The first book about the Albatross Press, a Penguin precursor that entered into an uneasy relationship with the Nazi regime to keep Anglo-American literature alive under fascism The Albatross Press was, from its beginnings in 1932, a “strange bird”: a cultural outsider to the Third Reich but an economic insider. It was funded by British-Jewish interests. Its director was rumored to work for British intelligence. A precursor to Penguin, it distributed both middlebrow fiction and works by edgier modernist authors such as D. H. Lawrence, Virginia Woolf, James Joyce, and Ernest Hemingway to eager continental readers. Yet Albatross printed and sold its paperbacks in English from the heart of Hitler’s Reich. In her original and skillfully researched history, Michele K. Troy reveals how the Nazi regime tolerated Albatross—for both economic and propaganda gains—and how Albatross exploited its insider position to keep Anglo-American books alive under fascism. In so doing, Troy exposes the contradictions in Nazi censorship while offering an engaging detective story, a history, a nuanced analysis of men and motives, and a cautionary tale.

Argues that the key to understanding ourselves and consciousness is the "strange loop," a special kind of abstract feedback loop that inhabits the brain.

An exciting and mystical middle grade novel based on the movie Marvel's Doctor Strange! Prepare to enter the supernatural world of the mystic arts! Marvel's Doctor Strange follows the story of the talented neurosurgeon Doctor Stephen Strange who, after a tragic car accident, must put ego aside and learn the secrets of a hidden world of mysticism and alternate dimensions. Based in New York City's Greenwich Village, Doctor Strange must act as an intermediary between the real world and what lies beyond, utilizing a vast array of metaphysical abilities and artifacts to protect the Marvel Cinematic Universe. Acclaimed actor Benedict Cumberbatch (The Imitation Game, the BBC's Sherlock) will star as Doctor Stephen Strange. The cast also includes Chiwetel Ejiofor as Karl Mordo, Tilda Swinton as the Ancient One, and Rachel McAdams.

E. B. Fleming was in a heap of trouble. His business failed. His mind was gone. He had been committed, quite against his will-- incarcerated in the North Texas Hospital for the Insane, at Terrell, Texas. This book is his own true account of what transpired before and after his escape from the lunatic asylum. This book from 1893 will give the modern reader plenteous insights into life in the late 19th century. It gives a perspective on the treatment of the mentally ill from a patient's point of view. It immerses the reader in the racial attitudes of the day. And it depects a style of life in a largely agrarian America that has vanished for all time.

Historical Novel. The biographies of Mahatma Gandhi, liberator of India, Miguel de Cervantes, author of Don Quixote, and Ludwig van Beethoven, classical composer. A story about the independence of India, Spain in Baroque times and the Austria of the revolution.

For a brief period in the late Elizabethan Era an innovative company of players dominated the London stage. A fellowship of dedicated thespians, Lord Strange’s Men established their reputation by concentrating on “modern matter” performed in a spectacular style, exploring new modes of impersonation, and deliberately courting controversy. Supported by their equally controversial patron, theater connoisseur and potential claimant to the English throne Ferdinando Stanley, the company included Edward Alleyn, considered the greatest actor of the age, as well as George Bryan, Thomas Pope, Augustine Phillips, William Kemp, and John Hemings, who later joined William Shakespeare and Richard Burbage in the Lord Chamberlain’s Men. Though their theatrical reign was relatively short lived, Lord Strange’s Men helped to define the dramaturgy of the period, performing the plays of Shakespeare, Christopher Marlowe, Thomas Kyd, and others with their own distinctive flourish. Lawrence Manley and Sally-Beth MacLean offer the first complete account of the troupe and its enormous influence on Elizabethan theater. Seamlessly blending theater history and literary criticism, the authors paint a lively portrait of a unique community of performing artists, their intellectual ambitions and theatrical innovations, their business practices, and their fearless engagements with the politics and religion of their time.