If you could choose one person to bring back to life, who would it be? Seventeen-year-old Lake Deveraux is the survivor of a car crash that killed her best friend and boyfriend. Now she faces an impossible choice. Resurrection technology changed the world, but strict laws allow just one resurrection per citizen, to be used on your eighteenth birthday or lost forever. You only have days to decide. For each grieving family, Lake is the best chance to bring back their child. For Lake, it's the only way to reclaim a piece of happiness after her own family fell apart. And Lake must also grapple with a secret--and illegal--vow she made years ago to resurrect someone else. Someone who's not even dead yet. Who do you need most? As Lake's eighteenth birthday nears, secrets and betrayals new and old threaten to eclipse her cherished memories. Lake has one chance to save a life...but can she live with her choice?

'The book is like the spoon: once invented, it cannot be bettered' Umberto Eco These days it is impossible to get away from discussions of whether the book will survive the digital revolution. Blogs, tweets and newspaper articles on the subject appear daily, many of them repetitive, most of them admitting ignorance of the future. Amidst the twittering, the thoughts of Jean-Claude Carri�re and Umberto Eco come as a breath of fresh air. This thought-provoking book takes the form of a conversation in which Carri�re and Eco discuss everything from how to define the first book to what is happening to knowledge now that infinite amounts of information are available at the click of a mouse. En route there are delightful digressions into personal anecdote. We find out about Eco's first computer and the book Carri�re is most sad to have sold. And while, as Carri�re says, the one certain thing about the future is that it is unpredictable, it is clear from this conversation that, in some form or other, the book will survive. 'A storming book. The next best thing to sitting in Umberto Eco's living room after dinner; a dream collection of lucid and fascinating discussions' Nick Harkaway 'Hurrah for philosopher and novelist Umberto Eco and playwright and screenwriter Jean-Claude Carri�re, who have come together to praise the medium... Fans of Eco and Carri�re will be charmed' Time Out 'An entertainingly free-range dialogue about writing past, present and future' Independent

Advice on how to handle a rough chapter in your life, from someone who’s been there before. Nina Sossamon-Pogue, former world-class gymnast and award-winning television personality turned successful corporate executive, pulls from decades of high, lows, and public pain to write This Is Not the End. It became the resource Nina needed when she thought her life was over and sometimes wished it were. In this book, Nina shares candid stories of her own journey toward healing after a series of traumatic events. She uses the wisdom gained from her experience, combined with proven and practical tips, to show those going through a difficult time how to: · Figure out where to put this event in their head · Create the script that will protect them in public · Assess which people and places are helping or hurting them · Learn how to look at a traumatic event as a fraction of their life story · Understand that even the most public pain (television trucks on the front lawn) comes and goes · Practice the mental gymnastics needed to get them to the next chapter (yes, there is a next chapter!) While today may seem miserable, This Is Not the End can help you see that your life is not ruined. You’re merely in a tough plot twist, and better days are ahead…

NATIONAL BESTSELLER A BEST BOOK OF 2020 CBC – The Best Canadian Nonfiction of 2020 The Globe and Mail’s Globe 100: Our Favourite Books of 2020 Chatelaine’s 10 Best Books of 2020 The Walrus’s Favourite Books of 2020 For readers of Paul Kalanithi's When Breath Becomes Air and Will Schwalbe, the moving, inspiring story of a young husband and father who, when diagnosed with terminal cancer at the age of thirty-three, sets out to build a legacy for his infant son. i can't make you feel what it's like to be a young, dumb, naïve thirty-year-old sitting in the back of a walk-in clinic waiting to be handed what is essentially a death sentence any more than i can show you what it feels like to have a husband or father or child who's dying and knowing there is nothing you can do to stop it. i can only describe to you how i feel today. angry. at peace. scared. grateful. a giant, spiky, flowering heart-shaped bouquet of contradictions. Layton Reid was a globe-trotting, risk-taking, sunshine-addicted bachelor--then came a melanoma diagnosis. Cancer startled him out of his arrested development--he returned home to Halifax to work as a wedding photographer--and remission launched him into a new, passionate life as a husband and father-to-be. When the melanoma returned, now at Stage IV, Layton and his family put all their stock into a punishing alternative therapy, hoping for a cure. This Is Not the End of Me recounts Layton's three-year journey as he tried desperately to stay alive for his young son, Finn, and then found purpose in preparing Finn for a world without him. With incredible intimacy, grit, and empathy, reporter Dakshana Bascaramurty casts an unsentimental eye on who her good friend was: his effervescence, his twisted wit, his anger, his vulnerability. Interweaving Layton's own reflections--his diaries written for Finn, his letters to his wife, Candace, and his public journal--she paints a keenly observed portrait of Layton's remarkable evolution. In detailing the ugly, surprising, and occasionally funny ways in which Layton and his family faced his mortality, the book offers an unflinching look at how a person dies, and how we might build a legacy in our information-saturated age. Powerful and unvarnished, This is Not the End of Me is about someone who didn't get a very happy ending, but learned to squeeze as much life as possible from his final days.

Arthur is a precocious eight-year-old boy whose mother is a B-list celebrity more concerned with the state of her bank account than with her son's development. Then an enigmatic young nanny named Missy introduces him to a world he never knew existed.

Originally published by Bradbury Press in 1972.

James Salley is turning sixteen, and it’s not going well. His family’s too busy to care, the local bully creates new tortures daily, someone appears to be following him, and he’s just learned that he’s the Antichrist. All James ever wanted out of life was for Dorian Delaney — the operatically trained and suicidal girl of his dreams — to fall as in love with him as he is with her. But once he’s told of his bloody destiny, he finds himself fighting between who he thought he was and who he’s supposed to be. With the school librarian pushing him to begin the Apocalypse, an irritable homunculus watching his back, and a murderous cabal of Catholics following him everywhere, James must discover how to navigate a world in which everything he’s ever believed is wrong — and if it’s possible to be the hero of a story when you’ve already been cast as the villain.