"A novel of espionage during the Russian revolution"--Jacket.

In the fourth and final installment of David Downing’s spy series, Jack McColl is sent to Soviet Russia, where the civil war is coming to an end. The Bolsheviks have won but the country is in ruins. With the hopes engendered by the revolution hanging by a thread, plots and betrayals abound. London, 1921: Ex–Secret Service spy Jack McColl is in prison serving time for assaulting a cop. McColl has been embittered by the Great War; he feels betrayed by the country that had sent so many young men to die needlessly. He can’t stomach spying for the British Empire anymore. He’s also heartbroken. The love of his life, radical journalist Caitlin Hanley, parted ways with him three years earlier so she could offer her services to the Communist revolution in Moscow. Then his former Secret Service boss offers McColl the chance to escape his jail sentence if he takes a dangerous and unofficial assignment in Russia, where McColl is already a wanted man. He would be spying on other spies, sniffing out the truth about MI5 meddling in a high-profile assassination plot. The target is someone McColl cares about and respects. The MI5 agent involved is someone he loathes. With the knowledge that he may be walking into a death trap, McColl sets out for Moscow, the scene of his last heartbreak. Little does he know that his mission will throw him back into Caitlin’s life—or that her husband will be one of the men he is trying to hunt down.

Lament is how you live between the poles of a hard life and trusting God’s goodness. Lament is how we bring our sorrow to God—but it is a neglected dimension of the Christian life for many Christians today. We need to recover the practice of honest spiritual struggle that gives us permission to vocalize our pain and wrestle with our sorrow. Lament avoids trite answers and quick solutions, progressively moving us toward deeper worship and trust. Exploring how the Bible—through the psalms of lament and the book of Lamentations—gives voice to our pain, this book invites us to grieve, struggle, and tap into the rich reservoir of grace and mercy God offers in the darkest moments of our lives.

The seeds of irreverent humour that inspired the likes of Wayne and Shuster and Monty Python were sown in the trenches of the First World War, and The Dumbells—concert parties made up of fighting soldiers—were central to this process. Soldiers of Song tells their story. Lucky soldiers who could sing a song, perform a skit, or pass as a “lady,” were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war. The Dumbells’ popularity was not limited to troop shows along the trenches. The group also managed a run in London’s West End and became the first ever Canadian production to score a hit on Broadway. Touring Canada for some twelve years after the war, the Dumbells became a household name and made more than twenty-five audio recordings. If nationhood was won on the crest of Vimy Ridge, it was the Dumbells who provided the country with its earliest soundtrack. Pioneers of sketch comedy, the Dumbells are as important to the history of Canadian theatre as they are to the cultural history of early-twentieth-century Canada.

The New Penguin Dictionary of Modern Quotations contains over 8,000 quotations from 1914 to the present. As much a companion to the modern age as it is an entertaining and useful reference tool, it takes the reader on a tour of the wit and wisdom of the great and the good, from Margot Asquith to Monica Lewinsky, from George V to Boutros Boutros-Galli and Jonathan Aitken to Frank Zappa.