Tiergarten is Berlin's oldest park, with more than five hundred acres of woodland in the heart of the city. Before it was absorbed by the city, the area that became Tiergarten was a naturally occurring forest. Throughout its history, it was used as royal hunting grounds and as a landscaped public park, and--in the years of hardship following World War II-- an area where trees were felled for firewood, before changing social and political circumstances and the growing ecological movement led to measures to restore and replant the vast public space. Thus, Tiergarten has become not only a very popular place of recreation but as well a biotope of extraordinarily high biodiversity. Generously illustrated with historical and contemporary photographs, Tiergarten, Landscape of Transgression takes readers through the history of the park, with an eye toward exploring it as a radical spatial expression--a space where humans and other species and conflicting histories coexist in close proximity, and a model for future environments in areas of intense urbanization. Born of a recent symposium staged by the Technische Universit t Berlin, the book brings together twelve essays with a range of archival documents, including newspaper articles, maps, reports, plans, and photographs.

The Social (Re)Production of Architecture brings the debates of the ‘right to the city’ into today’s context of ecological, economic and social crises. Building on the 1970s’ discussions about the ‘production of space’, which French sociologist Henri Lefebvre considered a civic right, the authors question who has the right to make space, and explore the kinds of relations that are produced in the process. In the emerging post-capitalist era, this book addresses urgent social and ecological imperatives for change and opens up questions around architecture’s engagement with new forms of organization and practice. The book asks what (new) kinds of ‘social’ can architecture (re)produce, and what kinds of politics, values and actions are needed. The book features 24 interdisciplinary essays written by leading theorists and practitioners including social thinkers, economic theorists, architects, educators, urban curators, feminists, artists and activists from different generations and global contexts. The essays discuss the diverse, global locations with work taking different and specific forms in these different contexts. A cutting-edge, critical text which rethinks both practice and theory in the light of recent crises, making it key reading for students, academics and practitioners.

This edited volume examines how to develop a planning and design process with green infrastructure that creates technical answers to the social and ecological function of the city’s climate change adaptations demands. In this context, it proposes a process that engage the values linked to the art and culture of the place, capable of generating adoption by the population and promoting the right to landscape. Since the nineteenth century, many theoretical and practical experiences have integrated urban and environmental issues, revising the understanding of nature as an object and thinking of nature and culture in conjunction. However, consensus of the methodological strategies needed to guide the development of multi-scale landscape planning and design capable of responding to the climate emergency, heritage, water, biodiversity and social inclusion, among other issues has not been achieved. Green infrastructure has emerged as a tool to link considerations of the planning and design process to examine the impact urban nature can have at a global and a local scale. The book gathers together authors from different parts of the world and disciplines to showcase conceptual thinking, best practices and methodological strategies relating to landscape planning and design with green infrastructure adapted to climate change. The topic of this book is particularly relevant to scholars, practitioners and developers around the world who have an interest in planning and environmental management, landscape architecture, and socio-cultural understandings of landscape.

Experimental Zone documents a remarkable experiment in spatial research at the interdisciplinary laboratory Image Knowledge Gestaltung at the Humboldt University of Berlin. Every two months, for four years, researchers reconfigured a 350-square meter workspace for forty scientists. The design-based collaborative experiment's focus was on the interrelation of space and knowledge production: What spatial qualities are required by interdisciplinary teams for their research work? With some 300 striking and straightforward graphics, Experimental Zone presents the findings of the experiment. It highlights the spatial conditions under which individual and collaborative research unfold, overlap, or merge and reveals the characteristics of an architecture that fosters interdisciplinary. The experiment's innovative interdisciplinary approach is also reflected in the book's design, with each of the five chapters and the comprehensive visual material reflecting publishing traditions in design, architecture, and the humanities.

Charlie Koolhaas is an artist, photographer, and writer in Rotterdam. City Lust is the name of a fragrance that she found in a Dubai perfumery wholesale showroom, but it is also the starting point of an expedition that leads Koolhaas to a variety of places in Africa, Asia, Europe, the Middle East, and the United States. In Lagos, Guangzhou, Dubai, London, and Huston, she explores the rapid changes that a globalized economy forces upon these so very different metropolises. ​ During extended stays in each place, Koolhaas took a vast number of photographs, many of them of striking intensity. Her aim is not only to show the increasing uniformity of cities around the world, but also to demonstrate the discrepancy between cultural standardization and local diversity in the age of globalization. City Lust is a brilliant combination of everyday photography, pure documentation, and captivating observation. Accompanying the photos is an equally fascinating and illuminating essay by Koolhaas that brings together her own insights into global trade and its protagonists.

How is it that walls, borders, boundaries—and their material and symbolic architectures of division and exclusion—engender their very opposite? This edited volume explores the crossings, permeations, and constructions of cultural and political borders between peoples and territories, examining how walls, borders, and boundaries signify both interdependence and contact within sites of conflict and separation. Topics addressed range from the geopolitics of Europe’s historical and contemporary city walls to conceptual reflections on the intersection of human rights and separating walls, the memory politics generated in historically disputed border areas, theatrical explorations of border crossings, and the mapping of boundaries within migrant communities.

"The author's capacity to grasp and interpret these [world media] events is astounding, and her ability to provide insights into a world where unbounded information is circling the earth with the speed of light is startling." -- Choice "... a wide-ranging, quirky and dextrous mix of description, theory and analysis, that documents the perils of the global telecommunications network... " -- Times Literary Supplement "... this is a stimulating, even moving, book, dense with ideas and with many quotable lines." -- The New Statesman "Wark is one of the most original and interesting cultural critics writing today." -- Lawrence Grossberg McKenzie Wark writes about the experience of everyday life under the impact of increasingly global media vectors. We no longer have roots, we have aerials. We no longer have origins, we have terminals.