A classic smaller size A5 (approx. half-letter) multi-purpose feint ruled lined notebook ideal for note-taking, composition, jotting stuff down or for use as a planner or journal. Perfect for everyday use at work or in the office, at home, school, college or university, this note book features a simple yet sophisticated design that works for all ages and looks great in all settings. If your name is Avery you will want to treat yourself. If you know someone named Avery, you have just found the perfect gift! Dimensions: A5 (approx. half-letter) - 5.83 x 8.27 inches (14.81 x 21.01 cm) Layout: Ruled / lined Pages: 96 pages, perfect-bound Paper: 90 GSM acid-free cream paper made from 30% post-consumer waste recycled material Cover: Softcover gloss finish 220 GSM paper Cover Design: Boxed Design 'This Notebook belongs to Avery' design - dark blue on white background

A classic A5 (approx. half letter) size multi-purpose feint ruled lined notebook ideal for note-taking, composition, jotting stuff down or for use as a planner or journal. Perfect for everyday use at work or in the office, at home, school, college or university, this notebook features a simple yet sophisticated design that works for all ages and looks great in all settings. If your name is Dave you will want to treat yourself. If you know someone named Dave, you have just found the perfect gift! Dimensions: A5 (approx. half letter) - 5.83 x 8.27 inches (14.81 x 21.01 cm) Layout: Ruled / lined Pages: 96 pages, perfect-bound Paper: 90 GSM off-white acid-free paper made from 30% post-consumer waste recycled material Cover: Softcover gloss finish 220 GSM paper Cover Design: Boxed Design 'This Notebook Belongs to Dave' design - dark blue on white background Dave is just one of hundreds of names included in our popular 'Belongs to' notebook range. Quickly find the name you want by typing 'this notebook belongs to name' in the Amazon search box.

Refiguring the Archive at once expresses cutting-edge debates on `the archive' in South Africa and internationally, and pushes the boundaries of those debates. It brings together prominent thinkers from a range of disciplines, mainly South Africans but a number from other countries. Traditionally archives have been seen as preserving memory and as holding the past. The contributors to this book question this orthodoxy, unfolding the ways in which archives construct, sanctify, and bury pasts. In his contribution, Jacques Derrida (an instantly recognisable name in intellectual discourse worldwide) shows how remembering can never be separated from forgetting, and argues that the archive is about the future rather than the past. Collectively the contributors demonstrate the degree to which thinking about archives is embracing new realities and new possibilities. The book expresses a confidence in claiming for archival discourse previously unentered terrains. It serves as an early manual for a time that has already begun.

The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because:• the measurement of color still has unresolved complexities (Chapter 2)• many of the fine details of color vision remain unknown (Chapter 3)• every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5)• the philosophical approach to color has not yet crystallized (Chapter 7)• new pigments and dyes continue to be discovered (Chapters 10 and 11)• the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2).Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge.

* A broad range of disciplines--energy conservation and air quality issues, construction and design, and the manufacture of temperature-sensitive products and materials--is covered in this comprehensive handbook * Provide essential, up-to-date HVAC data, codes, standards, and guidelines, all conveniently located in one volume * A definitive reference source on the design, selection and operation of A/C and refrigeration systems

A classic smaller size A5 (approx. half-letter) multi-purpose feint ruled lined notebook ideal for note-taking, composition, jotting stuff down or for use as a planner or journal. Perfect for everyday use at work or in the office, at home, school, college or university, this note book features a simple yet sophisticated design that works for all ages and looks great in all settings. If your name is Asher you will want to treat yourself. If you know someone named Asher, you have just found the perfect gift! Dimensions: A5 (approx. half-letter) - 5.83 x 8.27 inches (14.81 x 21.01 cm) Layout: Ruled / lined Pages: 96 pages, perfect-bound Paper: 90 GSM acid-free cream paper made from 30% post-consumer waste recycled material Cover: Softcover gloss finish 220 GSM paper Cover Design: Boxed Design 'This Notebook belongs to Asher' design - dark blue on white background

This book is a collection of scientific papers written over 30 years by Karin Groen on aspects of the painting of Rembrandt, Frans Hals, Leyster, Vermeer, Van Gogh etc. The author tracks the historical development of the application of scientific techniques in research into artists techniques and materials and examines phenomena such as the changing of green pigments to blue, the use of red in preparatory layers, binding media, blanching and organic pigments. Contents: In memoriam: Karin Groen Introduction: Perspectives on the evolution of science for art history and conservation, and its current state Part I - Grounds and binding media Chapter 1 - Halcyon days for art history Chapter 2 - Grounds in Rembrandt's workshop and in paintings by his contemporaries Chapter 3 - Earth Matters. The origin of the material used for the preparation of the Night Watch and many other canvases in Rembrandt's workshop after 1640 Chapter 4 - In the beginning there was red Chapter 5 - Investigation of the use of the binding medium by Rembrandt. Chemical analysis and theology Part II - Changing colours Chapter 6 - Towards identification of brown discolouration on green paint Chapter 7 - Towards identification of brown discolouration on green paint revisited Chapter 8 - The foliage tends almost to blue Chapter 9 - Scanning electron-microscopy as an aid in the study of blanching Part III - Study of painting techniques Chapter 10 - Frans Hals: a technical examination (Co-author: Ella Hendriks) Chapter 11 - Judith Leyster: a technical examination of her work (Co-author: Ella Hendriks) Chapter 12 - Scientific examination of Vermeer's Girl with the Pearl Earring (Co-authors: Inez van der Werf, Klaas Jan van den Berg and Jaap J. Boon) Summary Samenvatting Bibliography Acknowlegdements