Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although several such pieces have appeared in earlier collections of Porter's nonfiction writings, never have so many of Porter's reviews--nearly fifty--been made available in a single volume. Collectively the review reveal Porter's opinions on topics ranging from the nature of art and the place of the artist in politics and society to feminism and the role of female artists. Particularly evident in the reviews are the critical principles that guided her own work as well as her judgments of the works of other writers. In her introductory essay Darlene Harbour Unrue provides important biographical information on Porter, traces her career as a reviewer, and links critical assumptions in the reviews to the themes and techniques of Porter's fiction. Other scholars as well have regarded Porter's critical reviews as valuable tools both for analyzing the fiction and for constructing a portrait of Porter the artist, primarily because Porter produced so little fiction (three collections of short stories and novellas, Flowering Judas, The Leaning Tower, and Pale Horse, Pale Rider, and a novel, Ship of Fools). In the preface to the first collection of her nonfiction writings, The Days Before, Porter herself urged readers to look closely at her nonfiction, for there they would discover "the shape, direction, and connective tissue of a continuous, central interest and preoccupation of a lifetime." Most of the reviews--which appeared in such publications as the New York Herald Tribune, the New York Times, the Nation, and New Masses--she apparently undertook for financial reasons, but occasionally she would agree to review a friend's latest offering. She published no reviews after the success of her best-selling novel, Ship of Fools. Porter's scope as a reviewer was impressively broad. Because she lived in Mexico City during the revolution, had known Diego Rivera, and had studied "primitive" Mexican art, she was often called on to review books on Mexican art and on the revolution. Porter also reviewed many books by or about women. Her reviews of the Short Novels of Colette and Katharine Anthony's translation of Catherine the Great's memoirs are particularly noteworthy for her comments about women artists and her expression of admiration for women who flout traditional roles. These collected reviews illustrate the evolution of one of the most important American writers of the twentieth century and will interest not only Porter scholars but also anyone who appreciates her fiction.

Nothing's scarier than a world where you can't be yourself. The second and final book in this high-stakes, fast-paced sci-fi series from New York Times bestselling author RACHEL VINCENT. Dahlia 16's life is a lie. The city of Lakeview isn't a utopia that raises individuals for the greater good; it is a clone farm that mass-produces servants for the elite. And because Dahlia breaks the rules, her sisters--the 4,999 girls who share her face--are destroyed. She and Trigger 17, the soldier who risked his life for hers, go on the run, escaping into the wild outside the city walls. But it turns out Dahlia has one remaining identical, one who shouldn't even exist. Waverly Whitmore is teenage royalty, a media sensation with millions of fans who broadcasts her every move--including every detail of her wedding planning, leading up to the day she marries Hennessy Chapman. Waverly lives a perfect life built on the labors of clones like Dahlia. She has no idea that she too is a clone . . . until she comes face to face with Dahlia. One deadly secret. Two genetic sisters. And a world that isn't big enough for both of them. "Thrilling and dangerous, with an ending that will leave you gasping!" --SUZANNE YOUNG, New York Times bestselling author of the series THE PROGRAM on book 1, Brave New Girl

From Natalie D. Richards, the New York Times bestselling author of teen suspense books, comes a pulse-pounding thriller about a group of teenagers being hunted through the woods, perfect for fans of Natasha Preston and Karen McManus. While on a mandatory hike in the woods, a flash flood cuts off Sera and three classmates from their group with no way to call for help. But they're not as alone as they thought... Someone is stalking them through the woods—drugging them, stealing their supplies, and inking words onto their skin. Damaged. Deceptive. Dangerous. Darling. Are they labels? A warning? As their hunter grows bolder, Sera must find the truth before the killer finds them. The perfect pick for buyers looking for: Mystery books for teens Scary books for teens Edge-of-your-seat reads Praise for Natalie D. Richards: "As addictive as it is unpredictable. Natalie will keep you second guessing until the nail-biting end."—NATASHA PRESTON, New York Times bestselling author of The Cabin on My Secret to Tell "Brimming with suspense and intrigue."—MEGAN MIRANDA, New York Times bestselling author of All the Missing Girls on My Secret to Tell Also by Natalie D. Richards: Five Total Strangers Six Months Later Gone Too Far One Was Lost We All Fall Down What You Hide

From the critically acclaimed author of In Darkling Wood comes a spine-tingling novel inspired by Frankenstein with more than a hint of mystery and suspense. One stormy June evening, five friends meet at Villa Diodati, the summer home of Lord Byron. After dinner is served, they challenge each other to tell ghost stories that will freeze the blood. But one of the guests--Mary Shelley--is stuck for a story to share. Then there's an unexpected knock at the front door. Collapsed on the doorstep is a girl with strange scars on her face. She has traveled a long way with her own tale to tell, and now they all must listen. Hers is no ordinary ghost story, though. What starts as a simple tale of village life soon turns to tragedy and the darkest, most dangerous of secrets. Sometimes the truth is far more terrifying than fiction . . . and the consequences are even more devastating. Praise for Emma Carroll's In Darkling Wood: "A haunting and poignant exploration of family, loss, and redemption." --Booklist, Starred "A tale brimming with emotion and atmosphere. . . . [In Darkling Wood] is absorbing and well written. Hand this to readers who enjoy fantasy, fairy tales, and magical realism."--School Library Journal, Starred "Magic and mystery adds appeal to this already compelling family drama...and Carroll manages to wrap all of the threads into a wholly satisfying ending."--Bulletin

North America is more a political and an economic invention than a place people call home. Nonetheless, the region shared by the United States and its closest neighbors, North America, is an intriguing frame for comparative American studies. Continental Divides is the first book to study the patterns of contact, exchange, conflict, and disavowal among cultures that span the borders of Canada, the United States, and Mexico. Rachel Adams considers a broad range of literary, filmic, and visual texts that exemplify cultural traffic across North American borders. She investigates how our understanding of key themes, genres, and periods within U.S. cultural study is deepened, and in some cases transformed, when Canada and Mexico enter the picture. How, for example, does the work of the iconic American writer Jack Kerouac read differently when his Franco-American origins and Mexican travels are taken into account? Or how would our conception of American modernism be altered if Mexico were positioned as a center of artistic and political activity? In this engaging analysis, Adams charts the lengthy and often unrecognized traditions of neighborly exchange, both hostile and amicable, that have left an imprint on North America’s varied cultures.

In this stand-alone novel in the series, Bryn must save a dracling from a dangerous modern world that seems to have no place for an ancient dragon.