General Gordons death in Khartoum on 26 January 1885 and the fall of the besieged city to the forces of the Mahdi was a crucial episode in British imperial history. It was deeply controversial at the time, and it still is today. Gordon has routinely been depicted as the hero of the story, in contrast to Prime Minister Gladstone who is often portrayed as the villain of the piece, responsible for a policy of drift in Sudan.Fergus Nicolls radical reappraisal, which is based on eyewitness accounts and previously unpublished archive material, refutes the conventional image of both men. Presenting an inside view of Gladstones thinking and decision-making, Nicoll gives the prime minister credit for his steadfast insistence that Britain should have minimal engagement in and zero responsibility for Sudan. Gordon, who succumbed to a lasting mania that skewed his decision-making and undermined his military capacity, is cast in a more sceptical light. This fascinating insight into British policy in Africa exposes the inner workings of government, the influence of the press and public opinion and the power of a book to change a government.Each stage in the rapid sequence of events is reconsidered Gladstones steely determination to avoid involvement, Gordons partial evacuation of Khartoum, the siege, the despatch of the relief expedition that arrived too late, the abandonment of Sudan, and the subsequent political battle over responsibility. The personal cost to both men was great: Gordon lost his life and Gladstone saw his reputation gravely tarnished.

A compelling study of Anglican Evangelicalism in the Age of Wilberforce revealing its potency as a political machine whose reach extended into every area of the British establishment and its nascent Empire.

This text explains that although Gladstone was among the most revered figures of his age, there was another side to his character - one of sudden bursts of anger and aggressiveness towards opponents. It applies a psychological framework to Gladstone's life to explain this duality of his character.