This Side of Paradise is a novel about post-World War I youth and their morality. Amory Blaine is a young Princeton University student with an attractive face and an interest in literature. His greed and desire for social status warp the theme of love weaving through the story.

The internationally bestselling Peachtree Bluff series concludes with this “deliciously authentic Southern tale of family and the often messy, complex relationships between sisters, mothers, and daughters” (Susan Boyer, USA TODAY bestselling author). With the man of her dreams back in her life and all three of her daughters happy, Ansley Murphy should be content. But she can’t help but feel like it’s all a little too good to be true. Her youngest daughter, actress Emerson, is recently engaged and has just landed the role of a lifetime. She seemingly has the world by the tail and yet something she can’t quite put her finger on is worrying her—and it has nothing to do with her recent health scare. When two new women arrive in Peachtree Bluff—one who has the potential to wreck Ansley’s happiness and one who could tear Emerson’s world apart—everything is put in perspective. And after secrets that were never meant to be told come to light, the powerful bond between the Murphy sisters and their mother comes crumbling down, testing their devotion to each other and forcing them to evaluate the meaning of family. “Kristy Woodson Harvey has done it again….The Southern Side of Paradise is full of humor, charm, and family” (Lauren K. Denton, USA TODAY bestselling author) and is the ultimate satisfying beach read.

This pictorial autobiography of Scott and Zelda Fitzgerald documents two lives that have become legendary. The book draws almost entirely from the scrapbooks and photograph albums that the Fitzgeralds scrupulously kept as their personal record and provides a wealth of illustrative material not previously available. Minnesota; a photograph of the country club in Montgomery, Alabama, where the two met; reviews of This Side of Paradise; poems to the couple from Ring Lardner; snapshots of their trips abroad; Fitzgerald's careful accounting of his earnings; a photograph of the house on Long Island where The Great Gatsby was conceived; postcards with Fitzgerald's drawings for his daughter. These rare photographs and memorabilia combine into a narrative augmented by selections from Scott's and Zelda's own writings, conveying the spirit of particuular moments in their lives.

‘A psychologically smart debut that swathes teen desire and friendship in mystery and mirth’ Observer ‘Like a twisted Malory Towers or maybe a cosmic version of ‘Heathers’’ Daily Mail ‘Funny, whip-smart and transcendently wise’ Jenny Offill ‘The love child of Donna Tartt and Tana French’ Chloe Benjamin

NATIONAL BESTSELLER • “Rice allows [her vampires] to do what they do best: wreak havoc and evoke terror. All while impeccably dressed.” —The Washington Post The vampire world is in crisis ... Old vampires, roused from deep slumber in the earth, are doing the bidding of a Voice commanding that they indiscriminately burn their kin in cities across the globe, from Paris to Mumbai, Hong Kong to San Francisco. Left with little time to spare, a host of familiar characters including Louis de Pointe du Lac, Armand, and even the vampire Lestat, must embark on a journey to discover who—or what—is driving this mysterious being.

“Koslow’s imagined account of the real-life affair between [F. Scott Fitzgerald] and the seductive expat is captivating.” —People magazine In 1937 Hollywood, gossip columnist Sheilah Graham’s star is on the rise, while literary wonder boy F. Scott Fitzgerald’s career is slowly drowning in booze. But the once-famous author, desperate to make money penning scripts for the silver screen, is charismatic enough to attract the gorgeous Miss Graham, a woman who exposes the secrets of others while carefully guarding her own. Like Fitzgerald’s hero Jay Gatsby, Graham has meticulously constructed a life far removed from the poverty of her childhood in London’s slums. And like Gatsby, the onetime guttersnipe learned early how to use her charms to become a hardworking success; she is feted and feared by both the movie studios and their luminaries. With his mentally-ill wife Zelda away in a sanitorium, Fitzgerald fell hard for Sheilah, who would help revive his career until his tragic death three years later. Working from Sheilah’s memoirs, interviews, and letters, Sally Koslow revisits their scandalous love affair and Graham’s dramatic transformation in London, bringing Graham and Fitzgerald gloriously to life with the color, glitter, magic, and passion of 1930s Hollywood. “A stunning, utterly captivating read.” —Kathleen Grissom, New York Times–bestselling author of The Kitchen House and Glory Over Everything “Rich in historical detail, celebrity dish, and old-fashioned human drama.” —Good Housekeeping “You’ll be surprised by the nuance and new details that Another Side of Paradise brings to light.” —Meryl Gordon, New York Times–bestselling author of Bunny Mellon: The Life of an American Style Legend “Intoxicating.” —Publishers Weekly

A New York Times Notable Book for 2011 A Boston Globe Best Fiction Book of 2011 The great panoramic social novel that Los Angeles deserves—a twenty-first century, West Coast Bonfire of the Vanities by the only writer qualified to capture the city in all its glory and complexity With The Barbarian Nurseries, Héctor Tobar gives our most misunderstood metropolis its great contemporary novel, taking us beyond the glimmer of Hollywood and deeper than camera-ready crime stories to reveal Southern California life as it really is, across its vast, sunshiny sprawl of classes, languages, dreams, and ambitions. Araceli is the live-in maid in the Torres-Thompson household—one of three Mexican employees in a Spanish-style house with lovely views of the Pacific. She has been responsible strictly for the cooking and cleaning, but the recession has hit, and suddenly Araceli is the last Mexican standing—unless you count Scott Torres, though you'd never suspect he was half Mexican but for his last name and an old family photo with central L.A. in the background. The financial pressure is causing the kind of fights that even Araceli knows the children shouldn't hear, and then one morning, after a particularly dramatic fight, Araceli wakes to an empty house—except for the two Torres-Thompson boys, little aliens she's never had to interact with before. Their parents are unreachable, and the only family member she knows of is Señor Torres, the subject of that old family photo. So she does the only thing she can think of and heads to the bus stop to seek out their grandfather. It will be an adventure, she tells the boys. If she only knew . . . With a precise eye for the telling detail and an unerring way with character, soaring brilliantly and seamlessly among a panorama of viewpoints, Tobar calls on all of his experience—as a novelist, a father, a journalist, a son of Guatemalan immigrants, and a native Angeleno—to deliver a novel as broad, as essential, as alive as the city itself.