Tenderly, hauntingly, and without fear, the thirteen sections in Thirties chronicle Andrews’ journey through a decade rife with both beauty and brutality. Each song-inspired vignette is further enlivened by thoughtfully curated photos, revealing experiences that are at once both universal and intimate In this visual storytelling companion to her upcoming album release of the same name, Andrews explores the isolation and the joy of motherhood, the loss of a lover and partner, and the experience of growing older in a world that expects you to stay young forever. Thirties resists contemplating the big, loud questions of the world, and rather, invites readers to find rest in knowing and loving themselves.

J.B. Priestley famously described the 'three Englands' he saw in the 1930s; old England, 19th-century England and the new, post-war England. In this book Juliet Gardiner provides a fresh perspective on that restless, uncertain, ambitious decade, bringing the complex experience of 1930s Britain alive.

Renowned journalist Nell Frizzell explores what happens when a woman begins to ask herself: should I have a baby? We have descriptors for many periods of life—adolescence, menopause, mid-life crisis, quarter-life crisis—but there is a period of profound change that many women face, often in their late twenties to early forties, that does not yet have a name. Nell Frizzell is calling this period of flux “the panic years,” and it is often characterized by a preoccupation with one major question: should I have a baby? And from there—do I want a baby? With whom should I have a baby? How will I know when I’m ready? Decisions made during this period suddenly take on more weight, as questions of love, career, friendship, fertility, and family clash together while peers begin the process of coupling and breeding. But this very important process is rarely written or talked about beyond the clichés of the “ticking clock.” Enter Frizzell, our comforting guide, who uses personal stories from her own experiences in the panic years to illuminate the larger social and cultural trends, and gives voice to the uncertainty, confusion, and urgency that tends to characterize this time of life. Frizzell reminds us that we are not alone in this, and encourages us to share our experiences and those of the women around us—as she does with honesty and vulnerability in these pages. Raw and hilarious, The Panic Years is an arm around the shoulder for every woman trying to navigate life’s big decisions against the backdrop of the mother of all questions.

"Speed, mobility, freedom: these governed the aesthetics of the "city of the future" as it spread its arterials across the Southern California landscape. If ever a city and a decade seemed meant for each other, it was Los Angeles and the streamlined '30s. The gloom of the Depression did little to curb the dynamism of this optimistic, greedy, sprawling metropolis. The Hollywood dream machine mirrored the aspirations of millions of Americans - a single-family home and yard, the independence of a private car on uncluttered streets, and the latest household conveniences. And L.A.'s built environment reflected the dreams, realizing in fact what the film sets offered in fantasy, with imagery ranging from up-to-date recreations of popular period styles to the stripped-classic monumentality of public buildings, and on toward the future in the sleek Moderne of curved corners, fluidly bent neon and metal tubing, and sculpted surfaces of stucco and glass brick ... Attention is focused on the types of architectural imagery used in commercial, public, and residential buildings..."--Page 4 of cover.

Love is so overrated Maya never expected to get kissed when she walked out in her ratty old hoodie (and nothing else) to get the mail. But when a shirtless god jogs down your street, grabs your face, and kisses you… you kiss that man back! Cooper is on a mission to find the love of his life, and he’s gotten desperate. Over thirty years old with more money than he could spend in his lifetime, he’s ready to spoil and love his soul mate. After hiring the beautiful woman he kissed on the street as his realtor, he’s convinced that fate has led him to her. Maya doesn’t buy into fate and definitely doesn’t want something serious. She’s not ready to become one of her baggy-eyed friends who all have two or more kids and one or less husband. But when Cooper challenges her to a week of living the married life, Maya dives in headfirst thinking she’s sure to prove that singlehood is really the way to go, even if she does end up falling head over heels.