Yours Is the Day, Lord, Yours Is the Night gives a framework for prayerful devotions with a morning and evening prayer for each day of the year. The prayers have been selected to reflect the seasons and the liturgical calendar. They are intended not to replace your personal, spontaneous prayers but to serve as a springboard for them. Editors Jeanie and David Gushee have collected inspiring contributions from Protestant, Catholic, and Eastern Orthodox sources; from all continents; from the Old Testament; and from each century of Christian history. Yours Is the Day, Lord, Yours Is the Night will enhance your commitment to God and personal connection to the Christian tradition and the Church universal.

New York Times bestseller SHE LOST EVERYTHING SHE LOVED. HE HAD EVERYTHING SHE NEEDED. BUT COULD SHE FIND THE COURAGE TO TRUST HIM? Stepping from a battered coach on a rainy April eve, newly widowed Elisabeth Kerr must begin again, without husband or title, property or fortune. She is unafraid of work and gifted with a needle, but how will she stitch together the tattered remnants of her life? And who will mend her heart, torn asunder by betrayal and deception? Elisabeth has not come to Selkirk alone. Her mother-in-law, Marjory Kerr, is a woman undone, having buried her husband, her sons, and any promise of grandchildren. Dependent upon a distant cousin with meager resources, Marjory dreads the future almost as much as she regrets the past. Yet joy still comes knocking, and hope is often found in unexpected places. Then a worthy hero steps forward, rekindling a spark of hope. Will he risk his reputation to defend two women labeled as traitors to the Crown? Or will a wealthy beauty, untainted by scandal, capture his affections? The heartrending journey of the Kerr women comes to a glorious finish in Mine Is the Night, a sparkling gem of redemption and restoration set in eighteenth-century Scotland.

A searing memoir on how childhood spills into parenthood from the critically acclaimed author of Another Bullshit Night in Suck City. When Nick Flynn was seven years old, his mother set fire to their house. The event loomed large in his imagination for years, but it’s only after having a child of his own that he understands why. He returns with his young daughter to the landscape of his youth, reflecting on how his feral childhood has him still in its reins, and forms his memories into lyrical bedtime stories populated by the both sinister and wounded Mister Mann. With the spare lyricism and dark irony of his classic, Another Bullshit Night in Suck City, Flynn excavates the terrain of his traumatic upbringing and his mother’s suicide. This Is the Night Our House Will Catch Fire unravels the story of the fire that Flynn had to escape, and the ways in which, as an adult, he has carried that fire with him until it threatens to burn down his own house. Here Nick confronts his failings with fierce candor, even as they threaten to tear his family apart. His marriage in crisis, Flynn seeks answers from his therapist, who tells him he has “the ethics of a drowning man.” This Is the Night Our House Will Catch Fire takes us on the journey of a man struggling to hold himself together in prose that is raw and moving, sharp-edged and wry. Alternating literary analysis and philosophy with intimate memoir, Flynn probes his deepest ethical dilemmas.

#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.

Look closer. Grant Snider's beautiful debut picture book explores the wonders—and colors—of nighttime. For night is not just black and white. Ending in colors yet unseen, and a night of sweet dreams, this lilting lullaby is sure to comfort those drifting off to sleep. With luminous art as spare and glowing as the moon, and lyrical text that reads like a friend leading the way through the wilderness, What Color Is Night? is a rich and timeless look at a topic of endless fascination, and a perfect bedtime read-aloud.

The debut full-length collection of poems by Mónica Gomery.

This Is the Night is a work of "liturgical theology," understood as a theology inspired or informed by the liturgies of Christian Holy Week. In the context of modernity in crisis, it is an attempt to think with the principal liturgies of the "PaschalTriduum" - Maundy Thursday, Good Friday, and the Great Vigil of Easter - about human suffering. The author works from an analysis of the structure of the Christian paschal liturgies to offer an account of suffering that is more compassionate and honest than that of western modernity. Moreover, this account is the theoretical correlate of an ethic performed by the paschal liturgies: their structure and rhythm give rise not only to an account of suffering and its remedy, but to a compassionate practice into which Christians are called. In both the philosophical and the popular imagination, modernity is a context in which "progress" is the defining human telos. Because of this commitment to progress, modernity is often allergic to the concrete pain and horror of suffering. Modernity sidelines suffering as an unfortunate but necessary moment in the course of human progress, not infrequently because it is a byproduct of our "progress" - our technical mastery of nature and leadership of global capitalization. In this context, suffering is more a concept than an existential fact or experience. Yet downplaying human suffering in this way creates even greater suffering, by anesthetizing us to its effect on human beings. Some of the critics of modernity also criticize Christianity as a religious version of the modern myth of progress, or even as its very source. Inspired in part by the political theology of Johann Metz and by the liturgical scholarship of Don Saliers, Robert Taft, and others, the author argues instead that in the liturgies of Holy Week, the passion, death, and resurrection of Christ form a context in which Christians recognize human suffering not as an unfortunate moment on the way to salvation but as the very field of God's saving activity. That divine activity is saving precisely as we enter into it by practice. To be saved - to enter into an abundant and vigorous human life - is to become a priestly people, orienting ourselves toward suffering in the same way that Jesus Christ did, facing it with courage where necessary and resisting its ravages where possible.