Thomas Hardy : The Poet Is, Undoubtedly, An Original Critical Work Which Throws Ample Light On Hardy, A Poetic Genius, So Far Neglected. From Several Perspectives Dr. Patil Analyses And Interprets Hardy'S Poetic Ouvre In An Altogether New Critical Idiom. Hardy, As The Author Argues, Is More Of A Poet Than Of A Novelist. In Fact, He Began His Literary Career As A Poet And Ended It In Becoming A Poet Of High Order. Only For The Sake Of Livelihood, He Had To Write Novels In The Middle Phase. Throughout His Life, He Was Extremely In Love With Poetry.Historically Speaking, Hardy Is Aptly Considered To Be 'A Transition Poet' As He Is The Last Victorian And The First Modern. Like G.M. Hopkins, He Made Several Experiments In Writing Poetry And Firmly Established The Modern Trend. These Things About The Poet Are Not At All Taken Seriously By Many Of His Critics; But, There Are Some Like George Saintsbury, Donald Davie, Philip Larkin And James G. Southworth Who Constantly Urge That Good Hardy Critics Are Wanted.The Present Book Explores, In-Depth, The Truth And Beauty Of Hardy'S Poetry. What The Earlier Critics Have Missed Is, Here, Pain¬Stakingly Unearthed I.E., Hardy'S Views On Love, Nature, Society, Religion, God And Universe. His Evolutionary Meliorism And Scientific Humanism Are Discussed At Length. His Robust Optimism And Melancholic Demeanour Are Also Pointed At, With A Greater Clarity And Confidence. All Those Who Want To Understand Modern Poetry Must Begin By Reading This Truly Remarkable Book. Dr. Mallikarjun Patil Was Born In 1967 In A Village In Belgaum District In Karnataka. He Graduated From Karnatak Arts College, Dharwar, And Obtained His M. A. Degree From Karnatak University. He Also Did His Ph.D., On The Existential Philosophy In Thomas Hardy'S Poetry In 1995.At Present, He Is A Lecturer In The Department Of Studies In English, In Gulbarga University, Gulbarga. He Is A Genuine Scholar And A Writer. He Writes Critical Articles And Poems. His Radio-Talks Are Regularly On Broadcast From Air, Gulbarga. His Research Articles Are Published In Encyclopaedias And Journals. His Another Critical Work Hardy'S Poetry And Existentialism Is In Press. His Sole Ambition In Life Is To Become A Full-Fledged Writer In English.

Building upon past criticism & scholarship, this ambitious & comprehensive study gives a balanced view of Thomas Hardy's total achievement.

Through readings of elegies, self-elegies, war poems and the blues, this book covers a wide range of poets, including Thomas Hardy, Wilfred Owen, Wallace Stevens, Langston Hughes, W.H. Auden, Sylvia Plath and Seamus Heaney. It is grounded in genre theory and in the psychoanalysis of mourning.

Structure & Surprise: Engaging Poetic Turns offers a road map for analyzing poetry through examination of poems' structure, rather than their forms or genres. Michael Theune's breakthrough concept encourages students, teachers, and writers to use structure as a tool to see the fundamental affinities between strikingly different kinds of poetry and radically different literary eras. The book includes examination of the mid-course turn and the elegy, as well as the ironic, concessional, emblem, and retrospective-prospective structures, among others. In addition, 14 contemporary poets provide an example of and commentary on their own work.

Thomas Hardy's fiction has had a remarkably strong appeal for general readers for decades, and his poetry has been acclaimed as among the most influential of the twentieth century. His work still creates passionate advocacy and opposition. The Cambridge Companion to Thomas Hardy is an essential introduction to this most enigmatic of writers. These commissioned essays from an international team of contributors comprises a general overview of all Hardy' s work and specific demonstrations of Hardy's ideas and literary skills. Individual essays explore Hardy's biography, aesthetics, his famous attachment to Wessex, and the impact on his work of developments in science, religion and philosophy in the late nineteenth century. Hardy's writing is also analysed against developments in contemporary critical theory and issues such as sexuality and gender. The volume also contains a detailed chronology of Hardy's life and publications, and a guide to further reading.

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In Thomas Hardy: Selected Poems Tim Armstrong brings together over 180 poems in the first comprehensively annotated selection of Hardy’s poetry. Unlike most previous selections, this edition preserves the shape of the poet’s career by presenting the poems in the order in which they appeared in the Collected Poems of 1930, rather than re-ordering them thematically. Head notes to each poem give the reader information about its composition, publication, sources and metrical scheme; on-the-page notes list significant variants in Hardy’s manuscripts, point out literary and other allusions, and give explanatory glosses. An appendix contains a selection of relevant passages from Hardy’s notebooks, letters, and autobiography; and a bibliography suggests further reading. Tim Armstrong’s critical Introduction discusses Hardy’s career, his poetics, his use of memory and allusion and examines his position in the context of Victorian debates on aesthetics and belief. The generous selection of poems includes many lesser-known poems as well as those which have received most critical commentary, and the important elegiac sequence ‘Poems of 1912-13’ is included in its entirety.