Upon his return to the U.S. after a seven year stint in Germany and Taiwan, a young, native Floridian, a victim of unexpected vississitudes, finds himself teaching in a prison deep in the north Florida Panhandle. The economic crisis of the mid-seventies has led to a massive increase in the number of prisoners facing incarceration. Instead of beginning work on his Ph.D, as planned, the young man is suddenly confronted with the reality of recalcitrant inmates, an arch-conservative administration, plus a whole kaleidoscope of personalities ranging from KKK guards, born-again Christians, black Muslims and a colorful mixture of staff members. Living together with his older brother, who was working at the local Social Security office, he slowly begins to adjust to a completely different world than the one he had experienced abroad, forcing him to accept the stark reality of those social changes which were transforming US society. While struggling to gain a semblance of order in the classroom, he found himself constantly battling his "old south" supervisors, who are suspicious of this liberal newcomer, who, later, seemingly far too often, sides with the inmates. In short, one finds here a microcosm of the US in the mid-seventies, with the young teacher himself raising the unresolved question - quo vadis?

New York City has always been a mecca in the history of jazz, and in many ways the city’s jazz scene is more important now than ever before. Blowin’ the Blues Away examines how jazz has thrived in New York following its popular resurgence in the 1980s. Using interviews, in-person observation, and analysis of live and recorded events, ethnomusicologist Travis A. Jackson explores both the ways in which various participants in the New York City jazz scene interpret and evaluate performance, and the criteria on which those interpretations and evaluations are based. Through the notes and words of its most accomplished performers and most ardent fans, jazz appears not simply as a musical style, but as a cultural form intimately influenced by and influential upon American concepts of race, place, and spirituality.

Think of Kansas City and you'll probably think of barbecue, jazz, or the Chiefs. But for James Shortridge, this heartland city is more than the sum of its cultural beacons. In Kansas City and How It Grew, 1822-2011, a prize-winning geographer traces the historical geography of a place that has developed over 200 years from a cowtown on the bend of the Missouri River into a metropolis straddling two states. He explores the changing character of the community and its component neighborhoods, showing how the city has come to look and function the way it does—and how it has come to be perceived the way it has. Proximity to Great Plains ranches and farms encouraged early and sustained success for Kansas City meatpackers and millers, and Shortridge shows how local responses to economic realities have molded the city's urban structure. He explores the parallel processes of suburbanization and the restructuring of older areas, and tells what happens when transportation shifts from rivers to railroads, then to superhighways and international airports. He also reveals what historians have missed by tending to focus attention only on one side or the other of the state boundary. The book is a virtual who's who of KC progress: without selective law enforcement under political boss Thomas Pendergast, Kansas City would not enjoy its legacy of jazz; without the gift of Thomas Swope's namesake park, upscale residential expansion likely would have gone east instead of south; and without J. C. Nichols, Johnson County suburbs would have developed in a less spectacular manner. Its insight into important molders of the city includes nearly forgotten names such as William Dalton, Charles Morse, and Willard Winner, plus important figures from more recent years including Kay Barnes, Charles Garney, and Bonnie Poteet. With more than 50 photos and dozens of maps specially created for this book, Kansas City and How It Grew is unique in treating the entire metropolitan area instead of just one portion. With coverage ranging from ethnic neighborhoods to development strategies, it's an indispensable touchstone for those who want to try to understand Kansas City as both a city and a place.

The first full and authoritative biography of an American—indeed a world-wide—musical and cultural legend “No one worked harder than B.B. No one inspired more up-and-coming artists. No one did more to spread the gospel of the blues.”—President Barack Obama “He is without a doubt the most important artist the blues has ever produced.”—Eric Clapton Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister’s guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge. King of the Blues presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (some 15,000 concerts in 90 countries over nearly 60 years)—in some real way his means of escaping his past. Several of his concerts, including his landmark gig at Chicago’s Cook County Jail, endure in legend to this day. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of color. Daniel de Visé has interviewed almost every surviving member of B.B. King’s inner circle—family, band members, retainers, managers, and more—and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby “Blue” Bland simply called “the man.”

The Pendergast machine rose to power riding the industrial and business boom of the 1920s, strengthened its grip during the chaos of the depression years, and grew fat and arrogant during the spending spree that followed. It fell apart in a fantastic series of crimes, including voting fraud and tax evasion, that shocked the nation and resulted in the incarceration of Tom Pendergast in a federal prison in 1939. Now available in paperback with a foreword by Charles Glaab, William M. Reddig's political and social history of Kansas City from the mid-1800s to 1945, focusing on the lives of Alderman Jim Pendergast and especially his younger sibling, Big Tom Pendergast, chronicles both the influence of the brothers on the growing metropolitan area and the national phenomenon of bossism. "The story of the Pendergasts has been told ... in many places and in many ways. It has hardly been told anywhere, however, with more fascinating detail and healthy irony than in this volume of William M. Reddig." --New York Times "Reddig has written his history of the Pendergast machine in a reportorial style which manages to combine plain city desk prose with a great deal of humor, irony, and insight. He has dwelt with obvious delight on the local characters, the factions, and feuds, and has given several brilliant personality sketches." --Saturday Review of Literature