In this, the first book-length study of astronomy in Hardy's writing, historian of science and literary scholar Pamela Gossin brings the analytical tools of both disciplines to bear as she offers unexpected and sophisticated readings of seven novels that enrich Darwinian and feminist perspectives on his work, extend formalist evaluations of his achievement as a writer, and provide fresh interpretations of enigmatic passages and scenes. In an elegantly crafted introduction, Gossin draws together the shared critical values and methods of literary studies and the history of science to articulate a hybrid model of scholarly interpretation and analysis that promotes cross-disciplinary compassion and understanding within the current contention of the science/culture wars. She then situates Hardy's own deeply interdisciplinary knowledge of astronomy and cosmology within both literary and scientific traditions, from the ancient world through the Victorian era. Gossin offers insightful new assessments of A Pair of Blue Eyes, Far from the Madding Crowd, The Return of the Native, Two on a Tower, The Woodlanders, Tess of the D'Urbervilles, and Jude the Obscure, arguing that Hardy's personal synthesis of ancient and modern astronomy with mythopoetic and scientific cosmologies enabled him to write as a literary cosmologist for the post-Darwinian world. The profound new myths that comprise Hardy's novel universe can be read as a sustained set of literary thought-experiments by which he critiques the possibilities, limitations, and dangers of living out the storylines that such imaginative cosmologies project for his time - and ours.

- A complex critical portrait of one of the most influential writers in the world- Bibliographic information that directs readers to additional resources for further study- A useful chronology of the writer's life- An introductory essay by Harold Bloom.

Thomas Hardy : The Poet Is, Undoubtedly, An Original Critical Work Which Throws Ample Light On Hardy, A Poetic Genius, So Far Neglected. From Several Perspectives Dr. Patil Analyses And Interprets Hardy'S Poetic Ouvre In An Altogether New Critical Idiom. Hardy, As The Author Argues, Is More Of A Poet Than Of A Novelist. In Fact, He Began His Literary Career As A Poet And Ended It In Becoming A Poet Of High Order. Only For The Sake Of Livelihood, He Had To Write Novels In The Middle Phase. Throughout His Life, He Was Extremely In Love With Poetry.Historically Speaking, Hardy Is Aptly Considered To Be 'A Transition Poet' As He Is The Last Victorian And The First Modern. Like G.M. Hopkins, He Made Several Experiments In Writing Poetry And Firmly Established The Modern Trend. These Things About The Poet Are Not At All Taken Seriously By Many Of His Critics; But, There Are Some Like George Saintsbury, Donald Davie, Philip Larkin And James G. Southworth Who Constantly Urge That Good Hardy Critics Are Wanted.The Present Book Explores, In-Depth, The Truth And Beauty Of Hardy'S Poetry. What The Earlier Critics Have Missed Is, Here, Pain¬Stakingly Unearthed I.E., Hardy'S Views On Love, Nature, Society, Religion, God And Universe. His Evolutionary Meliorism And Scientific Humanism Are Discussed At Length. His Robust Optimism And Melancholic Demeanour Are Also Pointed At, With A Greater Clarity And Confidence. All Those Who Want To Understand Modern Poetry Must Begin By Reading This Truly Remarkable Book. Dr. Mallikarjun Patil Was Born In 1967 In A Village In Belgaum District In Karnataka. He Graduated From Karnatak Arts College, Dharwar, And Obtained His M. A. Degree From Karnatak University. He Also Did His Ph.D., On The Existential Philosophy In Thomas Hardy'S Poetry In 1995.At Present, He Is A Lecturer In The Department Of Studies In English, In Gulbarga University, Gulbarga. He Is A Genuine Scholar And A Writer. He Writes Critical Articles And Poems. His Radio-Talks Are Regularly On Broadcast From Air, Gulbarga. His Research Articles Are Published In Encyclopaedias And Journals. His Another Critical Work Hardy'S Poetry And Existentialism Is In Press. His Sole Ambition In Life Is To Become A Full-Fledged Writer In English.

Thomas Hardy's fiction has had a remarkably strong appeal for general readers for decades, and his poetry has been acclaimed as among the most influential of the twentieth century. His work still creates passionate advocacy and opposition. The Cambridge Companion to Thomas Hardy is an essential introduction to this most enigmatic of writers. These commissioned essays from an international team of contributors comprises a general overview of all Hardy' s work and specific demonstrations of Hardy's ideas and literary skills. Individual essays explore Hardy's biography, aesthetics, his famous attachment to Wessex, and the impact on his work of developments in science, religion and philosophy in the late nineteenth century. Hardy's writing is also analysed against developments in contemporary critical theory and issues such as sexuality and gender. The volume also contains a detailed chronology of Hardy's life and publications, and a guide to further reading.

This study examines Hardy's prolonged struggle with his contemporary readers, whose bourgeois values he despised. Initially content to compromise, to provide them with congenial entertainment, Hardy resorted at first to strategies of subversion, smuggling material past his editors and finally to outspoken attack. Professor T. R. Wright attempts to balance historical research into the response of 'actual' readers and the material conditions of publishing with literary-critical analysis of the 'implied' reader inscribed in the novels themselves.