The release of 'Winterhawk's Land - Collector's Edition' in hardcover, is a special offering of the original novella (2017) to include a beautiful poem written by fan and friend Karen Downes. Karen wrote this poem about the Blackfoot Chief Winterhawk, a noble and spiritual character from the 1975 classic film, Winterhawk. The title role of Winterhawk, played by me, made such an impression on Karen, it inspired her to write a poem that expressed the effect the character had on her. This special Collector's Edition is an enduring tribute to the dignity and commitment this leader had for his land and his People. 

Dante brings the legendary author—and the medieval Italy of his era— to vivid life, describing the political intrigue, battles, culture, and society that shaped his writing. Dante Alighieri’s Divine Comedy has defined how people imagine and depict heaven and hell for over seven centuries. However, outside of Italy, his other works are not well known, and less still is generally known about the context he wrote them in. In Dante, Barbero brings the legendary author’s Italy to life, describing the political intrigue, battles, city and society that shaped his life and work. The son of a shylock who dreams of belonging to the world of writers and nobles, we follow Dante into the dark corridors of politics where ideals are shattered by rampant corruption, and then into exile as he travels Italy and discovers the extraordinary color and variety of the countryside, the metropolises, and the knightly courts. This is a book by a serious scholar with real popular appeal, as evidenced by its bestseller ranking in Italy. It is a remarkable piece of forensic investigation into medieval Italian life.

Available for the first time in paperback, this essential resource presents a systematic introduction to Dante's life and works, his cultural context and intellectual legacy. The only such work available in English, this Encyclopedia: brings together contemporary theories on Dante, summarizing them in clear and vivid prose provides in-depth discussions of the Divine Comedy, looking at title and form, moral structure, allegory and realism, manuscript tradition, and also taking account of the various editions of the work over the centuries contains numerous entries on Dante's other important writings and on the major subjects covered within them addresses connections between Dante and philosophy, theology, poetics, art, psychology, science, and music as well as critical perspective across the ages, from Dante's first critics to the present.

"Dante's Divine Comedy: A Retelling in Prose" by David Bruce offers a modern interpretation of Dante Alighieri's epic poem, presenting the timeless journey through Hell, Purgatory, and Paradise in a clear and accessible prose format. Bruce's retelling preserves the essence and depth of Dante's original work while making it more approachable for contemporary readers. Through vivid descriptions and engaging narrative, readers are guided through Dante's intricate exploration of sin, redemption, and the human condition. As Dante navigates the depths of Hell, climbs the slopes of Purgatory, and ascends through the spheres of Paradise, Bruce skillfully captures the philosophical and theological themes of the Divine Comedy, inviting readers to contemplate their own spiritual journey and the nature of salvation.

T. S. Eliot greatly enhanced Dante's profound influence on European literature. The essays in this volume explore Dante's importance through a focus on Eliot. Probing the questions what Eliot made of Dante, and what Dante meant to Eliot, the essays here assess the legacy of modernism by engaging its "classicist" roots, covering a wide spectrum of topics stemming from Dante's relevance to the poetry and criticism of Eliot. The essays reflect on Eliot's aesthetic, philosophical, and religious convictions in relation to Dante, his influence upon literary modernism through his embracing and championing of the Florentine, and his desire to promote European unity. The first section of the book deals with aesthetic and philosophical issues related to Eliot's engagement with Dante, beginning with Jewel Spears Brooker's masterful essay on the concepts of immediate experience and primary consciousness in Eliot's work, and moving on to essays considering his idea of a "unified sensibility," as well as Eliot's engagement with Hindu-Buddhist and Christian themes and motifs. The second part of the book focuses on Dante's importance to Eliot's founding work in the modernist movement. In what ways did Dante directly and indirectly influence the exemplary path that Eliot blazed for his contemporaries, especially Ezra Pound? How early did Dante's influence show itself in Eliot's work? Why was he unable to complete the great trilogy he seems to have sought to write, based on Dante's Inferno, Purgatorio, and Paradiso? These questions and their answers lead to the book's final section, which considers Eliot's (and Dante's) role in the formation of a twentieth-century concept of Europe. Incisive essays on Eliot's varied sources of "tradition" in his attempt to promote the idea of a European union and his anxiety over the heritage of Romanticism are capped by a magisterial contribution from Dominic Manganiello showing precisely how Eliot's reformulation of the Dantesque "European Epic" continues to influence the work of Anglo-European and Commonwealth writers.