SHORTLISTED FOR THE GORDON BURN PRIZE 2017ROUGH TRADE BOOK OF THE MONTHLRB BOOK OF THE WEEKCAUGHT BY THE RIVER BOOK OF THE MONTHSHORTLISTED FOR THE COLLYER BRISTOW PRIZE This Is Memorial Device, the debut novel by David Keenan, is a love letter to the small towns of Lanarkshire in the west of Scotland in the late 1970s and early 80s as they were temporarily transformed by the endless possibilities that came out of the freefall from punk rock. It follows a cast of misfits, drop-outs, small town visionaries and would-be artists and musicians through a period of time where anything seemed possible, a moment where art and the demands it made were as serious as your life. At its core is the story of Memorial Device, a mythic post-punk group that could have gone all the way were it not for the visionary excess and uncompromising bloody-minded belief that served to confirm them as underground legends. Written in a series of hallucinatory first-person eye-witness accounts that capture the prosaic madness of the time and place, heady with the magic of youth recalled, This Is Memorial Device combines the formal experimentation of David Foster Wallace at his peak circa Brief Interviews With Hideous Men with moments of delirious psychedelic modernism, laugh out loud bathos and tender poignancy.

LONGLISTED FOR THE GORDON BURN PRIZE 2019 SHORTLISTED FOR THE ENCORE PRIZE 2020 Sammy and his three friends are country boys from Armagh, the disputed borderlands of a country cannbalising itself. They love sharp clothes, a drink, and a night on the town singing Perry Como's classics. Their dream is a Free State, and their methods for achieving this are uncompromising. Heading for Belfast - ground zero of the Troubles - they find themselves in the incongruous position of running a comic book shop by day. Their clandestine activities belong in the x-rated pages of graphic fiction: burglary, blackmail, extortion, torture, and murder. No criminal act is too taboo for these boys. But when punk rock arrives and the hard edge of the decade starts to reveal its true paranoid colours, Sammy finds himself increasingly isolated. Camaraderie and loyalty is the fuel of a terrorist cell. When those virtues prove faulty, the game is up - and Sammy's world starts to radically shrink. For the Good Times shouts and sings with visionary intensity and gallows humour. It is not just a book about the IRA, but an exploration of what it means to 'go rogue', and the heartbreak and devastation that commitment to 'the cause' can engender. It unpacks any dewy-eyed romance associated with the Troubles, and establishes David Keenan as one of our generation's most fearless and entertaining literary stylists.

A ROUGH TRADE BOOK OF THE YEAR CONCRETE ISLANDS NO. 1 BOOK OF THE YEAR 'In a dizzying gyroscopic vortex of inner archeology, David Keenan sifts through spiraling past lives to unearth his provocative vision of the future. A colossus of imagination' LENNY KAYE 'Visionary and prismatic, gloriously hallucinatory although grounded in the material, Monument Maker's grand sweep takes in distant historical subterrains, a shimmering summer of the present, the transient, the eternal, the profane, the divine' WENDY ERSKINE 'I sometimes think David Keenan dreams aloud. His prose has the effortless enigmatic, unsettling quality of dream' EDNA O'BRIEN 'A masterpiece' WILLIAM BASINSKI Is it possible for books to dream? For books to dream within books? Is there a literary subterranea that would facilitate ingress and exit points through these dreams? These are some of the questions posed by David Keenan's masterly fifth novel, Monument Maker, an epic romance of eternal summer and a descent, into history, into the horrors of the past; a novel with a sweep and range that runs from the siege of Khartoum and the conquest of Africa in the 19th century through the Second World War and up to the present day, where the memory of a single summer, and a love affair that took place across the cathedrals of Ile de France, unravels, as a secret initiatory cult is uncovered that has its roots in macabre experiments in cryptozoology in pre-war Europe. MONUMENT MAKER straddles genres while fully embracing none of them, a book within a book within a book that runs from hallucinatory historical epics through future-visioned histories of the world narrated by a horribly disfigured British soldier made prophetic by depths of suffering; books that interact with Keenan's earlier novels, including a return to the mythical post-punk Airdrie landscape of his now classic debut, THIS IS MEMORIAL DEVICE; whole histories of art and religion; books that are glorious choral appendices; bibliographies; imagined films; tape recorded interviews; building to a jubilant accumulation of registers, voices and rhythms that is truly Choral. Written over the course of 10 years, MONUMENT MAKER represents the apex of Keenan's project to create books that contain uncanny life and feel like living organisms. It is a meditation on art and religion, and on what it means to make monument; this great longing for something eternal, something that could fix moments in time, forever.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR A GOOD MORNING AMERICA BOOK CLUB PICK Named a Best Book of the Year by The New York Times, The Washington Post, TIME, NPR, Entertainment Weekly, Vanity Fair, O, the Oprah Magazine, Esquire, Marie Claire, Harper's Bazaar, Good Housekeeping, Refinery29, Real Simple, Kirkus Reviews, Electric Literature, and Lit Hub “A masterpiece.” —NPR “No other novel this year captures so gracefully the full palette of America.” —The Washington Post “Wryly funny, gently devastating.” —Entertainment Weekly A funny and profound story about family in all its strange forms, joyful and hard-won vulnerability, becoming who you're supposed to be, and the limits of love. Benson and Mike are two young guys who live together in Houston. Mike is a Japanese American chef at a Mexican restaurant and Benson's a Black day care teacher, and they've been together for a few years—good years—but now they're not sure why they're still a couple. There's the sex, sure, and the meals Mike cooks for Benson, and, well, they love each other. But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives in Texas for a visit, Mike picks up and flies across the world to say goodbye. In Japan he undergoes an extraordinary transformation, discovering the truth about his family and his past. Back home, Mitsuko and Benson are stuck living together as unconventional roommates, an absurd domestic situation that ends up meaning more to each of them than they ever could have predicted. Without Mike's immediate pull, Benson begins to push outwards, realizing he might just know what he wants out of life and have the goods to get it. Both men will change in ways that will either make them stronger together, or fracture everything they've ever known. And just maybe they'll all be okay in the end.

