It doesn't matter who we are, join hands and stand up tall. Love is a special language that's understood by all. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; text-align: center; font: 22.0px Helvetica} Love is understood and shared by people all around the world. Whether playing with friends or sharing a special moment with family - love can unite us all.

What if Cinderella never tried on the glass slipper? Unable to prove that she's the missing princess, and unable to bear life under Lady Tremaine any longer, Cinderella attempts a fresh start, looking for work at the palace as a seamstress. But when the Grand Duke appoints her to serve under the king's visiting sister, Cinderella becomes witness to a grand conspiracy to take the king—and the prince—out of power, as well as a longstanding prejudice against fairies, including Cinderella's own Fairy Godmother. Faced with questions of love and loyalty to the kingdom, Cinderella must find a way to stop the villains of past and present . . . before it's too late.

More than ten people are murdered every day in Ciudad Juárez, a city about the size of Philadelphia. As Mexico has descended into a feudal narco-state-one where cartels, death squads, the army, and local police all fight over billions of dollars in profits from drug and human trafficking-the border city of Juárez has been hit hardest of all. And yet, more than a million people still live there. They even love their impoverished city, proudly repeating its mantra: "Amor por Juárez." Nothing exemplifies the spirit and hope of Juarenses more than the Indios, the city's beloved but hard-luck soccer team. Sport may seem a meager distraction, but to many it's a lifeline. It drew charismatic American midfielder Marco Vidal back from Dallas to achieve the athletic dreams of his Mexican father. Team owner Francisco Ibarra and Mayor José Reyes Ferriz both thrive on soccer. So does the dubiously named crew of Indios fans, El Kartel. In this honest, unflinching, and powerful book, Robert Andrew Powell chronicles a season of soccer in this treacherous city just across the Rio Grande, and the moments of pain, longing, and redemption along the way. As he travels across Mexico with the team, Powell reflects on this struggling nation and its watchful neighbor to the north. This story is not just about sports, or even community, but the strength of humanity in a place where chaos reigns.

Perfect for any fond gift or tender moment, this story of a girl and a duckling who share a touching year together will melt hearts old and young. In this tenderly funny book, girl and duckling grow in their understanding of what it is to care for each other, discovering that love is as much about letting go as it is about holding tight. Children and parents together will adore this fond exploration of growing up while learning about the joys of love offered and love returned.

This. This. This. Is. Love. Love. Love. contains thirteen stories, full-length and flash, that explore love-sexual, platonic, filial, and beyond-in its gritty and beguiling forms. A small-town teenager pursues an eccentric pinball wizard after her grandfather's move to her home shakes up her parents' marriage; a chronic depressive turns to a TV animal psychic in hopes of mending her relationship with her dog-loving dad; a middle-aged recovering alcoholic goes back to college and becomes fixated on his stern professor. Throughout the collection, as characters in various stages of life try to navigate love, they court obsession, madness, and transcendence.Advance Praise for This. This. This. Is. Love. Love. Love. I love Jenny Wortman's stories! They are strange, sad, and funny. More important, Wortman is a writer wise to the perils of our fragile minds, which can be brought low by demons of mental health. Mercy and imagination are our only hope. These stories have them in spades. -Steve Almond, author of Bad Stories: What the Hell Just Happened to Our Country Jennifer Wortman's diverse stories are absolutely electric. They explore self-consciousness with unfailing wit and candor, while revealing our most hidden hurts and desires. In substance and style, they're a literary funhouse. What an intimate, wise, nervy, and soaring collection from a remarkable writer. -Steven Schwartz, author of Madagascar: New and Selected Stories This. This. This. Is. Fabulous. I love this book! Jennifer Wortman's stories cover narrative territory such as depression, isolation, sexual relationships, and family dysfunction, pairing pain with the humor and joy of Wortman's fresh and inimitable style. This debut collection stuns and delights. I look forward to reading more from this brilliant, vibrant author.-Erika Krouse, author of Contenders and Come Up and See Me Sometime

This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.

The acclaimed actress and dedicated activist shares her personal journey of discovery, and destroys outdated ideas about partnership, love and family that will resonate with anyone in an unconventional life situation. Actress and activist Maria Bello made waves with her essay, “Coming Out as a Modern Family,” in the New York Times popular “Modern Love” column, in which she recalled telling her son that she had fallen in love with her best friend, a woman—and her relief at his easy and immediate acceptance with the phrase “Whatever Mom, love is love.” She made a compelling argument about the fluidity of partnerships, and how families today come in a myriad of designs. In her first book, Bello broadens her insights as she examines the idea of partnership in every woman’s life, and her own. She examines the myths that so many of us believe about partnership—that the partnership begins when the sex begins, that partnerships are static, that you have to love yourself before you can be loved, and turns them on their heads. Bello explores how many different relationships—romantic, platonic, spiritual, familial, educational—helped define her life. She encourages women to realize that the only labels we have are the ones we put on ourselves, and the best, happiest partnerships are the ones that make your life better, even if they don’t fit the mold of “typical.” Throughout this powerful and engaging read, Bello shares intimate stories and lessons on how she has come to discover her happiest self, accept who she is, and live honestly and freely, and tells the stories of those who came to her after her Times’ columns, grateful that someone gave voice to their life choices. Whatever...Love Is Love is not a memoir about an actress. It is a frank, raw, and honest book about the way every woman questions the roles she plays in love, work, and life, filled with wisdom, questions, and insights relevant to us all.