If you work with teenagers, the question isn't if you will have a conversation about suicide, but when. Each day in the United States, over 5,240 teenagers attempt suicide. Four out of five teens who attempt suicide have given clear warning signs. Are you prepared? Do you know what to say? This book could help you save a life.

After Netflix released its popular "Thirteen Reasons Why" original series about a girl who killed herself, the topic of suicide has become viral. However, suicide has unfortunately already gone viral among teenagers in the United States. According to The Jason Foundation, * Suicide is the 2nd leading cause of death for teens. * More teens die from suicide than from cancer, heart disease, AIDS, birth defects, stroke, pneumonia, influenza, and chronic lung disease, COMBINED. * Each day in the United States, over 5,240 teenagers attempt suicide. * Four out of Five teens who attempt suicide have given clear warning signs. If you work with youth, it's not IF you will have a conversation with a teenager about suicide, but WHEN. Are you prepared? Do you know what to say? Do you know who to contact or what to do? This guide equips you with 13 steps as suggested by counselors, therapists, and the National Suicide Hotline for how to engage teenagers in crisis. This 2nd Edition includes two extra chapters of hope, one of which consists entirely of letters written by high school students to encourage those who are suicidal. NOTE: This book is NOT intended for those struggling with suicidal thoughts. This guide intended to be a tool to help those who may find themselves in a conversation with a suicidal teenager.

THE #1 NEW YORK TIMES AND INTERNATIONAL BESTSELLER **THE BOOK THAT STARTED IT ALL, NOW A NETFLIX ORIGINAL SERIES** “Eerie, beautiful, and devastating.” —Chicago Tribune “A stealthy hit with staying power. . . . thriller-like pacing.” —The New York Times “Thirteen Reasons Why will leave you with chills long after you have finished reading.” —Amber Gibson, NPR’s “All Things Considered” You can’t stop the future. You can’t rewind the past. The only way to learn the secret . . . is to press play. Clay Jensen returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Baker—his classmate and crush—who committed suicide two weeks earlier. Hannah's voice tells him that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he'll find out why. Clay spends the night crisscrossing his town with Hannah as his guide. He becomes a firsthand witness to Hannah's pain, and as he follows Hannah’s recorded words throughout his town, what he discovers changes his life forever. Need to talk? Call 1-800-273-TALK (8255) anytime if you are in the United States. It’s free and confidential. Find more resources at 13reasonswhy.info. Find out how you can help someone in crisis at bethe1to.com.

The second book in the New York Times, Wall Street Journal, and USA Today bestselling Rose Gardner Mystery series. When Rose reports for Fenton County jury duty she figures she’s lucky to get out of a morning working at the DMV. Instead, despite a disastrous encounter with the new assistant district attorney, Mason Deveraux, she’s picked as a juror on a murder case. As the case progresses, she realizes an ominous vision she had in the men’s restroom proves the defendant is innocent. And there’s not a cotton picking thing she can do about it. Or is there? As if things weren’t bad enough, Rose’s older sister Violet is going through a mid-life crisis. Violet insists that Rose stop seeing her sexy new boyfriend, Arkansas state detective Joe Simmons, and date other men. Rose is done letting people boss her around, but she can’t commit to Joe either. Still, Rose isn’t about to let the best thing in her life slip away.

From the American Revolution to the end of World War II, the United States spent nineteen years at war against other nations. But since1950, the total is twenty-two years and counting. On four occasions, U.S. presidents elected as "peace candidates" have gone on to lead the nation into ferocious armed conflicts. Repeatedly, wars deemed necessary when they began have been seen in retrospect as avoidable, Äîandill-advised. Americans profess to be a peace-loving people and one wary of "foreign entanglements." Yet we have been drawn into wars in distant lands from Vietnam to Afghanistan. We cherish our middle-class comforts and our children. Yet we send our troops to Fallujah and Mogadishu. How is it that ordinary Americans with the most to lose are so easily convinced to follow hawkish leaders-of both parties-into war? In Reasons to Kill noted scholar Richard E. Rubenstein explores both the rhetoric that sells war to the public and the underlying cultural and social factors that make it so effective. With unmatched historical perspective and insightful commentary, Rubenstein offers citizens new ways to think for themselves about crucial issues of war and peace.

The New York Times bestselling work of undercover reportage from our sharpest and most original social critic, with a new foreword by Matthew Desmond, author of Evicted Millions of Americans work full time, year round, for poverty-level wages. In 1998, Barbara Ehrenreich decided to join them. She was inspired in part by the rhetoric surrounding welfare reform, which promised that a job—any job—can be the ticket to a better life. But how does anyone survive, let alone prosper, on $6 an hour? To find out, Ehrenreich left her home, took the cheapest lodgings she could find, and accepted whatever jobs she was offered. Moving from Florida to Maine to Minnesota, she worked as a waitress, a hotel maid, a cleaning woman, a nursing-home aide, and a Wal-Mart sales clerk. She lived in trailer parks and crumbling residential motels. Very quickly, she discovered that no job is truly "unskilled," that even the lowliest occupations require exhausting mental and muscular effort. She also learned that one job is not enough; you need at least two if you int to live indoors. Nickel and Dimed reveals low-rent America in all its tenacity, anxiety, and surprising generosity—a land of Big Boxes, fast food, and a thousand desperate stratagems for survival. Read it for the smoldering clarity of Ehrenreich's perspective and for a rare view of how "prosperity" looks from the bottom. And now, in a new foreword, Matthew Desmond, author of Evicted: Poverty and Profit in the American City, explains why, twenty years on in America, Nickel and Dimed is more relevant than ever.