A classic A5 (approx. half letter) size multi-purpose feint ruled lined notebook ideal for note-taking, composition, jotting stuff down or for use as a planner or journal. Perfect for everyday use at work or in the office, at home, school, college or university, this note book features a simple yet sophisticated design that works for all ages and looks great in all settings. If your name is Benedict you will want to treat yourself. If you know someone named Benedict, you have just found the perfect gift! Dimensions: A5 (approx. half letter) - 5.83 x 8.27 inches (14.81 x 21.01 cm) Layout: Ruled / lined Pages: 96 pages, perfect-bound Paper: 90 GSM off-white acid-free paper made from 30% post-consumer waste recycled material Cover: Softcover gloss finish 220 GSM paper Cover Design: Boxed Design 'This Notebook Belongs to Benedict' design - dark blue on white background Benedict is just one of hundreds of names included in our popular 'Belongs to' notebook range. Quickly find the name you want by typing 'this notebook belongs to name' in the Amazon search box.

A classic smaller size A5 (approx. half-letter) multi-purpose feint ruled lined notebook ideal for note-taking, composition, jotting stuff down or for use as a planner or journal. Perfect for everyday use at work or in the office, at home, school, college or university, this note book features a simple yet sophisticated design that works for all ages and looks great in all settings. If your name is Ben you will want to treat yourself. If you know someone named Ben, you have just found the perfect gift! Dimensions: A5 (approx. half-letter) - 5.83 x 8.27 inches (14.81 x 21.01 cm) Layout: Ruled / lined Pages: 96 pages, perfect-bound Paper: 90 GSM acid-free cream paper made from 30% post-consumer waste recycled material Cover: Softcover gloss finish 220 GSM paper Cover Design: Boxed Design 'This Notebook belongs to Ben' design - dark blue on white background

Examines differences in taste between modern French classes, discusses the relationship between culture and politics, and outlines the strategies of pretension.

Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.

Zora Neale Hurston brings us Black America’s folklore as only she can, putting the oral history on the written page with grace and understanding. This new edition of Mules and Men features a new cover and a P.S. section which includes insights, interviews, and more. For the student of cultural history, Mules and Men is a treasury of Black America’s folklore as collected by Zora Neale Hurston, the storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed and oral history of the South since the time of slavery. Set intimately within the social context of Black life, the stories, “big old lies,” songs, voodoo customs, and superstitions recorded in these pages capture the imagination and bring back to life the humor and wisdom that is the unique heritage of Black Americans.

Seeks to find a balance between research and company practices. This text provides students with a background in the fundamentals of training and development - needs assessment, transfer of training, designing a learning environment, methods, and evaluation.

Schlieren and shadowgraph techniques are basic and valuable tools in various scientific and engineering disciplines. They allow us to see the invisible: the optical inhomogeneities in transparent media like air, water, and glass that otherwise cause only ghostly distortions of our normal vision. These techniques are discussed briefly in many books and papers, but there is no up-to-date complete treatment of the subject before now. The book is intended as a practical guide for those who want to use these methods, as well as a resource for a broad range of disciplines where scientific visualization is important. The colorful 400-year history of these methods is covered in an extensive introductory chapter accessible to all readers.