My life had a plan. Until he invaded it and stole it all away. My captor took me and I became a pawn. His strategy changed and he sent me away to WAR, because money is everything in this world. In my WAR, though, I found peace. I couldn’t help but find love where I least expected it, with a man who lived a battle every day of his life …all inside his head. But then my captor came back for me. Yet, this time, battle lines had been drawn and I was protected. So we thought. Even though my WAR was raging, my captor would fight to the death. The good guys always win, right? Not always. All’s fair in love and WAR, right? Not this time. Warning: This is War, Baby is a dark romance. A really dark one. So dark you’re going to wish you had a flashlight to see yourself to the end and someone to hold your hand. Human trafficking, dubious consent, and strong sexual themes that could trigger emotional distress are found in this story. This story is NOT for everyone.

" War Babies: The Generation That Changed America " examines the lives and careers of Americans born between 1939 and 1945. No one has written such a book about this generation. " War Babies " deals especially with musicians and composers like Joan Baez, Bob Dylan, and Simon and Garfunkel; with film directors like Francis Ford Coppola and Martin Scorsese; with actors like Al Pacino and Robert De Niro; with athlete/activists like Muhammad Ali; with journalists like Bob Woodward and Carl Bernstein; and with politicians like John Kerry and Nancy Pelosi. These are the people who continue to shape our lives and cultures in the 21st century.

25th February 1995 The Dark Destroyer vs the G-Man Nigel Benn and Gerald McClennan Two men with a reputation to defend - a reputation for brutal, unforgiving combat both in the ring and outside it. Ostensibly, they were fighting for a world title and a lot of money, the stuff of professional boxing. But this fight was different. It was a rare collision of wills, and few present had seen anything like it. After ten of the most gruelling and vicious rounds that the sport of boxing has ever witnessed McClellan finally was defeated. He knelt in his corner on one knee in submission. And he never got up. This is the story of what brought these two men together on the night of 25th February 1995 and how that night changed them forever. It's a story too about those associated with the promotion of public fist-fighting, who bend morality to suit their needs. It's a story that attempts to unravel the glamour of violence. William Hill Sports Book of the Year Finalist.

War Baby / Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with 19 emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai'i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of "optional identity," this collection brings together first-person perspectives and a wider scholarly context to shed light on changing Asian American cultures. This multiauthor volume features a foreward by Kent A. Ono, a co-authored preface and introductory essay by the editors, 19 original artist interviews conducted by the editors, and original essays from Wei Ming Dariotis and the contributing authors: Camilla Fojas, Stuart Gaffney, Rudy Guevarra, Jr., Eleana J. Kim, Richard Lou, Margo Machida, Stephen Murphy-Shigematsu, Lori Pierce, Cathy J. Schlund-Vials, Ken Tanabe, and Wendy Thompson-Taiwo. Laura Kina is associate professor of art, media, and design at DePaul University. Wei Ming Dariotis is associate professor of Asian American studies at San Francisco State University. "War Baby / Love Child is an interesting, original, and innovative project that expands the field of Asian American studies by using visual art as a point of entry and analysis for the discipline." -Mark Johnson, editor of Asian American Art: A History, 1850-1970 "One of the strengths of this original volume is its holistic combination of interviews with premier fine artists along with the textual, historical, and scholarly context provided by established and emerging scholars in Asian American Studies." -Nitasha Sharma, author of Hip Hop Desis: South Americans, Blackness, and Global Race Consciousness

THIS IS BOOK TWO IN SERIES. PLEASE READ THIS IS WAR, BABY FIRST. My War was over and I had lost. My captor reminded me I was nothing more than his pawn. His strategy never changed…it was always me. But what he didn’t know was that LOVE always wins. In my War, I’d found not only peace but LOVE as well. I’d been through a battlefield with my War and LOVE was what brought us to the other side. Our LOVE was beautiful and pure. Undying. My captor thinks he has won this war. That I will LOVE him. What he doesn’t know is this time, I’m the one with a strategy. I’m always thinking several moves ahead of him, my War taught me that. I will outsmart him and find peace again. This is a war I will win. My LOVE will conquer all. Warning: This is Love, Baby is a dark romance. Strong sexual themes and violence which could trigger emotional distress are found in this story. Terrible, terrible things happen to our poor heroine, so you’ve been properly warned. This story is NOT for everyone.

Donna Seto investigates why children born of wartime sexual violence are rarely included in post-conflict processes of reconciliation and recovery. The focus on children born of wartime sexual violence questions the framework of understanding war and recognizes that certain individuals are often forgotten or neglected. This book considers how children are neglected sites for the reproduction of global norms. It approaches this topic through an interdisciplinary perspective that questions how silence surrounding the issue of wartime sexual violence has prevented justice for children born of war from being achieved. In considering this, Seto examines how the theories and practices of mainstream International Relations (IR) can silence the experiences of war rape survivors and children born of wartime sexual violence and explores the theoretical frameworks within IR and the institutional structures that uphold protection regimes for children and women.