Over the course of Tibetan history, revelations-known as Treasures-have been discovered hidden in nature or have emerged directly from the great minds of the Nyingma School, creating a profound and lasting effect on Tibetan religious society and culture.

The Treasure tradition of the Nyingma School of Tibetan Buddhism in richly permeated with wonder and controversy. This unique, mysterious tradition embraces revelation as the primary path to spiritual awakening. Over the course of Tibetan history, revelations-known as Treasures (gter ma ) have been discovered hidden in nature or have emerged directly from the great minds of the Nyingma School, creating a profound and lasting effect on Tibetan religious society and culture. Tibetan Treasure Literature discusses central themes and personalities in the history and practice of Tibetan Treasure revelation. In particular, this book presents the first through survey of the revelations of the great visionary master Chokgyur Dechen Lingpa (1829-1870), Chokgyur Lingpa was a prominent member of the famed ecumenical (ris med) tradition and his revelations are widely practiced today in many schools and traditions of Tibetan Buddhism. Particular emphasis is placed on his revelations pertaining to the wrathful deity Vajrakilaya. Translations of selected texts are presented together with a detailed commentary on their practice composed by khenpo Rinchen Namgyal (nineteenth century), on of Chokgyur Lingpa's foremost students. Also include is a translation of the renowned master Ju Miphama's ( 1846-1912) discussion of the criteria for evaluating the authenticity of those beings who claim to have revealed such Treasures of Buddhist teachings.

The subject for this study, the Tibetan “treasure revealer” Gshen-chen Klu-dga’, is a crucial figure in the development of Bon as an organised religion after the eleventh century. Here for the first time he is situated in the context of what was happening in Buddhism at the time. By scrutinizing his life and gter-ma (“treasures”), that were to be of much controversy in later ages, Dan Martin sheds light on the mechanism of Tibetan polemical tradition and the ways in which sectarianism accords itself legitimacy by resurrecting ancient arguments in a subtly distorted manner. The exhaustive annotated bibliography of previous works about Bon, forming the second part of the work, can rightly be seen as a legacy of Gshen-chen. Both parts taken together make this an indispensable guide to any student of Bon.

The Tibetan Book of the Dead: Awakening Upon Dying, with introductory commentary by Dzogchen Buddhist master Chögyal Namkhai Norbu, is a new translation of the ancient text also known as The Great Liberation through Hearing in the Intermediate State. Both a practical guide and intriguing historical, cultural, and spiritual document, this new version incorporates recent discoveries that have allowed for a better translation of previously ambiguous passages. Revealing a set of instructions designed to facilitate the inner liberation of the dead or dying person, the book provides a guide to navigating the bardo--the interval between death and rebirth. Originally composed by Padmasambhava, an important Indian master of the eighth century, the Tibetan Book of the Dead was concealed in Tibet until it was discovered in the fourteenth century by Karma Lingpa, a famous Tibetan tertön (discoverer of ancient texts). Describing in detail the characteristics and fantastic visions of each stage beyond death, the book includes invocations to be read aloud to the dying person, to help his or her successful journey toward the stage of liberation. Chögyal Namkhai Norbu's introduction clarifies the texts from the Dzogchen point of view and provides a scholarly summary of the ancient material based on his oral teachings and written works. In addition, material from several of Namkhai Norbu's more recent written works and oral teachers have been added, including an essay on the four intermediate states after death entitled Birth, Life, and Death. A full-color 16-page insert of traditional Tibetan art highlights Tibet's unique aesthetic wisdom.

Dzogchen, the Great Perfection, is the highest meditative practice of the Nyingma School of Tibetan Buddhism. Approaching the Great Perfection looks at a seminal figure of this lineage, Jigme Lingpa, an eighteenth-century scholar and meditation master whose cycle of teachings, the Longchen Nyingtig, has been handed down through generations as a complete path to enlightenment. Ten of Jigme Lingpa's texts are presented here, along with extensive analysis by van Schaik of a core tension within Buddhism: Does enlightenment develop gradually, or does it come all at once? Though these two positions are often portrayed by modern scholars as entrenched polemical views, van Schaik explains that both tendencies are present within each of the Tibetan Buddhist schools. He demonstrates how Jigme Lingpa is a great illustration of this balancing act, using the rhetoric of both sides to propel his students along the path of the Great Perfection.

This book provides accurate, accessible translations of three classics of medieval Indian Buddhist mysticism. Since their composition around 1000 CE, these poems have exerted a powerful influence on spiritual life.