Thirty-three illustrations bring the legend to life: clashing armies in full battle dress, Arthur and his miraculous sword Excalibur, Lancelot's battle with a fire-breathing dragon and more. Text included.

Bob Thomas tells the fabulous truth of how Joan Crawford rose from a Kansas City telephone operator to one of Hollywood’s biggest stars in this compelling biography. Few Hollywood careers have been more fabulous, more scandalous, or more glaringly in the spotlight than that of Joan Crawford. Born Lucille Fay LeSueur in 1906, or 1908 according to her own press releases, Joan Crawford changed her name and rewrote her life story when she left her job as a telephone operator and grew into one of the most well-known film and television actresses in America. Now, pulling back the curtain on a breathtaking tale of rags to riches and triumph to tragedy, Bob Thomas takes readers into the life of Joan Crawford, sharing stories of her famed life filled with glamour, glitter, romance, and ultimate stardom.

Thomas Crawford (1813–1857) was the first American sculptor to study in Italy for an extended period of time. There, along with other artists—Greenough, Story, and Powers—he was part of a group that made prolific contributions to American neoclassical art. He is best known as the sculptor of much of the statuary and bas-reliefs of our nationÆs Capitol: the pediment figures over the Senate and of the House of Representatives, and the bronze Freedom atop the CapitolÆs dome. In writing this biography, Robert Gale was given exclusive access to all of CrawfordÆs personal papers by the sculptorÆs granddaughter. An appendix lists extant works of Crawford and where they are found, and several plates illustrate his sculpture.

Recounts Arthur's chief adventures including his becoming King, his marriage to Guinevere, and his benevolent but troubled reign over England.

A rich assortment of visual mind-bogglers, including "impossible objects" — constructions that look fine on paper but can't possibly exist in reality — as well as pulsating patterns, vanishing spots, pictures that suddenly change into other configurations as you're looking at them, and much more. 60 black-and-white illustrations.

A nuthatch walking perpendicular down a tree, "dressed to kill," the hydraulic lift of the sand hill cranes' legs at take-off, the song of the vireo. Perhaps birders are a special species but they also include many of us, who if not trained to binoculars, are still stopped in our tracks at a flickering wing in our peripheral vision.In this latest collection of poems, Tom Crawford lends his keen sense of observation and resonant language to the wonder and evocative nature of birds in all their multiplicity. Here are a hundred pages of remarkable poetry, poems, which, in their accessibility and lyrical celebration, establish man's essential connection with birds and the natural world. As he says in his prologue, "We are spiritual animals. When we forget this essential truth, we invite calamity." These poems are offered like prayers-as if by naming the thing- like Shackleton planting a flag at the north pole -the poet stakes a claim for birds, and by extension the planet. His poems sing an ancient truth: to lose our sense of wonder is to lose ourselves.What makes THE NAMES OF BIRDS unique is the balance the poet strikes between fear and hope, mystery and wonder. This he achieves by telling us a story in poetry of his own beginnings as a boy discovering birds and their magical place in his young life, a story readers of all ages can relate to. Through his evolution to maturity-- his journey from Michigan, to southern California, the Pacific northwest, Manhattan, New Mexico and Asia- China, Korea - his writing becomes infused with Eastern thought and a sense of mysticism. A book for birders and serious readers of poetry alike.