Connie Willis draws upon her understanding of the universalities of human nature to explore the ageless issues of evil, suffering, and the indomitable will of the human spirit. “A tour de force.”—The New York Times Book Review For Kivrin, preparing to travel back in time to study one of the deadliest eras in humanity’s history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing an alibi for a woman traveling alone. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received. But a crisis strangely linking past and future strands Kivrin in a bygone age as her fellows try desperately to rescue her. In a time of superstition and fear, Kivrin—barely of age herself—finds she has become an unlikely angel of hope during one of history’s darkest hours.

Winner of the Randolph Caldecott Medal and the Coretta Scott King Illustrator Award! Jean-Michel Basquiat and his unique, collage-style paintings rocketed to fame in the 1980s as a cultural phenomenon unlike anything the art world had ever seen. But before that, he was a little boy who saw art everywhere: in poetry books and museums, in games and in the words that we speak, and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own introduce young readers to the powerful message that art doesn't always have to be neat or clean—and definitely not inside the lines!—to be beautiful.

FINALIST FOR 2018 KIRKUS PRIZE NAMED ONE OF THE "BEST LITERARY FICTION OF 2018' BY KIRKUS REVIEWS "Sci-fi in its most perfect expression…Reading it is like having a lucid dream of six years from next week, filled with people you don't know, but will." —NPR "[Williams’s] wit is sharp, but her touch is light, and her novel is a winner." – San Francisco Chronicle "Between seasons of Black Mirror, look to Katie Williams' debut novel." —Refinery29 Smart and inventive, a page-turner that considers the elusive definition of happiness. Pearl's job is to make people happy. As a technician for the Apricity Corporation, with its patented happiness machine, she provides customers with personalized recommendations for greater contentment. She's good at her job, her office manager tells her, successful. But how does one measure an emotion? Meanwhile, there's Pearl's teenage son, Rhett. A sensitive kid who has forged an unconventional path through adolescence, Rhett seems to find greater satisfaction in being unhappy. The very rejection of joy is his own kind of "pursuit of happiness." As his mother, Pearl wants nothing more than to help Rhett--but is it for his sake or for hers? Certainly it would make Pearl happier. Regardless, her son is one person whose emotional life does not fall under the parameters of her job--not as happiness technician, and not as mother, either. Told from an alternating cast of endearing characters from within Pearl and Rhett's world, Tell the Machine Goodnight delivers a smartly moving and entertaining story about the advance of technology and the ways that it can most surprise and define us. Along the way, Katie Williams playfully illuminates our national obsession with positive psychology, our reliance on quick fixes. What happens when these obsessions begin to overlap? With warmth, humor, and a clever touch, Williams taps into our collective unease about the modern world and allows us see it a little more clearly.