To celebrate 50 years since the first moon landing by Apollo 11 in 1969, here is an original collection of 50 poems. In his poems Dom tells us of two incredible things--the Moon is incredible: it controls our tides, to give us 24-hour days, and it keeps our planet stable enough to have seasons. Dom reminds us that poetry too is incredible because it is the most flexible form of expressing ourselves and has been always how we used to tell stories, particularly about our ways of seeing this incredible Moon. The Moon is an inspiring rock of possibilities. To tell us this, Dom uses lots of poetry forms: short poems and long ones, silly ones and serious ones. There are haiku and sonnets, acrostics and shapes. He uses kennings and metaphors and slang. He uses established rhythms which you might find in older poems and he uses the rhythms he hears in his head when his son smiles at him. So take up the challenge: Read the poems, fly to the moon, land on it, orbit it. Go to walk on it, live on it, steal it, eat it!

Once you're dead, you're made for life. --Jimi Hendrix Hendrix. Janis. Morrison. Elvis. Lennon. Cobain. Garcia. Their reckless brilliance held the key to their self-destruction. Their deaths had much in common--and, surprisingly, so did their lives. From lonely childhoods marred by loss to groundbreaking music and turbulent careers that ended tragically and suspiciously, David Comfort explodes the myths as he probes: • The sinister roles of Hendrix's manager and girlfriend in his death and subsequent cover-up • The bizarre odyssey of Jim Morrison's corpse • Why Kurt Cobain was worth more dead than alive to Courtney Love • The twisted motives that caused John Lennon to sail through the Devil's Triangle to Bermuda--nearly going down in a storm--shortly before he was fatally shot • The crippling disease and "miracle" drug that drove Elvis to suicide Charismatic and gifted, but also isolated and conflicted, these are not the rock icons you thought you knew. Here are their larger-than-life stories of turmoil and excess that led to their early deaths and ultimate immortality. It's a wild ride to the other side of fame. "Fame is the soul eater." --Jerry Garcia "Everybody loves you when you're six foot in the ground." --John Lennon Includes Rare Photos David Comfort is the author of three bestselling nonfiction books. His short fiction has appeared in numerous magazines, including Eclectic Literary Forum, Pacific Review, Coe Review, and Belletrist Review. He has been the recipient of several literary prizes and a finalist for such prestigious awards as the Nelson Algren Award and America's Best. A former rock musician, he has spent over 30 years studying rock music, particularly the revolutionary and fatalistic pioneers of the 1960s. He lives in Santa Rosa, California.

A collection of poetry and lyrical writings by Native American poet Laura Tohe celebrating Canyon de Chelly, accompanied by full-color photographs.

We are all strangers in a strange land, longing for home, but not quite knowing what or where home is. We glimpse it sometimes in our dreams, or as we turn a corner, and suddenly there is a strange, sweet familiarity that vanishes almost as soon as it comes… –Madeleine L’Engle, from The Rock That Is Higher Story captures our hearts and feeds our imaginations. It reminds us who we are and where we came from. Story gives meaning and direction to our lives as we learn to see it as an affirmation of God’s love and truth–an acknowledgment of our longing for a rock in the midst of life’s wilderness. Drawing upon her own experiences, well-known tales in literature, and selected narratives from Scripture, Madeleine L’Engle gently leads the way into the glorious world of story in The Rock That Is Higher. Here she acknowledges universal human longings and considers how literature, Scripture, personal stories, and life experiences all point us toward our true home.

From the author of Gap Creek-an international best-seller and winner of the Southern Book Critics Circle Award-comes the gripping story of two brothers struggling against each other and the confines of their mountain world in 1920s Appalachia. The Powell brothers-Muir and Moody-are as different as Cain and Abel. Muir is an innocent, a shy young man with big dreams. Moody, the older and wilder brother-embittered by the death of his father, by years of fighting his mother, and by his jealousy of Muir's place in the family-takes to moonshine and gambling and turns his anger on his brother. Muir escapes by wandering, making his way around the country in attempts to find something-an occupation, a calling-to match his ambition. Through it all, their mother, Ginny, tries to steer her boys right, all the while remembering her own losses: her husband (whose touch still haunts her), her youth, and the fiery sense of God that once ordered her world. When Muir, in a drunken vision, decides that his purpose in life is to clear a space on a hill and build a stone church with his own hands, the consequences of his plan are far-reaching and irrevocable: a community threatens to tear itself apart, men die, and his family is forever changed. All that's left in the aftermath are the ghosts and the memories of a new man.

Whether you’re a UFO skeptic, believer, or merely a rock music fan, Alien Rock takes you on a fascinating and irreverent journey exploring the extraterrestrial stories of your favorite rock icons. From Elvis to the Beatles and from Michael Jackson to Marilyn Manson, countless rock stars have claimed to have seen, communed with, been inspired by, and sometimes even descended from extraterrestrials. Now you can discover these stories for yourself in this illuminating, all-access pass to rock’s unearthly encounters—some friendly, some frightening, and some frankly bizarre. From John Lennon spying a UFO from his penthouse in 1974 to Jimi Hendrix’s claim that he was a messenger from “another place,” there is no extraterrestrial tale neglected. With witty prose and in-depth research, Alien Rock provides a fascinating new perspective on the long, strange trip that is rock history, and suggests that, wherever the road takes us, we may not be traveling alone.