From dinosaur to dinner plate, Sally Coulthard tells the fascinating – and sometimes shocking – story of the domestic chicken. The chicken can fly only a few metres but – somehow – this unlikely evolutionary descendant of Tyrannosaurus Rex has conquered the world. Earth is now home to more than twenty billion chickens, at least ten times more than any other bird. For every human on the planet, there are three chickens. In Fowl Play, Sally Coulthard charts the chicken's fascinating journey from dinosaur to domestication to exploitation, exploring every aspect of the history of Gallus gallus domesticus: its importance to the ancient Egyptians, Greeks and Romans as food source and fighting bird; its symbolic roles in religion and folklore and metaphorical function in the language we use; its homely place as egg-providing companion on farms, smallholdings and in suburban back gardens; and its darker modern-day fate as battery bird raised to satisfy society's unquenchable addiction to wings and nuggets. Of all animals, chickens perhaps best represent the contradictory way we humans treat other species; both beloved pet and cheap commodity, symbol of a sustainable good life and brutalised object of factory farming. The chicken is also a bird we feel deeply familiar with and yet know very little about. As informative as it is entertaining, Fowl Play tells a remarkable tale of evolutionary change, epic global travel and ruthless exploitation – as well as of companionship, ingenuity and the folly of human nature.

John 21 portrays seven disciples fishing all night yet catching nothing. In the morning, a shoreline stranger instructs them to recast their net. Surprisingly, the disciples fail to recognize him. After a miraculous catch and subsequent breakfast, however, there is no doubt as to who this stranger is. Jesus then questions Peter about his love and commissions him to feed Jesus' sheep. Using narrative criticism, Lowdermilk examines this recognition scene, asking, "How would a reader, well acquainted with recognition and deception as portrayed in Genesis, understand John 21?" He discards "trickster" terminology and argues that biblical recognition occurs within a context of "manipulation." After proposing a detailed taxonomy of manipulation, he ventures further and argues for patterns in Genesis where manipulators are "counter-manipulated" in a reciprocal manner, ironically similar to their own behavior, providing a transforming effect on the manipulator. These findings, plus a careful examination of Greek diminutives, inform Lowdermilk's new reading of John 21:1-19. Peter withholds his identity as a disciple in John 18 and later Jesus actively withholds his identity in ironic counter-manipulation, mirroring Peter's denials. Jesus' threefold questioning of Peter continues the haunting echoes of Peter's earlier denials. Will it result in a disciple transformed?

THE INSTANT #1 NEW YORK TIMES BESTSELLER “This story is my latest obsession.” —USA Today bestselling author, Devney Perry The gods love to play with us mere mortals. And every hundred years, we let them... I have never been favored by the gods. Far from it, thanks to Zeus. Living as a cursed office clerk for the Order of Thieves, I just keep my head down and hope the capricious beings who rule from Olympus won't notice me. Not an easy feat, given San Francisco is Zeus' patron city, but I make do. I survive. Until the night I tangle with a different god. The worst god. Hades. For the first time ever, the ruthless, mercurial King of the Underworld has entered the Crucible—the deadly contest the gods hold to determine a new ruler to sit on the throne of Olympus. But instead of fighting their own battles, the gods name mortals to compete in their stead. So why in the Underworld did Hades choose me—a sarcastic nobody with a curse on her shoulders—as his champion? And why does my heart trip every time he says I’m his? I don’t know if I’m a pawn, bait, or something else entirely to this dangerously tempting god. How can I, when he has more secrets than stars in the sky? Because Hades is playing by his own rules...and Death will win at any cost.