This is the first full-length critical study of country house entertainment, a genre central to late Elizabethan politics. It shows how the short plays staged for the Queen at country estates like Kenilworth Castle and Elvetham shaped literary trends and intervened in political debates, including whether women made good politicians and what roles the church and local culture should play in definitions of England. In performance and print, country house entertainments facilitated political negotiations, rethought gender roles, and crafted regional and national identities. In its investigation of how the hosts used performances to negotiate local and national politics, the book also sheds light on how and why such entertainments enabled female performance and authorship at a time when English women did not write or perform commercial plays. Written in a lively and accessible style, this is fascinating reading for scholars and students of early modern literature, theatre, and women's history.

A collection of sagas concerning the various rulers of Norway, from about 850 to 1177. Beginning with the dim prehistory of the mythical gods and their descendants, Heimskringla recounts the history of the kings of Norway through the reign of Olaf Haraldsson, who became Norway’s patron saint. Once found in most homes and schools and still regarded as a national treasure, Heimskringla influenced the thinking and literary style of Scandinavia over several centuries. “[Snorri Sturluson] speaks—as almost no other historian ever has spoken—with the authority of a man whose masterful skills would have made him one of the formidable, foremost in any of the events he records. So he saturates even remotely past happenings with a gripping first-hand quality...Hollander’s translation is very good, fresh on every page . . . Wherever you open the book, the life grips you and you read on.” —Ted Hughes, New York Review of Books “Among the many contributions to world literature that ancient Iceland has given us, Heimskringla stands out as one of the truly monumental works. Among medieval European histories in the vernacular it has no equal.” —Modern Philology