Six stories, all with African-Americans as the central characters. The plot concerns a young man named Lincoln saving money to go to college to become an agriculturalist, and the hardship that his Southern family faces going up North to find work in the factories, and of the illnesses and cultural isolation they face, before returning back home to their beloved South.

When Peter and Max find an empty box they climb in and go on a wonderful series of adventures.

A LOUDER THAN WAR BOOK OF THE YEAR A riveting journey into the psyche of Britain through its golden age of television and film; a cross-genre feast of moving pictures, from classics to occult hidden gems, The Magic Box is the nation's visual self-portrait in technicolour detail. 'The definition of gripping. Truly, a trove of wyrd treasures.' BENJAMIN MYERS 'A lovingly researched history of British TV [that] recalls the brilliant, the bizarre and the unworldly.' GUARDIAN 'A reclamation, not just of a visual 'golden age', but of Britain as a darkly magical place.' THE SPECTATOR 'A feat of argument, description and affection.' FINANCIAL TIMES 'Young unearths the ghosts of TV past - and Britain's dark psyche.' HERALD 'Highly entertaining . . . [A] fabulous treasure trove.' SCOTSMAN 'Young is a phenomonal scholar.' OBSERVER 'Impassioned.' THE CRITIC Growing up in the 1970s, Rob Young's main storyteller was the wooden box with the glass window in the corner of the family living room, otherwise known as the TV set. Before the age of DVDs and Blu-ray discs, YouTube and commercial streaming services, watching television was a vastly different experience. You switched on, you sat back and you watched. There was no pause or fast-forward button. The cross-genre feast of moving pictures produced in Britain between the late 1950s and late 1980s - from Quatermass and Tom Jones to The Wicker Man and Brideshead Revisited, from A Canterbury Tale and The Go-Between to Bagpuss and Children of the Stones, and from John Betjeman's travelogues to ghost stories at Christmas - contributed to a national conversation and collective memory. British-made sci-fi, folk horror, period drama and televisual grand tours played out tensions between the past and the present, dramatised the fractures and injustices in society and acted as a portal for magical and ghostly visions. In The Magic Box, Rob Young takes us on a fascinating journey into this influential golden age of screen and discovers what it reveals about the nature and character of Britain, its uncategorisable people and buried histories - and how its presence can still be felt on screen in the twenty-first century. '[A] forensic dissection . . . this tightly packed treatise takes pains to illustrate how what we view affects how we view ourselves.' TOTAL FILM

For Eva, a young girl with a lively imagintation, a seemingly ordinary box becomes a portal to a magical, wonder-filled world./DIV Eva wishes for a pet. She reaches into her magic box and pulls out Monty. But he's not quite what she had in mind. (He's a polar bear.) What else might be in the magic box? A colony of festive rabbits, some delicious food, and a band of the very best musicians (including a sax-playing leopard)! The party is officially on! Once everyone has danced their socks off, Eva clicks her fingers to make everything vanish. Well, not quite everything... DIVKatie Cleminson's lively and fanciful illustrations are the perfect vehicle to convey the transformative power of a young child's imagination.