The inside story of one of the country's most secretive and misruled statehouses by a former New York State senator;. "Democracy takes decades to take root and flourish. New York is learning that it takes just three men in a room to maim and seriously harm a vigorous and representative system of government."-from Three Men in a Room It might be a scene from a movie: three powerful and secretive men sit in a private corner of an exclusive New York club, imperiously making decisions that affect the lives of millions of people. But the scene takes place in Albany, New York, and the exclusive members are the governor, the senate majority leader, and the speaker of the assembly of the New York State legislature. Three Men in a Room is an insider's exposé of how one of the country's largest and most powerful governments-with the fourth-largest budget, behind only the federal government's, California's, and Texas's-has become a model of corrupt, inefficient, and undemocratic governance. Seymour Lachman ran the New York City Board of Education, taught political science, and was then elected to New York's legislature. What he found when he arrived in the halls of the state senate was a Potemkin village of government where legislators vote on bills they haven't read during legislative sessions they haven't attended. After four terms, Lachman left his safe seat in disgust, and has now written this sharp, mordant, and impassioned call for reform. Although Lachman's story takes place in one of the country's most progressive states, the problems described in this book are rampant in statehouses throughout the country.

A decade after their wild boat ride adventure on the Thames river, J, Harris, and George reunite for another vacation. Older, richer, and fatter, but not wiser, the three men stumble through mishaps and surprises as they journey to Germany. First saying their goodbyes, J and Harris seek the approval of their wives, worried about leaving their kids. Their wives are supportive, secretly considering their husbands’ trip from home as a vacation for themselves as well. Still a bachelor, George tells his aunt about the trip before they depart. First arriving in a boat, the men journey through Germany, stopping in Hamburg, Hanover, and Berlin. When they are able, they stay in hotels and inns, and when they are desperate, the sleep in the barns of kind farmers. After a long journey, the men finally arrive at their destination. Planning on completing a cycling tour through the German Black Forest, the men take a single rider and a tandem bicycle, making a solemn compromise to take turns being the solo rider. As they set out on their bike ride, the friends are amazed by the beauty and serenity of the forest, until they start to realize that everything looks familiar. Lost in the woods and going in circles, the three men must find a way home from their adventure before they get caught in the impending rain storm. Through sketches and detailed observations, Jerome K. Jerome’s Three Men on the Bummel provides a fascinating perspective on the landscape and culture of 20th century Germany. With drunken adventures, sword fights, and misfortunate weather, Three Men on the Bummel is an exciting and charming travelogue, humorous and enjoyable even for modern audiences. This edition of Three Men on the Bumel by Jerome K. Jerome is presented in an easy-to-read font and features an eye-catching new cover design. With these accommodations, this edition is accessible and appealing to contemporary audiences, restoring Jerome K Jerome’s work to modern standards while preserving the original wit and charm of Three Men on the Bummel.

On July 1, 1959, at Ypsilanti State Hospital in Michigan, the social psychologist Milton Rokeach brought together three paranoid schizophrenics: Clyde Benson, an elderly farmer and alcoholic; Joseph Cassel, a failed writer who was institutionalized after increasingly violent behavior toward his family; and Leon Gabor, a college dropout and veteran of World War II. The men had one thing in common: each believed himself to be Jesus Christ. Their extraordinary meeting and the two years they spent in one another’s company serves as the basis for an investigation into the nature of human identity, belief, and delusion that is poignant, amusing, and at times disturbing. Displaying the sympathy and subtlety of a gifted novelist, Rokeach draws us into the lives of three troubled and profoundly different men who find themselves “confronted with the ultimate contradiction conceivable for human beings: more than one person claiming the same identity.”

This book examines the relationship of three very different men who are usually seen as the most important composers of the so-called Second Viennese School – Arnold Schönberg, Alban Berg and Anton Webern – in the years 1906 to 1921 through a close reading of their correspondence with each other. To date only one of these correspondences, that of Schönberg and Berg, has been published, so the other two sets of letters are not yet widely known. The largely differing personalities of these three men come out clearly in their letters to each other: Schönberg, the master who demands a great many things from his two pupils (long after they have ceased to be that); Berg, from whom he demands the most; and Webern, his most pious devotee. The book covers the period linking the first correspondence between master and pupils in 1906 and the dissolution of the Verein für musikalische Privataufführungen in 1921, the period when these men were most closely bound together.