Chick lit: A genre of fiction that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeatedly). Girl finds Prince Charming. This Is Not Chick Lit is a celebration of America’s most dynamic literary voices, as well as a much needed reminder that, for every stock protagonist with a designer handbag and three boyfriends, there is a woman writer pushing the envelope of literary fiction with imagination, humor, and depth. The original short stories in this collection touch on some of the same themes as chick lit–the search for love and identity–but they do so with extraordinary power, creativity, and range; they are also political, provocative, and, at turns, utterly surprising. Featuring marquee names as well as burgeoning talents, This Is Not Chick Lit will nourish your heart, and your mind. Including these original stories: “The Thing Around Your Neck” by Chimamanda Ngozi Adichie “Two Days” by Aimee Bender “An Open Letter to Doctor X” by Francine Prose “Gabe” by Holiday Reinhorn “Documents of Passion Love” by Carolyn Ferrell “Volunteers Are Shining Stars” by Curtis Sittenfeld “Selling the General” by Jennifer Egan “The Seventy-two-Ounce Steak Challenge” by Dika Lam “Love Machine” by Samantha Hunt “Ava Bean” by Jennifer S. Davis “Embrace” by Roxana Robinson “The Epiphany Branch” by Mary Gordon “Joan, Jeanne, La Pucelle, Maid of Orléans” by Judy Budnitz “Gabriella, My Heart” by Cristina Henríquez “The Red Coat” by Caitlin Macy “The Matthew Effect” by Binnie Kirshenbaum “The Recipe” by Lynne Tillman “Meaning of Ends” by Martha Witt Praise for This Is Not Chick Lit “This Is Not Chick Lit is important not only for its content, but for its title. I’ll know we’re getting somewhere when equally talented male writers feel they have to separate themselves from the endless stream of fiction glorifying war, hunting and sports by naming an anthology This Is Not a Guy Thing.”—Gloria Steinem “These voices, diverse and almost eerily resonant, offer us a refreshing breath of womanhood-untamed, ungroomed, and unglossed.”—Elle

This Is Chick-lit

INSTANT NATIONAL BESTSELLER "Wise and addictive... The Gifted School is the juiciest novel I've read in ages... a suspenseful, laugh-out-loud page-turner and an incisive inspection of privilege, race and class." –J. Courtney Sullivan, author of Friends and Strangers, in The New York Times Smart and juicy, a compulsively readable novel about a previously happy group of friends and parents that is nearly destroyed by their own competitiveness when an exclusive school for gifted children opens in the community, from the author of The Displacements This deliciously sharp novel captures the relentless ambitions and fears that animate parents and their children in modern America, exploring the conflicts between achievement and potential, talent and privilege. Set in the fictional town of Crystal, Colorado, The Gifted School is a keenly entertaining novel that observes the drama within a community of friends and parents as good intentions and high ambitions collide in a pile-up with long-held secrets and lies. Seen through the lens of four families who've been a part of one another's lives since their kids were born over a decade ago, the story reveals not only the lengths that some adults are willing to go to get ahead, but the effect on the group's children, sibling relationships, marriages, and careers, as simmering resentments come to a boil and long-buried, explosive secrets surface and detonate. It's a humorous, keenly observed, timely take on ambitious parents, willful kids, and the pursuit of prestige, no matter the cost.

From the bestselling author of In Her Shoes, All Fall Down and the forthcoming novel Who Do You Love, Good in Bedis a funny and tender story full of heart. Cannie Shapiro never wanted to be famous. The smart, sharp, plus-sized reporter was perfectly happy writing about other people's lives for her local newspaper. And for the past twenty-eight years, things have been tripping along nicely for Cannie. Sure, her mother has come charging out of the closet, and her father has long since dropped out of her world. But she loves her job, her friends, her dog and her life. She loves her apartment and her commodious, quilt-lined bed. She has made a tenuous peace with her body and she even felt okay about ending her relationship with her boyfriend Bruce. But now this... 'Loving a larger woman is an act of courage in our world,' Bruce has written in a national woman's magazine. And Cannie - who never knew that Bruce saw her as a larger woman, or thought that loving her was an act of courage - is plunged into misery, and the most amazing year of her life.

