The essays in this volume represent some of the most recent reconsiderations of the living legacy of Thomas Carlyle from both established and upcoming Carlyle scholars. Readers will have the opportunity to explore the richness of Carlyle's ideals, including the ones which challenge modern sensibilities the most. The essays examine carefully the complexities, difficulties, and contours of Carlyle's political and social vision. They also sample the breadth of Carlyle's thought, along with that of Jane Welsh Carlyle, his wife and fellow intellectual traveler, covering topics from political philosophy and cultural critique to education, historiography, biography, and the vagaries of editing. His roles as a political thinker and professional historian are investigated in depth, in addition to his better-known position as a critic of Victorian mores. Thomas Carlyle truly emerges "resartus" or re-tailored, ready to speak with renewed hope to the weighty concerns of the present. --Book Jacket.

This extraordinary work is at one and the same time an account of a personal spiritual crisis and a hilarious spoof on academic learning, early Victorian values and materialism. In Sartor Resartus (‘the tailor retailored’) a fictitious editor retells the theories of an equally fictitious German professor who has come to the conclusion that human institutions and morals are only clothes to shield us from nothingness, clothes that can be changed as the whims of the age or fashion dictate. This radically deconstructive vision reveals the very highest symbols of belief for what they are – merely symbols. How to believe in anything after such an insight is a question even more acute today than it was in Carlyle’s time, when he first asked it in this masterpiece of invention, parody and profound laughter. This Canongate Classics edition incorporates illustrations by Edmund Sullivan, reproduced as they appeared in the 1898 edition of the text. Also included is the notable Emerson preface to the original American edition and an incisive, specially commissioned introduction from Alasdair Gray. ‘The character of his influences is best seen in the fact that many of the men who have least agreement with his opinions are those to whom the reading of Sartor Resartus was an epoch in the history of their minds.’ George Eliot