“Anyone who spends time with Cilla Lee-Jenkins will look forward to reading her in the future.” –Booklist, starred review, on Cilla Lee-Jenkins: Future Author Extraordinaire Priscilla “Cilla” Lee-Jenkins has just finished her (future) bestselling memoir, and now she’s ready to write a Classic. This one promises to have everything: Romance, Adventure, and plenty of Drama—like Cilla’s struggles to “be more Chinese,” be the perfect flower girl at Aunt Eva’s wedding, and learn how to share her best friend. In Cilla Lee-Jenkins: This Book Is a Classic, author Susan Tan seamlessly weaves experiences as a Chinese American with universal stories about being a big sister, making friends, and overcoming fears. Cilla Lee-Jenkins will bulldoze her way into your heart in this winning middle grade novel about family, friendship, and finding your voice.

This Is a Classic illuminates the overlooked networks that contribute to the making of literary classics through the voices of multiple translators, without whom writers would have a difficult time reaching a global audience. It presents the work of some of today's most accomplished literary translators who translate classics into English or who work closely with translation in the US context and magnifies translators' knowledge, skills, creativity, and relationships with the literary texts they translate, the authors whose works they translate, and the translations they make. The volume presents translators' expertise and insight on how classics get defined according to language pairs and contexts. It advocates for careful attention to the role of translation and translators in reading choices and practices, especially regarding literary classics.

A posthumously published collection of thirty-six essays offering Italo Calvino's invigorating and illuminating analysis of his most treasured literary classics.

Introducing Cilla Lee-Jenkins: 50% Chinese, 50% Caucasian, and 100% destined to become a future author extraordinaire!

Ralph Moody was eight years old in 1906 when his family moved from New Hampshire to a Colorado ranch. Through his eyes we experience the pleasures and perils of ranching there early in the twentieth century. Auctions and roundups, family picnics, irrigation wars, tornadoes and wind storms give authentic color to Little Britches. So do adventures, wonderfully told, that equip Ralph to take his father's place when it becomes necessary. Little Britches was the literary debut of Ralph Moody, who wrote about the adventures of his family in eight glorious books, all available as Bison Books.

Following the runaway bestsellers This is New York and This is Paris, Universe is pleased to reissue another title from M. Sasek's beloved and nostalgic children's travel series. Like the other Sasek classics, This is Edinburgh is a facsimile edition of the original book that is still timely and current in every way. The stylish, charming illustrations, coupled with Sasek's witty, playful narrative, make the book a perfect souvenir that will delight both children and their parents, many of whom will remember it from their childhood. The brilliant, vibrant illustrations have been meticulously preserved, remaining true to his vision more than forty years later and, where applicable, facts have been updated for the twenty-first century, appearing on a "This is ... Today" page at the back of the book. M. Sasek has captured the very spirit, pride, and grandeur of one of the noblest places on earth in This is Edinburgh, first published in 1961. Sasek is right at home in Scotland, with its famous sights, unique character, and iconic traditions of kilt and tartan, pipes and pipers, whisky and haggis.

What Is a Classic? revisits the famous question posed by critics from Sainte-Beuve and T. S. Eliot to J. M. Coetzee to ask how classics emanate from postcolonial histories and societies. Exploring definitive trends in twentieth- and twenty-first century English and Anglophone literature, Ankhi Mukherjee demonstrates the relevance of the question of the classic for the global politics of identifying and perpetuating so-called core texts. Emergent canons are scrutinized in the context of the wider cultural phenomena of book prizes, the translation and distribution of world literatures, and multimedia adaptations of world classics. Throughout, Mukherjee attunes traditional literary critical concerns to the value contestations mobilizing postcolonial and world literature. The breadth of debates and topics she addresses, as well as the book's ambitious historical schema, which includes South Asia, Africa, the Middle East, the West Indies, Australia, New Zealand, Europe, and North America, set this study apart from related titles on the bookshelf today.