Enshrinement in the Hall of Fame is the ultimate honor for major leaguers. This rousing oral history recounts stories of 17 players who came up just short: Virgil Trucks, Gene Woodling, Carl Erskine, and others.

Enshrinement in the Hall of Fame is the ultimate honor for any major leaguer. This rousing oral history tells the story of 17 legendary players who came up just short of Cooperstown: Virgil Trucks, Gene Woodling, Carl Erskine, and others. Collectively, the humorous, engaging, behind-the-scenes stories also tell the tale of baseball in the 1950s. "Great fun." — The New York Times.

As he did with his award-winning book, The Final Season, Tom Stanton again tells a magical tale of fathers, brothers, and baseball heroes certain to resonate with sports fans everywhere. Every true baseball fan dreams of visiting Cooperstown. Some make the trip as boys, when the promise of a spot in the lineup with the Yankees or Red Sox or Tigers glows on the horizon, as certain as the sunrise. Some go later in life, long after their Little League years, to glimpse the past, not the future. And still others talk of somedays and of pilgrimages that await. For Tom Stanton, the trip took nearly three decades. The dream first grabbed hold of him in 1972, in the era of Vietnam and Watergate and Johnny Bench and the Oakland Athletics. Stanton, then an eleven-year-old Michigan boy who lived for the game, became fascinated by the National Baseball Hall of Fame, the sport's spiritual home, the place to which great players aspire. He plotted ways to convince his father to take him to the famous village along Lake Otsego. But his plans for that season never materialized. They disappeared in the turmoil caused by his mother's life-threatening illness and his brother's antiwar activities. Still, the dream lingered through the summers that followed. Twenty-nine years later, he invited the two men who had introduced him to the sport, his elderly father and his older brother, to join him on a trip to the Hall. Finally, they embarked on their long-delayed adventure. The Road to Cooperstown is a true story populated with colorful characters: a philanthropic family that launched the museum and uses its wealth to, among other things, ensure that McDonald's stays out of the turn-of-the-century downtown; the devoted fan who wrote a book to get his hero into the Hall of Fame; the Guyana native who grew up without baseball but comes to the induction ceremony every year; the librarian on a mission to preserve his great-grandfather's memory; the baseball legends who appear suddenly along Main Street; and the dying man who fulfills one of his last wishes on a warm day in spring. This adventure, though brief, provides a true bonding experience that is the heart of a sweet, one-of-a-kind book about baseball, family, the Hall of Fame, and the town with which it shares a rich heritage.

A memoir by the 1940s pitching sensation looks back at a career playing for thirteen teams in four countries from the 1940s to the 1960s.

The Cooperstown Casebook by Jay Jaffe provides a definitive guide to the greatest players in baseball history, and the Hall of Fame.

Nicholas Fox Weber, author of the acclaimed Patron Saints (“Exhilarating avant-garde entertainment”—Sam Hunter, The New York Times Book Review) and Balthus (“The authoritative account of his life and work”—Michael Ravitch, Newsday), gives us now the idiosyncratic lives of Sterling and Stephen Clark—two of America’s greatest art collectors, heirs to the Singer sewing machine fortune, and for decades enemies of each other. He tells the story, as well, of the two generations that preceded theirs, giving us an intimate portrait of one of the least known of America’s richest families. He begins with Edward Clark—the brothers’ grandfather, who amassed the Clark fortune in the late-nineteenth century—a man with nerves of steel; a Sunday school teacher who became the business partner of the wild inventor and genius Isaac Merritt Singer. And, by the turn of the twentieth century, was the major stockholder of the Singer Manufacturing Company. We follow Edward’s rise as a real estate wizard making headlines in 1880 when he commissioned Manhattan’s first luxury apartment building. The house was called “Clark’s Folly”; today it’s known as the Dakota. We see Clark’s son—Alfred—enigmatic and famously reclusive; at thirty-eight he inherited $50 million and became one of the country’s richest men. An image of propriety—good husband, father of four—in Europe, he led a secret homosexual life. Alfred was a man with a passion for art and charity, which he passed on to his four sons, in particular Sterling and Stephen Clark. Sterling, the second-oldest, buccaneering and controversial, loved impressionism, created his own museum in Williamstown, Massachusetts—and shocked his family by marrying an actress from the Comédie Française. Together the Sterling Clarks collected thousands of paintings and bred racehorses. In a highly public case, Sterling sued his three brothers over issues of inheritance, and then never spoke to them again. He was one of the central figures linked to a bizarre and little-known attempted coup against Franklin Delano Roosevelt’s presidency. We are told what really happened and why—and who in American politics was implicated but never prosecuted. Sterling’s brother—Stephen—self-effacing and responsible—became chairman and president of the Museum of Modern Art and gave that institution its first painting, Edward Hopper’s House by the Railroad. Thirteen years later, in an act that provoked intense controversy, Stephen dismissed the Museum’s visionary founding director, Alfred Barr, who for more than a decade had single-handedly established the collection and exhibition programs that determined how the art of the twentieth century was regarded. Stephen gave or bequeathed to museums many of the paintings that today are still their greatest attractions. With authority, insight, and a flair for evoking time and place, Weber examines the depths of the brothers’ passions, the vehemence of their lifelong feud, the great art they acquired, and the profound and lasting impact they had on artistic vision in America.