Because of a twist in the structure of Time, three strangers were brought unexpectedly together: Red Hawkins of California, Chantal Vareze of London and a man from the 41st Century. Their meeting seemed an impossible prank of a universe gone mad - but it turned out to be quite otherwise. For it seemed there was a war going on throughout space and time. A war fought by men of different epochs, on planets of different cultures, but for a cause that all could acknowledge - the very continued existence of creation itself. And the coming together of these three very unlikely people - a modern man, a lovely girl and a futurian soldier - was to prove the master stroke of a super-science strategy that had already brought humanity to the THRESHOLD OF ETERNITY.

In 1929, Ronald Knox, a prominent member of the English Detection Club, included in his tongue-in-cheek Ten Commandments for Detective Novelists the rule that "No Chinaman must figure in the story." In 1983, Ruth Rendell published Speaker of Mandarin, reflecting not only a change in British detective fiction but also a dramatic change in the British cultural landscape. Like much of the rest of British popular culture, the detective novel became more and more ethnically diverse and populated by characters with increasingly varied religious backgrounds. Ten essays examine the changing nature of British detective fiction, focusing on the shifting view of "otherness" of such authors as Ruth Rendell, Elizabeth George, Peter Ackroyd, Caroline Graham, Christopher Brookmyer, Denise Mina and John Mortimer. Unlike their American counterparts, British detective writers have been until recently, overwhelmingly white, and the essays here explore how these authors delve into ethnic diversity within a historically homogeneous culture. Religion has also played an important role in the genre, ranging from the moral certainty of the early part of the 20th century to the skepticism and hostility that is part of contemporary fiction. How this transition was made and how it reflects the changing nature of British culture are detailed here.

What Our Last Words Reveal About Life, Death, and the Afterlife A person’s end-of-life words often take on an eerie significance, giving tantalizing clues about the ultimate fate of the human soul. Until now, however, no author has systematically studied end-of-life communication by using examples from ordinary people. When her father became terminally ill with cancer, author Lisa Smartt began transcribing his conversations and noticed that his personality underwent inexplicable changes. Smartt’s father, once a skeptical man with a secular worldview, developed a deeply spiritual outlook in his final days — a change reflected in his language. Baffled and intrigued, Smartt began to investigate what other people have said while nearing death, collecting more than one hundred case studies through interviews and transcripts. In this groundbreaking and insightful book, Smartt shows how the language of the dying can point the way to a transcendent world beyond our own.