* What is Chick Lit exactly? * How do I write a Chick Lit novel? * What are the steps I need to take to get published? Once dismissed as a fad by the popular press and literary community, the women's fiction genre called Chick Lit is now one of the hottest growing markets for new writers. In Will Write for Shoes, veteran Chick Lit and romance author Cathy Yardley addresses the common questions (and misconceptions) about the genre. Based on years of teaching about commercial women's fiction, this definitive guide provides invaluable tips and step-by-step methods for writing and selling a successful Chick Lit novel. Features include: * The history of Chick Lit * A blueprint for writing a Chick Lit novel * New trends in the genre * Tips and tools for breaking into the market * FAQs and miscellanea A directory of agents and publishers who acquire Chick Lit, sample submission materials, and online resources make this fun and comprehensive manual a must-have for all women who want to write a Chick Lit novel.

Chick lit: A genre of fiction that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeatedly). Girl finds Prince Charming. This Is Not Chick Lit is a celebration of America’s most dynamic literary voices, as well as a much needed reminder that, for every stock protagonist with a designer handbag and three boyfriends, there is a woman writer pushing the envelope of literary fiction with imagination, humor, and depth. The original short stories in this collection touch on some of the same themes as chick lit–the search for love and identity–but they do so with extraordinary power, creativity, and range; they are also political, provocative, and, at turns, utterly surprising. Featuring marquee names as well as burgeoning talents, This Is Not Chick Lit will nourish your heart, and your mind. Including these original stories: “The Thing Around Your Neck” by Chimamanda Ngozi Adichie “Two Days” by Aimee Bender “An Open Letter to Doctor X” by Francine Prose “Gabe” by Holiday Reinhorn “Documents of Passion Love” by Carolyn Ferrell “Volunteers Are Shining Stars” by Curtis Sittenfeld “Selling the General” by Jennifer Egan “The Seventy-two-Ounce Steak Challenge” by Dika Lam “Love Machine” by Samantha Hunt “Ava Bean” by Jennifer S. Davis “Embrace” by Roxana Robinson “The Epiphany Branch” by Mary Gordon “Joan, Jeanne, La Pucelle, Maid of Orléans” by Judy Budnitz “Gabriella, My Heart” by Cristina Henríquez “The Red Coat” by Caitlin Macy “The Matthew Effect” by Binnie Kirshenbaum “The Recipe” by Lynne Tillman “Meaning of Ends” by Martha Witt Praise for This Is Not Chick Lit “This Is Not Chick Lit is important not only for its content, but for its title. I’ll know we’re getting somewhere when equally talented male writers feel they have to separate themselves from the endless stream of fiction glorifying war, hunting and sports by naming an anthology This Is Not a Guy Thing.”—Gloria Steinem “These voices, diverse and almost eerily resonant, offer us a refreshing breath of womanhood-untamed, ungroomed, and unglossed.”—Elle

From the bestselling Bridget Jones's Diary that started the trend to the television sensation Sex and the Citythat captured it on screen, "chick lit" has become a major pop culture phenomenon. Banking on female audiences' identification with single, urban characters who struggle with the same life challenges, publishers have earned millions and even created separate imprints dedicated to the genre. Not surprisingly, some highbrow critics have dismissed chick lit as trashy fiction, but fans have argued that it is as empowering as it is entertaining. This is the first volume of its kind to examine the chick lit phenomenon from a variety of angles, accounting for both its popularity and the intense reactions-positive and negative-it has provoked. The contributors explore the characteristics that cause readers to attach the moniker "chick" to a particular book and what, if anything, distinguishes the category of chick lit from the works of Jane Austen on one end and Harlequin romance novels on the other. They critique the genre from a range of critical perspectives, considering its conflicted relationship with feminism and postfeminism, heterosexual romance, body image, and consumerism. The fourteen original essays gathered here also explore such trends and subgenres as "Sistah Lit," "Mommy Lit," and "Chick Lit Jr.," as well as regional variations. As the first book to consider the genre seriously, Chick Lit offers real insight into a new generation of women's fiction.