly what he wants. His autism has often made it hard for him to form relationships with others, but his love of color theory and design allows him to feel deeply connected to the world around him. Plus, he has everything he needs: a best friend that gets him, placement into a prestigious design program, and a summer internship to build his resume. Everything is going as planned. That is, of course, until he suffers through the most disastrous international flight of his life, all turmoil stemming from lively and exasperating Tilly. Oliver is forced to spend the summer with a girl that couldn’t be more his opposite—feeling things for her he can’t quite name—and starts to wonder if maybe he doesn’t have everything figured out after all. As the duo’s neurodiverse connection grows, they learn that some of the best parts of life can’t be planned, and are forced to figure out what that means as their disastrously wonderful summer comes to an end.

What is a mixed movie? A film to which artists of various nationalities contribute. Popular examples are "Land of the Pharaohs," "The Bridge on the River Kwai," "Casino Royale" and "The Sundowners." British players like Errol Flynn, Stewart Granger, Rex Harrison and James Mason have always been welcome in Hollywood. Not so well known are the numerous examples of American actors who lent their talents to British films, such as Robert Ayres, Phyllis Kirk, Mona Freeman, Frank Sinatra, Carol Lynley, William Bendix, Russ Tamblyn, William Holden, Raquel Welch, Joan Crawford, Gene Tierney, Van Johnson, Vincent Price, Tab Hunter, Alex Nicol, Zachary Scott, and Wayne Morris, to mention but a few such appearances that are detailed in this book.

Few people would argue with the films selected for detailed notices and reviews in this book. Many of the movies are award-winners, and most chalked up impressive figures at the box-office. Who would dispute the inclusion of Citizen Kane or Rebecca or The Best Years of Our Lives? However, along with The Yearling and Reap the Wild Wind and Hello, Frisco, Hello, I've also included a few surprises. A magnificent publication. -- Rodney Bourke in International Movie Making (April 2006).

From the wildly popular bestselling author of The Keeper of Lost Things comes a surprising and uplifting story about the complicated relationships between mothers and daughters, and the magic of chosen family. Tilly was a bright, outgoing little girl who loved fizzy drinks, naughty words, and liked playing with ghosts and matches. When her beloved father suddenly disappeared, she and her fragile, difficult mother moved into Queenie Malone’s magnificent Paradise Hotel in Brighton, with its endearing and loving family of misfits—including the exuberant and compassionate Queenie herself. But then Tilly was dealt another shattering blow when her mother sent her off to boarding school with little explanation and no warning, and she lost her beloved chosen family. Now an adult, Tilda has grown into an independent woman still damaged by her mother’s unaccountable cruelty. Wary of people, her only true friend is her dog, Eli. When her estranged mother dies, Tilda returns to Brighton and the home she loved best. With the help of the still-dazzling Queenie, she sets about unraveling the mystery of her exile from The Paradise Hotel, only to discover that her mother was not the woman she thought she knew at all…and that it’s never too late to write your own happy ending. With Ruth Hogan’s trademark quirky, clever, and life-affirming characters, Queenie Malone’s Paradise Hotel will dazzle readers and mesmerize them until they reach the surprising twist at the end.

This grab-bag of movie westerns ranges from the best to the worst; from lavish, no-expense-spared Cecil B. DeMille epics to Poverty Row double bills; from big-budget John Wayne vehicles like "In Old Oklahoma," "The War Wagon" and "The Fighting Kentuckian" to the sort of bottom-drawer product delivered by Sherman Scott and Monogram; from prestige, star-studded westerns like "My Darling Clementine" and "How the West Was Won" to the depths of "The Toughest Man in Arizona"; from the expertly crafted, super-popular "B" stables of Gene Autry, William Boyd, Roy Rogers, Charles Starrett and company to the fly-by-night efforts of long-forgotten brands like "The Range Busters." All reviews carry detailed credits. The book is rounded out with a Hopalong Cassidy filmography and many reproductions of original film posters.

Los Angeles is an ideal city for film noir for both economic and aesthetic reasons. The largest metropolitan area in the country, home to an ever-changing population of the disillusioned and in close proximity to city, mountains, ocean, and desert, the City of Angels became a center of American film noir. This detailed discussion of nine films explores such topics as why certain settings are appropriate for film noir, why L.A. has been a favorite of authors such as Raymond Chandler, and relevant political developments in the area. The films are also examined in terms of story content as well as how they developed in the project stage. Utilizing a number of quotes from interviews, the work examines actors, directors, and others involved with the films, touching on their careers and details of their time in L.A. The major films covered are The Big Sleep, Criss Cross, D.O.A., In A Lonely Place, The Blue Gardenia, Kiss Me Deadly, The Killing, Chinatown, and L.A. Confidential.