This is the first book to analyze our suburban literary tradition. Tracing the suburb's emergence as a crucial setting and subject of the twentieth-century American novel, Catherine Jurca identifies a decidedly masculine obsession with the suburban home and a preoccupation with its alternative--the experience of spiritual and emotional dislocation that she terms "homelessness." In the process, she challenges representations of white suburbia as prostrated by its own privileges. In novels as disparate as Tarzan (written by Tarzana, California, real-estate developer Edgar Rice Burroughs), Richard Wright's Native Son, and recent fiction by John Updike and Richard Ford, Jurca finds an emphasis on the suburb under siege, a place where the fortunate tend to see themselves as powerless. From Babbitt to Rabbit, the suburban novel casts property owners living in communities of their choosing as dispossessed people. Material advantages become artifacts of oppression, and affluence is fraudulently identified as impoverishment. The fantasy of victimization reimagines white flight as a white diaspora. Extending innovative trends in the study of nineteenth-century American culture, Jurca's analysis suggests that self-pity has played a constitutive role in white middle-class identity in the twentieth century. It breaks new ground in literary history and cultural studies, while telling the story of one of our most revered and reviled locations: "the little suburban house at number one million and ten Volstead Avenue" that Edith Wharton warned would ruin American life and letters.

Why did the colonial Americans give over a significant part of their homes to a grand staircase? Why did the Victorians drape their buildings ornate decoration? And why did American buildings grow so tall in the last decades of the 19th century. This book explores the history of American architecture from prehistoric times to the present, explaining why characteristic architectural forms arose at particular times and in particular places.

The novels in question all take place in the sprawling terrain that stretches out beyond the Twin Towers - the postwar suburbs that since the end of World War II have served, like the Twin Towers themselves, as a powerful advertisement of dominance to people around the globe, by projecting an image of prosperity and family values. These suburban tales and their everyman protagonists grapple, however indirectly, with the implications of the apparent decline of the economic, geopolitical, and moral authority of the United States. In the context of perceived decay and diminishing influence, these novels actively counteract the narrative of American exceptionalism frequently peddled in the wake of 9/11.

Focusing on a variety of criminal activities, the author applies his structural criminology to the relationships of power which operate in a range of institutional spheres. He looks at the relationship between class and criminality, showing the inadequacy of a simple causal link and discussing the prevalence of "white collar" crime. Hagan sees other significant structures of power in the relative influence of corporate actors - for example large commercial establishments - who bring charges against individuals, and he analyzes both the legal outcome of such conflicts and the symbolic aspects of sentencing and judicial operations in general. Throughout, these essays stress the structural importance of unemployment, race and gender in the legal definitions of criminal behavior and the need to situate each factor within its complex of power relationships.

From Native American sites in New Mexico and Arizona to the ancient earthworks of the Mississippi Valley to the most fashionable contemporary buildings of Chicago and New York, American architecture is incredibly varied. In this revolutionary interpretation, Upton examines American architecture in relation to five themes: community, nature, technology, money, and art. 109 illustrations. 40 linecuts. Map.

This volume investigates the linguistic and semantic encodings and conceptions of space in the East-Polynesian language Marquesan by focusing on the great variety of language- and culture-specific ways of referring to space, thus documenting an essential part of human behaviour and everyday communication in a South Pacific island population. On the basis of a large corpus of both natural and elicited spoken language data the morphosyntactic and semantic properties of all relevant lexical and grammatical units and constructions used for spatial reference are analysed in detail. Remarkable for this language is the fact that a particular kind of spatial orientation system based on local landmarks of the environment - a so-called 'absolute system' - is used for spatial description even on a micro-level or so-called 'table-top' space. Marquesan - A Grammar of Space is the first comprehensive description and in-depth study of spatial language to be found in an Austronesian language. Apart from examining the complex sociolinguistic situation, the degree of language endangerment in the bilingual speech community and the resulting rapid linguistic change in spatial language use, the book also offers a detailed description of the theoretical background of 'language and space' research and the linguistic variability to be found across languages. Moreover, the volume contains an extensive grammatical sketch of Marquesan which complements the language description of the specific domain space in a useful way providing the reader with general insights into one of the not well documented Oceanic languages. The volume addresses linguists, psycholinguists, anthropologists, fieldworking linguists, and especially Oceanists and Austronesianists. Moreover, it provides important insights for researchers from other disciplines that are interested in the study of space.