Three Discourses on Imagined Occasions was the last of seven works signed by Kierkegaard and published simultaneously with an anonymously authored companion piece. Imagined Occasions both complements and stands in contrast to Kierkegaard's pseudonymously published Stages on Life's Way. The two volumes not only have a chronological relation but treat some of the same distinct themes. The first of the three discourses, "On the Occasion of a Confession," centers on stillness, wonder, and one's search for God--in contrast to the speechmaking on erotic love in "In Vino Veritas," part one of Stages. The second discourse, "On the Occasion of a Wedding," complements the second part of Stages, in which Judge William delivers a panegyric on marriage. The third discourse, "At a Graveside," sharpens the ethical and religious earnestness implicit in Stages's "'Guilty'/'Not Guilty'" and completes this collection.

A masterful new translation of one of Kierkegaard's most engaging works In the Sermon on the Mount, Jesus tells his followers to let go of earthly concerns by considering the lilies of the field and the birds of the air. Søren Kierkegaard's short masterpiece on this famous gospel passage draws out its vital lessons for readers in a rapidly modernizing and secularizing world. Trenchant, brilliant, and written in stunningly lucid prose, The Lily of the Field and the Bird of the Air (1849) is one of Kierkegaard's most important books. Presented here in a fresh new translation with an informative introduction, this profound yet accessible work serves as an ideal entrée to an essential modern thinker. The Lily of the Field and the Bird of the Air reveals a less familiar but deeply appealing side of the father of existentialism—unshorn of his complexity and subtlety, yet supremely approachable. As Kierkegaard later wrote of the book, "Without fighting with anybody and without speaking about myself, I said much of what needs to be said, but movingly, mildly, upliftingly." This masterful edition introduces one of Kierkegaard's most engaging and inspiring works to a new generation of readers.

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Three Discourses on Imagined Occasions was among seven signed works by Kierkegaard, each published concurrently with one of his seven pseudonymous works - in this case, with Stages on Life's Way. The two volumes not only have a chronological relation but distinctively treat some common themes. It is quite possible, the editors suggest, that Kierkegaard worked alternatively on the two manuscripts: on Stages at his ordinary desk and on Discourses on Imagined Occasions at his high desk. The first of the three discourses, "On the Occasion of a Confession", centers on stillness, wonder, and the ultimate object of a human being's seeking - in contrast to the speechmaking on erotic love in "'In Vino Veritas, '" part one of Stages. The second discourse, "On the Occasion of a Wedding", complements the second part of Stages in which Judge William delivers a panegyric on marriage. The third discourse, "At a Graveside", sharpens the ethical and religious earnestness implicit in Quidam's "A Story of Suffering", in the third part of the other work.

This study looks at groups with an interest in a work of architecture - owners, inhabitants, customers, critics and historians, architecture schools - presents a conceptual framework in which those disparate interests are honoured for providing different perspectives on the building.