"His books are all action, unfolding with a laconic efficiency that would make his killers proud."—The Economist Businessman Georges Gerfaut witnesses a murder—and is pursued by the killers. His conventional life knocked off the rails, Gerfaut turns the tables and sets out to track down his pursuers. Along the way, he learns a thing or two about himself. . . . Manchette—masterful stylist, ironist, and social critic—limns the cramped lives of professionals in a neoconservative world. "Manchette has appropriated and subverted the classic thriller [with] descriptions of undiluted action, violence and suspense [and] a perspective on evil, a disenchanted world of manipulation and fury. . . ."—Times Literary Supplement "The petty exigencies of the classic thriller find themselves summarily reduced to cremains by the fiery blue jets of Jean-Patrick Manchette's concision, intelligence, tension, and style."—Jim Nisbet, author of Lethal Injection and Prelude to a Scream "Manchette is a must for the reading lists of all noir fans. . . . Manchette deserves a higher profile among noir fans."—Publishers Weekly "Manchette . . . performs miracles within this simple story. His style is very matter of fact, stark and almost cool like the jazz his hero or anti-hero Gerfaut devours at every opportunity. Yet in this short novel there is no lack of atmosphere, excitement, characters or descriptive writing, it is just the total lack of unnecessary material that makes the story seem so lean and mean."—Norman Price, EuroCrime "A social satire cum suspense equally interested in dissecting everyday banalities and manufacturing thrills. Writing with economy, deadpan irony, and an eye for the devastating detail, Manchette spins pulp fiction into literature."—Kirkus Reviews "While there isn’t much that’s obviously moral—in the good-versus-evil sense—[this novel] demonstrate[s] why Manchette is hailed as the man who kicked the French crime novel or 'polar' out of the apolitical torpor into which it had fallen by the time he started publishing his 'neo-polars' in the 1970s. . . . Grim and cerebral as they feel, it’s remarkable how comic—in an absurdist, laugh-or-you’ll-cry way—these books are, as if Manchette had decided that poking fun at the products of the capitalist system were the fittest way to attack the system itself."—Jennifer Howard, Boston Review "The pace is fast, the action sequences are superb, and the effect is just as striking as it must have been when the book was first published in 1976."—Laura Wilson, The Guardian "[T]he novel is brilliantly written, replete with allusions to art, literature, and music, papered with the very texture and furniture of our lives. Manchette is Camus on overdrive, at one and the same time white-hot, ice-cold. He deserves much the same attention."—James Sallis, Review of Contemporary Fiction Jean-Patrick Manchette (1942—1995) rescued the French crime novel from the grip of stodgy police procedurals—restoring the noir edge by virtue of his post-1968 leftism. Today, Manchette is a totem to the generation of French mystery writers who came in his wake. Jazz saxophonist, political activist, and screen writer, Manchette was influenced as much by Guy Debord as by Gustave Flaubert. City Lights has published more of his work, including The Gunman.

The Three Graces of Val-Kill changes the way we think about Eleanor Roosevelt. Emily Wilson examines what she calls the most formative period in Roosevelt's life, from 1922 to 1936, when she cultivated an intimate friendship with Marion Dickerman and Nancy Cook, who helped her build a cottage on the Val-Kill Creek in Hyde Park on the Roosevelt family land. In the early years, the three women—the "three graces," as Franklin Delano Roosevelt called them—were nearly inseparable and forged a female-centered community for each other, for family, and for New York's progressive women. Examining this network of close female friends gives readers a more comprehensive picture of the Roosevelts and Eleanor's burgeoning independence in the years that marked Franklin's rise to power in politics. Wilson takes care to show all the nuances and complexities of the women's relationship, which blended the political with the personal. Val-Kill was not only home to Eleanor Roosevelt but also a crucial part of how she became one of the most admired American political figures of the twentieth century. In Wilson's telling, she emerges out of the shadows of monumental histories and documentaries as a woman in search of herself.

Always make 'em pay.In the aftermath of the Battle of Kublar-and the destruction of the battleship Chiasm-Legion Dark Ops recruits Chhun, Wraith, and the survivors of Victory Company to form an elite Kill Team of legionnaires. Their secret mission is as clear as it is deadly: find and eliminate those responsible for the Kublar disaster. Standing between them and their objective are a maze of corrupt Republic officials, a spy on the verge of losing himself in deep cover, and the Zhee-a murderous species who will stop at nothing. But perhaps the biggest threat of all is the truth they seek to uncover. A truth that could ignite a revolution-and engulf the galaxy in flames... unless the Kill Team is willing to finish the job. At any cost.

