Tilism-e-Hoshruba is an epic narrative of the adventures of the legendary Persian hero Emir Hamza—the protagonist of Hamza Nama—his sons and grandsons. The epic opens with the commander-in-chief of the Islamic army, Hamza, pursuing Laqa, who makes false claims to divinity. Laqa takes refuge in Kohistan, adjacent to the enchanted land of Hoshruba, ruled by the formidable King of Sahirs, Afrasiyab Jadoo. Afrasiyab reveres Laqa and deputes his sahirs or wizards to help him fight Hamza. Hamza’s grandson Asad then sets out to conquer Hoshruba, assisted by the clever trickster Amar, who possesses divine artefacts such as a cloak of invisibility and a magic pouch containing parallel worlds. Aided by powerful allies and beset at every step by magical snares, dangerous enchantments and seductive sorceresses, the Islamic army finally conquers Hoshruba. Tilism-e-Hoshruba has enthralled generations of readers with its chivalrous heroes, breathtakingly beautiful princesses, powerful sahirs, sahiras and demons. This brilliant condensed translation by Shahnaz Aijazuddin sensitively reinterprets the highly Persianized Urdu of the original text into this eminently readable book that retains the essence of the original.

In late nineteenth century Lucknow, two rival story-tellers, Syed Muhammad Husain Jah and Ahmed Husain Qamar, wrote a fantasy in the Urdu language whose equal had not been heard before, and which has never been rivalled since. It was called Tilism-e Hoshruba. The writers claimed that the tale had been passed down to them from story-tellers going back centuries: it was a part of the beloved oral epic, The Adventures of Amir Hamza which had come to the Indian subcontinent via Persia and had gained in popularity during the reign of Akbar, the Mughal emperor. The Tilism-e-Hoshruba is the subcontinent’s first wholly indigenous Indo-Islamic fantasy epic. It tells the stories of Amir Hamza’s military forces, his grandson and his loyal band of tricksters (masters of wit and disguise) as they go to war with Afrasiyab, the sorcerer who rules the magical land of Hoshruba. Fantasy, the occult, adventure and romance play themselves out in a typically Indian setting as wizards, sorceresses, tricksters and royalty pitch themselves into the battle for Hoshruba. The characters of the epic are marvels of literary creation, and are much more colourful and dashing than those of the Amir Hamza cycle of tales. The Tilism-e Hoshruba runs to twenty four volumes and will be translated into English for the first time ever by Musharraf Ali Farooqi, the acclaimed translator of The Adventures of Amir Hamza. Random House India will publish all the volumes starting with Hoshruba: The Land and the Tilism, i.e. Book 1 of the series.

Here is a special abridged English translation of a major Indo-Persian epic: a panoramic tale of magic and passion, a classic hero’s odyssey that has captivated much of the world. It is the spellbinding story of Amir Hamza, the adventurer who in the service of the Persian emperor defeats many enemies, loves many women, and converts hundreds of infidels to the True Faith before finding his way back to his first love. In Musharraf Ali Farooqi’s remarkable abridged rendition, this masterwork is captured with all its colorful action and fantastic elements intact. Appreciated as the seminal Islamic epic or enjoyed as a sweeping tale as rich and inventive as Homer’s epic sagas, The Adventures of Amir Hamza is a true literary treasure.

Born of a smokeless fire, and raised in Karachi, Wahid’s life comes apart when he loses the girl he loves to vengeful djinns. Setting out on a journey to recover her soul and find out the truth of his own origins, he is accompanied by Iblis, the Devil himself. Together, they traverse a city infested with corrupt cops and hustling beggars, and discover deathly creatures lurking under its sinister surface, even as the threat of Judgement Day looms large. Sami Shah’s Boy of Fire and Earth is a dark, and often funny, novel of great imagination and power.

Mohammad Ali Jinnah was forty years old, a successful barrister and a rising star in the nationalist movement when he fell in love with pretty, vivacious Ruttie Petit, the daughter of his good friend, the fabulously rich Parsi baronet, Sir Dinshaw Petit. But Ruttie was just sixteen and her outraged father forbade the match. However, when she turned eighteen, they married. Bombay society was scandalized, and Ruttie and Jinnah were ostracized. It was an unlikely union that few thought would last. But Jinnah, in his undemonstrative, reserved way, was unmistakably devoted to his beautiful, wayward child-bride. And Ruttie, on her part, worshipped him, and could tease and cajole the famously unbending Jinnah. But as tumultuous political events increasingly absorbed him, Ruttie felt isolated and alone, cut off from her family, friends and community. She died at twenty-nine, leaving behind her daughter, Dina, and her inconsolable husband, who never married again. Sheela Reddy uses never-before-seen personal letters of Ruttie and her close friends as well as accounts left by contemporaries and friends to portray this marriage that convulsed Indian society. A product of intensive and meticulous research in Delhi, Bombay and Karachi, this is a must-read for all those interested in politics, history, and the power of an unforgettable love story.

A Deserted Temple. The Death Of A Patriarch. An Escaped Tiger&Hellip; An Incident Near The Desolate Chinnamasta Temple On The Rocky Riverbank Of Rajrappa Leads To The Death Of Mahesh Chowdhury, The Head Of A Hazaribagh Family. Adding To The Mystery Are A Set Of Coded Diaries, A Valuable Stamp Collection That Is Missing, And A Tiger That Is Roaming The Streets Of Hazaribagh. One Of Feluda&Rsquo;S Most Intriguing Adventures, This Shows The Master Sleuth At His Best. &Nbsp;

The Land and the Tilism introduced us to the magical land of Hoshruba and the war between the sorcerer Afrasiyab, and Prince Asad and his band of tricksters. In The Prisoner of Batin, Afrasiyab seals the hidden region of Batin, making the master trickster Amar Ayyar a virtual prisoner in Hoshruba. Unable to escape, Amar avenges himself on the emperor, causing death and destruction. While new calamities sent by Afrasiyab wreak havoc at the camp of his estranged wife Mahrukh Magic-Eye, the evil agent Bakhtiarak arrives in Hoshruba to kill Amar Ayyar. Loyalties are in flux once more as the powerful sorceress Makhmur Crimson-Eye falls in love with a prince from the enemy camp and betrays her master, Afrasiyab. The Prisoner of Batin is the second book of a projected series of twenty-three volumes of the Tilism-e Hoshruba. When finished, it will be the first complete translation into English of the great Urdu epic.