This is an unedited account of the modern world and daily life through the eyes of Irish/American author McCollonough Ceili. Other years of her diary will be coming soon.

Ex-cop Callahan Garrity was more than happy to leave the Atlanta P.D. behind her to start her own business -- the House Mouse cleaning service -- and to indulge in a bit of freelance private investigation on the side. However, she owes too much to her former partner, Bucky Deavers, to refuse his request that she accompany him to the department's annual St. Patrick's Day bash. But the celebrating ends abruptly -- and badly -- when Bucky is shot during an apparent liquor store robbery while they're on the way home. Callahan is devastated -- and the talk that perhaps Bucky was dirty only intensifies her pain. Now, with the help of her feisty Mice, she's determined to find the culprit and clear her friend's name, even if it means piercing the veil of secrecy surrounding an Irish fraternal police organization that might be brewing up something far more lethally potent than green beer.

Few countries have been as dramatically transformed in recent years as Ireland. Once a culturally repressed land shadowed by terrorism and on the brink of economic collapse, Ireland finally emerged in the late 1990s as the fastest-growing country in Europe, with the typical citizen enjoying a higher standard of living than the average Brit. Just a few years after celebrating their newly-won status among the world's richest societies, the Irish are now saddled with a wounded, shrinking economy, soaring unemployment, and ruined public finances. After so many centuries of impoverishment, how did the Irish finally get rich, and how did they then fritter away so much so quickly? Veteran journalist David J. Lynch offers an insightful, character-driven narrative of how the Irish boom came to be and how it went bust. He opens our eyes to a nation's downfall through the lived experience of individual citizens: the people responsible for the current crisis as well as the ordinary men and women enduring it.

Bestselling novelist Andrew M. Greeley outdoes his previous triumphs with Irish Gold, a contemporary, fresh and exciting novel of suspense and love. Nuala Anne McGrail, a student at Dublin's Trinity College, is beautiful the way a Celtic goddess is beautiful - not that Dermot Michael Coyne of Chicago has ever seen one of those in his twenty-five years - unless you count his grandmother Nell, who left Ireland during the Troubles with her husband Liam O'Riada, and who would never tell why they left. Somebody else remembers, though - or why is Dermot set upon by thugs? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Hope, a privileged young woman, sets out across medieval Ireland disguised as a young boy to escape an arranged marriage. Colin of Shanekill is dispatched to find her--and during his search takes a young boy under his protection, never realizing the woman he seeks walks right beside him. As they travel, Hope comes to love Colin as no woman has, and desire tempts her to reveal her true self.

A criminological investigation into the social, cultural, political & economic conditions that led to the 2008 financial collapse.

During the twentieth century, men and women across Ireland picked up cameras, photographing days out at the beach, composing views of Ireland's cities and countryside, and recording political events as they witnessed them. Indeed, while foreign photographers often still focused on the image of Ireland as bucolic rural landscape, Irish photographers-snapshotter and professional alike-were creating and curating photographs which revealed more complex and diverse images of Ireland. Snapshot Stories explores these stories. Erika Hanna examines a diverse array of photographic sources, including family photograph albums, studio portraits, the work of photography clubs and community photography initiatives, alongside the output of those who took their cameras into the streets to record violence and poverty. The volume shows how Irish men and women used photography in order to explore their sense of self and society and examines how we can use these images to fill in the details of Ireland's social history. By exploring this rich array of sources, Snapshot Stories asks what it means to see-to look, to gaze, to glance-in modern Ireland, and explores how conflicts regarding vision and visuality have repeatedly been at the centre of Irish life.