A heartstopping, poignant, epic adventure story about a boy destined to live forever, who only wants to grow up. Without death, life is just existence. Have you ever wondered what it would be like to live forever? Well, Alfie Monk can tell you. He may seem like an ordinary eleven-year-old boy, but he's actually more than a thousand years old--and remembers the last Viking invasion of England, not to mention the French Revolution and both World Wars. Way back in the tenth century, he and his mother were given the alchemical secret to eternal life. But when everything Alfie knows is destroyed in a fire, and the modern world intrudes, he must embark on a mission--along with friends Aidan and Roxy--to find a way to reverse the process and grow up like a regular boy. This astonishing new novel from the author of Time Traveling with a Hamster, told in alternating perspectives by Alfie and Aidan, is a tour de force--a sweeping epic that takes you on an unforgettable, breathtaking adventure and asks big questions about the meaning of life.

A history of the quest for human language origins is comprised of two intertwined narratives that respectively trace the development of language and the process through which scientists have explored the subject, in an account that also documents the contributions of such figures as Noam Chomsky and Steven Pinker.

"Originally published in paperback in the UK by HarperCollins Children's Books, London, in 2018."

Every day, a pastor faces armies of despair, fatigue, exhaustion, and frustration. That blessed hope of a Spurgeon church has morphed into a Paul prison. Every time he looks up, there is another attack. First errors are found, then sin; doctrinal arguing leads to internal strife. The army of the nation’s culture surrounds for the kill. The pastor places his baptism handkerchief on a broom handle and crawls out to surrender. Just then, he looks to the horizon to see a glorious alliance of sixty-six armies. The enemy turns in fear—many ride away, while others engage, only to be routed. The preacher had forgotten that there are more with us than against us. No matter the mess, God is with us. He has given his Spirit to move among us, and he has given us his word to defeat every attack. Grab this handbook and be encouraged; you can preach your way out of every mess.

The screen has never been merely a canvas for the images to be displayed but also – to quote Jean-Luc Godard – “a blank page”, a surface for inscriptions and a “stage” for all kinds of linguistic occurrences be their audible or visual. Word did not come into the world of cinema at the time of the talkies but has been a primordial medial “companion” that has shaped the cinematic experience from its very beginnings. This volume offers a collection of essays that question the role of words and images in the context of moving pictures covering a wide area of their interconnectedness. How can we analyse literary adaptations? What is the role of adaptations in the evolution of specific national cinemas? In what way are written texts used in films? Is the model of the word and image relations used in silent films still applicable today? What major paradigms can be discerned within the multiplicity of ways Jean-Luc Godard’s cinema plays with words and images? Are these models of modernist or postmodern cinema reflected in films of other directors like R. W. Fassbinder? How do avant-garde works deal with the word and image debate? What are the connections of animation or computer games with verbal text and narrative? What is the phenomenon of jet-setting and how does it connect to the ideological implications of the relations between the culture of books and films? What happens when Hamlet is completely rewritten reflecting the ideology of late capitalism? What happens from the point of view of literariness or rejection of literariness when films are made vehicles of national propaganda? How do words get mediated through images? These are some of the questions addressed in the present volume by in-depth case studies of cinematic intermediality or more general surveys regarding cinema’s long lasting liaisons with language or literature.

In a snowstorm, a Lin Clan member named Dong Lang was born. He happened to encounter a random opportunity. Wild beasts massacred the village, and both his parents died. Perhaps it was fated, but by chance, he stepped into an unknown world. Along the way, he had acquired the fetters, the friendship, everything ....

Ben-Yehuda's vision of a modern Hebrew eventually came to animate a large part of the Jewish world, and gave new confidence and pride to Jewish youth during the most difficult period of modern history, infusing Zionism with a dynamic cultural content. This book examines the many changes that occurred in the transition to Modern Hebrew, acquainting new students of the language with its role as a model for other national revivals, and explaining how it overcame many obstacles to become a spoken vernacular. The author deals primarily with the social and political use of the language and does not cover literature. Also discussed are the dilemmas facing the language arising from the fact that Israelis and Jews in the Diaspora "don't speak the same language," while Israeli Arabs and Jews often do.