THE STORY: THIS BEAUTIFUL CITY investigates the growth of the evangelical movement in Colorado Springs. While The Civilians were conducting interviews with people involved with or affected by the mega-church movement and the battle raging over gay

"An achingly rendered exploration of queer desire, grief, and the inexorable scars of the past." —Katy Rose Pool, author of There Will Come A Darkness Death lurks around every corner in this unforgettable Jewish historical fantasy about a city, a boy, and the shadows of the past that bind them both together. Chicago, 1893. For Alter Rosen, this is the land of opportunity, and he dreams of the day he’ll have enough money to bring his mother and sisters to America, freeing them from the oppression they face in his native Romania. But when Alter’s best friend, Yakov, becomes the latest victim in a long line of murdered Jewish boys, his dream begins to slip away. While the rest of the city is busy celebrating the World’s Fair, Alter is now living a nightmare: possessed by Yakov’s dybbuk, he is plunged into a world of corruption and deceit, and thrown back into the arms of a dangerous boy from his past. A boy who means more to Alter than anyone knows. Now, with only days to spare until the dybbuk takes over Alter’s body completely, the two boys must race to track down the killer—before the killer claims them next. "Chillingly sinister, warmly familiar, and breathtakingly transportive, The City Beautiful is the haunting, queer Jewish historical thriller of my darkest dreams."—Dahlia Adler, creator of LGBTQreads and editor of That Way Madness Lies A New York Public Library Best Book for Teens 2021

To the vast literature on Plato's Republic comes a new interpretation. In Beautiful City, David Roochnik argues convincingly that Plato's masterpiece is misunderstood by modern readers. The work must, he explains, be read dialectically, its parts understood as forming a unified whole. Approached in this way, the text no longer appears to defend an authoritarian and monolithic political system, but rather supplies a qualified defense of democracy and the values of diversity. Writing in clear and straightforward prose, Roochnik demonstrates how Plato's treatment of the city and the soul evolves throughout the dialogue and can be appreciated only by considering the Republic in its entirety. He shows that the views expressed in the early parts of the text do not represent Plato's final judgment on these subjects but are in fact dialectical "moments" intended to be both partial and provisional. Books 5-7 of the Republic are, he maintains, meant to revise and improve upon books 2-4. Similarly, he sees the usually neglected books 8-10 as advancing beyond the thoughts presented in the previous books. Paying particular attention to these later books, Roochnik details, for instance, how the stories of the "mistaken" regimes, which are often seen as unimportant, are actually crucial in Plato's account of the soul. Beautiful City is certain to be controversial, as the author's insights and opinions will engage and challenge philosophers, classicists, and political theorists.

In My Beautiful City Austin David Heymann crafts seven masterful tales of a young architect who fails again and again to dissuade his clients from their bad decisions. So the houses he designs aid and abet the ongoing erasure of Austin's ambrosial charm. Each of these sharp and humorous stories centers around the design of a house, and in each the narrator struggles to understand why his clients want what they want -- a retiring couple needing an immense home in the middle of nature, a young family wanting a castle, a lawyer seeking to piss off his ex-wife -- and why they might want those things here. Collectively the stories serve as a portrait of a beloved place gone strangely wrong. Fueled by the dubious intentions of its inhabitants, Austin is a town growing madly while ignoring the pain of a thousand small cuts. But the book is equally about a young person trying to take fraught first steps into a career, and a place in the world. Architects aren't inherently powerful. They can only affect the world because they work at the center of a web of others whose value decisions -- strange and yet real -- actually drive change.Because the humor in the stories arises from the narrator's inability to alter absurd circumstances, the stories are immediately accessible to a broad readership, including adults of all ages, readers interested in Austin (a source of fascination as one of the most desirable cities in America), those interested in Texas and Texas literature, and readers interested in architecture and design.

Wilson sees the movement as its founders did: as an exercise in participatory politics aimed at changing the way citizens thought about cities.