The #lostmtns Team reveals their top Blue Mountains locations to explore, discover, eat, sleep and shop.

This Ain't Chicago: Race, Class, and Regional Identity in the Post-Soul South

Inner City Struggles tells the hardcore reality of three brothers (C Loc, TJ, and Lil Willie) growing up in these wicked LA streets. The story begins in the summer of 1985 and concludes in the year 2002. This street fiction work of art covers gang life, pimping, gambling, sex, drugs, family values, political issues, and religion. Journey with C Loc, TJ, and Lil Willie as they travel down the bumpy road of life and become men right before your eyes. Roberta the mother of the boys is the glue that keeps the family together. She displays her tough love tactics and strong will perseverance to raise her sons in to model citizens as well as taking care of her ill father. All the highs and the lows will have you glued to your seat in suspense. Welcome to the world of hood life.

While Washington, D.C., is still often referred to as "Chocolate City," it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.'s shift to a "post-chocolate" cosmopolitan metropolis by charting H Street's economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation's capital, how blackness contributes to our understanding of contemporary urbanization, and how it laid an important foundation for how Black people have been thought to exist in cities. Summers also analyzes how blackness—as a representation of diversity—is marketed to sell a progressive, "cool," and authentic experience of being in and moving through an urban center. Using a mix of participant observation, visual and media analysis, interviews, and archival research, Summers shows how blackness has become a prized and lucrative aesthetic that often excludes D.C.'s Black residents.

This classic text addresses one of the most important issues in modern social theory and policy: how social inequality is reproduced from one generation to the next. With the original 1987 publication of Ain't No Makin' It, Jay MacLeod brought us to the Clarendon Heights housing project where we met the 'Brothers' and the 'Hallway Hangers'. Their story of poverty, race, and defeatism moved readers and challenged ethnic stereotypes. MacLeod's return eight years later, and the resulting 1995 revision, revealed little improvement in the lives of these men as they struggled in the labor market and crime-ridden underground economy. The third edition of this classic ethnography of social reproduction brings the story of inequality and social mobility into today's dialogue. Now fully updated with thirteen new interviews from the original Hallway Hangers and Brothers, as well as new theoretical analysis and comparison to the original conclusions, Ain't No Makin' It remains an admired and invaluable text.

This book issues a provocative challenge to the notion, prevalent in Christian circles, that people (or their "souls") go to heaven when they die. Though deeply entrenched in Christian and Western culture, there is little or no biblical warrant for such a belief. John Davies presents a biblical theology of heaven, informed by mainstream biblical scholarship, and in the process sweeps away popular misconceptions. Be prepared to have your understanding of such cherished passages as John 14:2 ("In my Father's house . . .") challenged. But as well, this book seeks to show the more glorious dimensions of the Christian hope, our renewal as whole persons in the context of a cosmic restoration, the outcome of the victory of Jesus. Though much of the language of the Bible regarding our eternal destiny is in the form of imagery, we should continue to use such imagery, understanding it against its cultural background, rather than construct our own more impoverished mythology based more on dubious logic and sentiment.