Based on the real-life scheme to take down one of history's greatest monsters, this heart-pounding trilogy puts two courageous kids at the center of the plot to kill Adolf Hitler. July 1945.The Nazis are out for blood.After the attempt on Hitler's life, the Hoffmanns must flee Berlin. Max and Gerta, along with their mother and Kat Vogel, are forced to leave their father behind-at the mercy of the Gestapo. Following the same path that the Becker Circle used to smuggle Jewish escapees to safety, the Hoffmanns begin a desperate journey across Germany, through occupied France, and into Spain.But going on the run is incredibly dangerous, and the Nazis have invoked the blood guilt laws. Anyone thought to be connected to the assassination plot, along with their families, will be killed or sent to the camps. The Hoffmanns have friends who are willing to help them escape, but their family is still incomplete.Max can only hope that he'll see his father again.

How do you get away with the murder of 11 million people? The answer is simple—and disturbing. You lie to them. Learn how you can become an informed, passionate citizen who demands honesty and integrity from your leaders. In this nonpartisan New York Times bestselling book, Andy Andrews emphasizes that seeking and discerning the truth is of critical importance, and that believing lies is the most dangerous thing you can do. You’ll be challenged to become a more careful student of the past, seeking accurate, factual accounts of events that illuminate choices our world faces now. By considering how the Nazi German regime was able to carry out over eleven million institutional killings between 1933 and 1945, Andrews advocates for an informed population that demands honesty and integrity from its leaders and from each other. This short, thought-provoking book poses questions like: What happens to a society in which truth is absent? How are we supposed to tell the difference between the “good guys" and the “bad guys”? How does the answer to this question affect our country, families, faith, and values? Does it matter that millions of ordinary citizens aren't participating in the decisions that shape the future of our country? Which is more dangerous: politicians with ill intent, or the too-trusting population that allows such people to lead them? This is a wake-up call: we must become informed, passionate citizens or suffer the consequences of our own ignorance and apathy. We can no longer measure a leader’s worth by the yardsticks provided by the left or the right. Instead, we must use an unchanging standard: the pure, unvarnished truth.

The New York Times bestselling author of the brilliantly inventive The Word Is Murder and The Sentence Is Death returns with his third literary whodunit featuring intrepid detectives Hawthorne and Horowitz. "Horowitz is a master of misdirection, and his brilliant self-portrayal, wittily self-deprecating, carries the reader through a jolly satire on the publishing world." —Booklist When Ex-Detective Inspector Daniel Hawthorne and his sidekick, author Anthony Horowitz, are invited to an exclusive literary festival on Alderney, an idyllic island off the south coast of England, they don’t expect to find themselves in the middle of murder investigation—or to be trapped with a cold-blooded killer in a remote place with a murky, haunted past. Arriving on Alderney, Hawthorne and Horowitz soon meet the festival’s other guests—an eccentric gathering that includes a bestselling children’s author, a French poet, a TV chef turned cookbook author, a blind psychic, and a war historian—along with a group of ornery locals embroiled in an escalating feud over a disruptive power line. When a local grandee is found dead under mysterious circumstances, Hawthorne and Horowitz become embroiled in the case. The island is locked down, no one is allowed on or off, and it soon becomes horribly clear that a murderer lurks in their midst. But who? Both a brilliant satire on the world of books and writers and an immensely enjoyable locked-room mystery, A Line to Kill is a triumph—a riddle of a story full of brilliant misdirection, beautifully set-out clues, and diabolically clever denouements.

From thriller master Sandrone Dazieri, here is the startling conclusion to the internationally bestselling Caselli and Torre trilogy in which two damaged but deductively brilliant detectives must sort out what is real and what is imagined. Reeling from a deadly bombing in Venice and her investigative partner Dante’s disappearance, Detective Colomba Caselli retreats to the rural countryside outside Rome to nurse her wounds. When an apparently autistic teenager appears in her yard, covered in blood, he leads her to a brutal crime scene where nothing is what it seems. As Colomba gets pulled into the investigation and the body count spirals upward, she is implicated in the violence. Soon, she’s convinced that a powerful villain is working in the shadows to cause the carnage and frame her, but the only person who can help her is Dante—and he hasn’t been seen in over a year and is presumed dead. Colomba is sure he’s alive and out there somewhere, but will she find him before it’s too late? And can she clear her name and be free of the far-reaching legacy of the villain known as the Father? Bursting with action, ingeniously plotted, and filled with one unexpected twist after another, Kill the King is a shocking and satisfying conclusion to this breathtakingly original crime series.