The Lost Generation of the First World War were boys who had barely left school before they found themselves living in trenches, drowning in mud and living in constant fear of death. This unique collection of letters from a group of schoolboys who attended Bournemouth Grammar pays tribute to these boys who barely had the chance to become men. Bournemouth's grammar school was founded in 1901. Tragically, all boys who were pupils there in its first decade grew up to be of fighting age in the bloodiest war in history. Ninety-eight of them were killed, averaging about one death every fortnight throughout that conflict. However, it was not all unrelieved blood and slaughter. Life was hard, but often full of interest and surprise. Many of them wrote back to 'Tig' – their much-respected headmaster to tell him of their wartime adventures. Collectively, these letters provide a wide spectrum of the 'Great War.' We read of young men enjoying trying to catch rats in the trenches, winning bets on how long it would take to rescue a tank from no man's land, playing 'footer' amid the gunfire, and singing 'ragtime' in a rickety new-fangled aeroplane while 'rocking the machine in time to it.' This is the voice of the Lost Generation.

The English dialect dictionary, being the complete vocabulary of all dialect words still in use, or known to have been in use during the last two hundred years. Volume 6, T-Z.

In these ten dazzling interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present. In “The Art of Cooking and Serving,” the twelve-year-old narrator does her best to accommodate the arrival of a baby sister. After she boldly declares her independence, we follow the narrator into young adulthood and then through a complex relationship. In “The Entities,” the story of two women haunted by the past unfolds. The magnificent last two stories reveal the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage. This is vintage Atwood, writing at the height of her powers.

From the bestselling author of The Handmaid's Tale and The Testaments • This brilliant collection of connected short stories strings together several decades of moments in the life of one woman—as an ambitious girl in the 1930s, as a young professional coming of age in the uncertain ‘50s and ‘60s, and as half of a couple growing old together. In a series of vividly evoked settings that span cities, backwoods, and farm country, we see this woman contending over time with an unstable sister, a married lover, aging parents, mystifying stepchildren, vulnerable farm animals, and her own changing self. By turns funny, lyrical, earthy, shocking, and deeply personal, Moral Disorder displays Margaret Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage.