With warmth and humor, tuba virtuoso Harvey Phillips tells the story of his amazing life and career from his Missouri childhood through his days as a performer with the King Brothers and the Ringling Bros. and Barnum & Bailey circuses, his training at the Juilliard School, a stint with the US Army Field Band, and his freelance days with the New York City Opera and Ballet. A founder of the New York Brass Quintet, Phillips served as vice president of the New England Conservatory of Music and became Distinguished Professor of Music at Indiana University. The creator of an industry of TubaChristmases, Octubafests, and TubaSantas, he crusaded for recognition of the tuba as a serious musical instrument, commissioning more than 200 works. Enhanced by an extensive gallery of photographs, Mr. Tuba conveys Phillips's playful zest for life while documenting his important musical legacy.

Contains student story book with plot that teach proper use of adverbs.

Shortly before his death, Abe Bickman (the "Patriarch") gave his son, David, his modest family archive. This archive comprised: an envelope, postmarked in 1948 and with a return address in Brazil, in which were contained several black & white photographs; several letters from relatives in the Ukraine, written in Yiddish in the 1920s; and a military passport issued by the Czarist Russian government in the very early 1900s. The author had the letters and passport translated and then reconnected with relatives in Brazil. He subsequently went to Brazil and met many of his cousins living there, some of whom helped him to locate, and eventually meet, cousins from Ukraine, Belarus, Russia, Israel and the United States. Bickman's research into his father's family history also involved gathering information from public archives in Canada, the United States and Ukraine, where he found his earliest direct paternal ancestor bearing the family surname (then "Bikman"). Bickman discovered that much of his father's family's history is a microcosm of the history of Eastern European Jewry from 1774 to the present and, in this process, learned much more about himself than he ever anticipated.

Two teenagers, strangers to each other, have decided to jump from the same bridge at the same time. But what results is far from straightforward in this absorbing, honest lifesaver from acclaimed author Bill Konigsberg. Aaron and Tillie don't know each other, but they are both feeling suicidal, and arrive at the George Washington Bridge at the same time, intending to jump. Aaron is a gay misfit struggling with depression and loneliness. Tillie isn't sure what her problem is -- only that she will never be good enough.On the bridge, there are four things that could happen:Aaron jumps and Tillie doesn't.Tillie jumps and Aaron doesn't.They both jump.Neither of them jumps.Or maybe all four things happen, in this astonishing and insightful novel from Bill Konigsberg.

"Being small is the worst! No one ever picks me for their sports team and my feet hurt from standing on my tiptoes all the time. There can't be anything good about being small‚]‚€‚]right? "

With a family that loves music as much as hers does, it was only a matter of time before it was Ava's turn to pick out an instrument. Her mother plays the piano, her father plays the violin, and one brother plays the cello while the other plays the clarinet. As soon as Ava selects an instrument, she will be able to join them as they practice for the annual holiday concert. And her family has definite ideas on what instrument Ava should select, from the piano to the flute to the violin. But Ava isn't interested in any of them. Ava wants to play the tuba. And she gets her wish. But playing the tuba isn't as easy as it seems. And there is no place for a tuba in the annual concert. But with the encouragement of her music teacher, Ava finds a place for her and her tuba in a special holiday celebration.