A systematic exploration of Thomas Hardy's imaginative assimilation of particular Victorian sciences, this study draws on and swells the widening current of scholarly attention now being paid to the cultural meanings compacted and released by the nascent 'sciences of man' in the nineteenth century. Andrew Radford here situates Hardy's fiction and poetry in a context of the new sciences of humankind that evolved during the Victorian age to accommodate an immense range of literal and figurative 'excavations' then taking place. Combining literary close readings with broad historical analyses, he explores Hardy's artistic response to geological, archaeological and anthropological findings. In particular, he analyzes Hardy's lifelong fascination with the doctrine of 'survivals,' a term coined by E.B. Tylor in Primitive Culture (1871) to denote customs, beliefs and practices persisting in isolation from their original cultural context. Radford reveals how Hardy's subtle reworking of Tylor's doctrine offers a valuable insight into the inter-penetration of science and literature during this period. An important aspect of Radford's research focuses on lesser known periodical literature that grew out of a British amateur antiquarian tradition of the nineteenth century. His readings of Hardy's literary notebooks disclose the degree to which Hardy's own considerable scientific knowledge was shaped by the middlebrow periodical press. Thus Thomas Hardy and the Survivals of Time raises questions not only about the reception of scientific ideas but also the creation of nonspecialist forms of scientific discourse. This book represents a genuinely new perspective for Hardy studies.

Bringing together contributions by scholars from nine countries, the first issue of the "T.S.Eliot Annual" presents some of the best critical work recently produced in the field of Eliot studies. It continues the work begun by the editor in the "T.S.Eliot Review".

This is the definitive textual analysis of all of Hardy's collected short stories, tracing the development of each from manuscript, through newspaper serial versions, galley proofs and revises to collected editions in volume form. It is no surprise to discover that Hardy's capacity for inveterate revision is manifested in his tales as it was in his novels. Even those stories for which he professed little regard were meticulously and continuously revised, in some cases more than thirty years after their first publication. The alterations extend to the most minute details of plot, landscape, characterisation and style, as well as the restoration of bowdlerised passages which had been demanded by serial magazines. This study will play a major role in elevating the importance of this genre in Hardy's prolific output and will illuminate his textual practices - an area of considerable and growing interest to a large number of scholars and students.