The 1916 Rising is one of the most documented and analysed episodes in Ireland's turbulent history. Often overlooked, however, is its immediate aftermath. This significant window in the narrative of Irish revolutionary history, which saw the rebirth of the Volunteers and laid the foundations for the War of Independence, is usually covered as a footnote, or from the biographical standpoints of the leaders. Picking up where the authors' acclaimed account of the Rising, When the Clock Struck in 1916, left off, we join the men and women of the Rising in the dark abyss of defeat. The leaders' poignant final hours and violent ends are laid bare, but the perspective of those with the unpalatable task of carrying out the executions is also revealed, rectifying a historic disservice to those who reluctantly formed the firing squads. While the prisoners in Dublin awaited their grisly fates, others were deported in stinking cattle boats to camps in England and Wales. When they returned, it was to a jubilant welcome in a radically changed country. The gruesome death of Thomas Ashe in September 1917, after being force-fed in Mountjoy Prison, became a marshalling point for the republican movement, as his funeral saw Volunteers once again assembled in uniform on Dublin's streets. The next phase of the struggle was born, under new leaders who had 'graduated' from the internment camps known as 'Republican Universities', ready and eager to fill the void left by the executed visionaries. The authors sifted through thousands of first-hand accounts of the suffering endured when ordinary people set out to change history. Their stirring account will transport readers into life as it looked, sounded and even smelt to those taking part in this crucial juncture of our history.

Today, foreigners travel to the Yucatan for ruins, temples, and pyramids, white sand beaches and clear blue water. One hundred years ago, they went for cheap labor, an abundance of land, and the opportunity to make a fortune exporting cattle, henequen fiber, sugarcane, or rum. Sometimes they found death. In 1875 an American plantation manager named Robert Stephens and a number of his workers were murdered by a band of Maya rebels. To this day, no one knows why. Was it the result of feuding between aristocratic families for greater power and wealth? Was it the foreseeable consequence of years of oppression and abuse of Maya plantation workers? Was a rebel leader seeking money and fame--or perhaps retribution for the loss of the woman he loved? For whites, the events that took place at Xuxub, Stephens's plantation, are virtually unknown, even though they engendered a diplomatic and legal dispute that vexed Mexican-U.S. relations for over six decades. The construction of "official" histories allowed the very name of Xuxub to die, much as the plantation itself was subsumed by the jungle. For the Maya, however, what happened at Xuxub is more than a story they pass down through generations--it is a defining moment in how they see themselves. Sullivan masterfully weaves the intricately tangled threads of this story into a fascinating account of human accomplishments and failings, in which good and evil are never quite what they seem at first, and truth proves to be elusive. Xuxub Must Die seeks not only to fathom a mystery, but also to explore the nature of guilt, blame, and understanding.

The Easter Rising of 1916 was a seminal moment in Ireland's turbulent history. For the combatants it was a no-holds-barred clash: the professional army of an empire against a highly motivated, well-drilled force of volunteers. What did the men and women who fought on the streets of Dublin endure during those brutal days after the clock struck on 24 April 1916? For them, the conflict was a mix of bloody fighting and energy-sapping waiting, with meagre supplies of food and water, little chance to rest and the terror of imminent attacks. The experiences recounted here include those oh 20-year-old Sean McLoughiin who went from Volunteer to Captain to Commandant-General in five days: his cool head under fire saved many of his comrades; Volunteer Robert Holland, a sharpshooter who continued to fire despite punishing rifle recoil; Volunteer Thomas Youngs mother, who acted as a scout, leading a section through enemy-infested streets; the 2/7th Sherwood Foresters NCO who died when the grenade he threw at Clanwilliam House bounced off the wall and exploded next to his head; 2nd Lieutenant Guy Vickery Pinfield of the 8dl Royal Hussars, who led the charge on the main gate of Dublin Castle and became the first British officer to die in the Rising. This account of the major engagements of Easier Week 1916 takes us onto the shelled and bullet-ridden streets of Dublin with the foot soldiers on both sides of the conflict, into the collapsing buildings and through the gunsmoke. Book jacket.

Investigates a variety of texts in which the self-image of poor, urban black men in the U.S. is formed within, by, and against a culture of racial terror and state violence. In If We Must Die: From Bigger Thomas to Biggie Smalls, author Aimé J. Ellis argues that throughout slavery, the Jim Crow era, and more recently in the proliferation of the prison industrial complex, the violent threat of death has functioned as a coercive disciplinary practice of social control over black men. In this provocative volume, Ellis delves into a variety of literary and cultural texts to consider unlawful and extralegal violence like lynching, mob violence, and "white riots," in addition to state violence such as state-sanctioned execution, the unregulated use of force by police and prison guards, state neglect or inaction, and denial of human and civil rights. Focusing primarily on young black men who are depicted or see themselves as "bad niggers," gangbangers, thugs, social outcasts, high school drop-outs, or prison inmates, Ellis looks at the self-affirming embrace of deathly violence and death—defiance-both imagined and lived-in a diverse body of cultural works. From Richard Wright's literary classic Native Son, Eldridge Cleaver's prison memoir Soul on Ice, and Nathan McCall's autobiography Makes Me Wanna Holler to the hip hop music of Eazy-E, Tupac Shakur, Notorious B.I.G., and D'Angelo, Ellis investigates black men's representational identifications with and attachments to death, violence, and death—defiance as a way of coping with and negotiating late-twentieth and early twenty-first century culture. Distinct from a sociological study of the material conditions that impact urban black life, If We Must Die investigates the many ways that those material conditions and lived experiences profoundly shape black male identity and self-image. African Amerian studies scholars and those interested in race in contemporary American culture will appreciate this thought-provoking volume.

In this dark, action-packed fourth book in the New York Times bestselling Dorothy Must Die series, Amy Gumm travels from Oz to the twisted land of Ev, where she fights to free Oz from evil once and for all. My name is Amy Gumm. You might remember me as the other girl from Kansas. When a tornado swept me away to the magical land of Oz, I was given a mission: Dorothy must die. That’s right, everyone’s favorite Wicked-Witch-slayer had let the magic of Oz corrupt her. She turned evil. So I killed her. But just when we thought it was safe to start rebuilding the damaged land of Oz, we were betrayed. Now I’m following the Road of Yellow Brick as it helps me escape toward the mysterious land of Ev, where the Nome King rules a bleak and angry world. And what I’m about to find is shocking: My original mission may not have been successful. I thought my job was over, but it’s only just beginning. And it’s up to me to foil Dorothy’s plans for revenge—and finally save the land I’ve come to love.

The first entry in a magical, thrilling, time-traveling adventure trilogy This is the story of Katie Berger-Jones-Burg. One minute, she's under the bed of her New York apartment, and the next she's in Buckingham Palace, at the height of Queen Victoria's reign—a dangerous place to be. The Royal Family is in mortal peril. In the secret passages of the palace, a plot is afoot. Suspicious figures huddle in the gaslit streets of London. And Katie is not the only time-traveler in the city.