Seven-year-old Huxley searches for a best friend but life is confusing when he doesn't know who is trustworthy.

Jessica Donnelly’s life is beginning to unravel. When the attorney turned stay-at-home mom tentatively volunteers to represent Amina Hamid, a woman seeking asylum, Jessica must learn an unfamiliar area of the law. Soon, rising opposition to Muslim immigration and unexpected prejudices put her relationships on shaky ground. Amina fled Syria with little more than memories that now fight against the images splashed on the news. Seeking a secure future and freedom from guilt and grief, she must learn to trust others amidst the reality of fear and hate. To find stability, Jessica and Amina will both need to harness their own strengths, which may lie in connections that transcend generations, cultures, and continents.

Huxley's first collection of short stories contains seven visionary and satirical tales, which introduces themes that will go on to form the basis of his entire works. The events and the protagonists of these stories, with their personalities falling between the explicit and the elusive, are also rich in parallels and points in common with the life of their author. In The Death of Lully a woman is struck by breast cancer, the disease that killed the young author's mother to whom he was very close; and suicide as that of his brother, recurs in Eupompus Gave Splendour To Art By Numbers. Among all, however, Farcical History Of Richard Greenow takes the form of an autobiography, from the setting to the events described, there are many points of contact between the protagonist and that of the author: like a new Dr Jekyll's alter ego protagonist (and the same Huxley) will face his personal Mr. Hyde, in the staging of the struggle between two different and irreconcilable ways of thinking about literature and civic engagement.

Mrs. Aldwinkle, an English aristocrat of a certain age, has purchased a mansion in the Italian countryside. She wishes to bring a salon of intellectual luminaries into her orbit, and to that end she invites a strange cast of characters to spend time with her in her palazzo: Irene, her young niece; Ms. Thriplow, a governess-turned-novelist; Mr. Calamy, a handsome young man of great privilege and even greater ennui; Mr. Cardan, a worldly gentleman whose main talent seems to be the enjoyment of life; Hovenden, a young motorcar-obsessed lord with a speech impediment; and Mr. Falx, a socialist leader. To this unlikely cast is soon added Mr. Chelifer, an author with an especially florid, overwrought style that is wasted on his day job as editor of The Rabbit Fancier’s Gazette, and the Elvers, a scheming brother who is the guardian of his mentally-challenged sister. As this unlikely group mingles, they discuss a great many grand topics: love, art, language, life, culture. Yet very early on the reader comes to realize that behind the pompousness of their elaborate discussions lies nothing but vacuity—these characters are a satire of the self-important intellectuals of Huxley’s era. His skewering of their intellectual barrenness continues as the group moves on to a trip around the surrounding country, in a satire of the Grand Tour tradition. The party brings their English snobbery out in full force as they traipse around Rome, sure of nothing else except in their belief that Italy is culturally superior simply because it’s Italy. As the vacation winds down, we’re left with a biting lampoon of the elites who suppose themselves to be at the height of art and culture—the kinds of personalities that arise in every generation, sure of their own greatness but unable to actually contribute anything to the world of art and culture that they feel is so important. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

"This is Mr. Huxley's best novel for a very long time . . . admirably constructed . . . bright and sun-pierced." New Statesman and Nation

My life was perfect - until a shocking tragedy pulled the rug out from underneath me. My children were left without a father. I was without a husband and a provider. Instead of wallowing in my grief, I buried myself in my work at Dovetail Enterprises. Landing the promotion as the CEO's right hand was exactly what I needed. Getting saddled with Milo Huxley as an assistant is exactly the opposite. I can't stand him. He's arrogant, irresponsible, and out for my job. As if that's not bad enough, he has to be devastatingly sexy, and have a posh English accent that makes me squirm on top of it all. I've had enough unpredictability for one lifetime, thank you. But soon enough, we're fighting less and laughing more. He's there for me when no one else is. And those good looks aren't the only panty-dropping thing about him. If I only knew what to do about it . . .

Aldous Huxley- a major figure of the literary and intellectual history of this century- dramatizes here one man's disillusionment threatening to plunge the world into a new morass.