Three Shades of Blackness is a fiction novel, which depicts the story of three girls from different backgrounds as they become friends and grow up together. Shayna is abandoned by her mother and when Mrs. Andrews takes her in, she enrolls her in a religious summer program. There she meets Tanya, a preacher's child, and Mercides, who is from a wealthy background. Although they are from vastly different families, they become fast friends. Three Shades of Blackness offers a tale in which the author combines unique family relationships, loyalty among friends and faith in the Lord in the lives of three girls who must deal with the highs and lows of adolescence as well as more adult choices.

Photographs and poetic text celebrate the beauty and diversity of African American children. On board pages.

On the world of Sinai, the last walls of the last kingdoms of Man crumble before the demonic armies of the East. Hope fades as casualties mount before the relentless onslaught of a trifecta of fallen angels. Gideon Halcyon is fearless and idealistic, but he lacks the training to truly make a difference. He believes his dreams of heroism unattainable, until he meets Ashkelon. Coming from the Void beyond the world, Ashkelon alone survives the ruined world of Avalon. Cynical and ruthless, he is a sorcerer of the Everlasting Dark, seething with millennia of bitterness, and his black sword shrieks with the last screams of a thousand failed heroes. Having failed to find a worthy champion of the Light, Ashkelon vows to forge Gideon into the hero Sinai needs, and the adversary he craves. As the last of mankind's strength drains away, a hero is born in Darkness.

Addressing the essential question of the relationship between ethics and aesthetics in Deleuze's philosophy this book provides clear indications of the practical implications of Deleuze's approach to the arts through detailed analyses of the ethical dimension of artistic activity in literature, music, and film.

In the 1980s--at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities--the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume presents a history of that movement. It brings together in a lively dialogue leading artists, curators, art historians, and critics, many of whom were actively involved in the Black Arts Movement. Combining cultural theory with anecdote and experience, the contributors debate how the work of the black British artists of the 1980s should be viewed historically. They consider the political, cultural, and artistic developments that sparked the movement even as they explore the extent to which such a diverse body of work can be said to constitute a distinct artistic movement--particularly given that "black" in Britain in the 1980s encompassed those of South Asian, North and sub-Saharan African, and Caribbean descent, referring as much to shared experiences of disenfranchisement as to shades of skin. In thirteen original essays, the contributors examine the movement in relation to artistic practice, public funding, and the transnational art market and consider its legacy for today's artists and activists. The volume includes a unique catalog of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000. A dynamic living archive of conversations, texts, and images, Shades of Black will be an essential resource. Contributors. Stanley Abe, Jawad Al-Nawab, Rasheed Araeen, David A. Bailey, Adelaide Bannerman, Ian Baucom, Dawoud Bey, Sonia Boyce, Allan deSouza, Jean Fisher, Stuart Hall, Lubaina Himid, Naseem Khan, susan pui san lok, Kobena Mercer, Yong Soon Min, Keith Piper, Zineb Sedira, Gilane Tawadros, Leon Wainwright, Judith Wilson